Gold Diggers (2020) by Sanjena Sathian

 1,001 Novels: A Library of America

Gold Diggers (2020)
by Sanjena Sathian

1400 Dunwoody Village Pkwy SUITE #1406

 Atlanta, Georgia

Georgia 11/26

    You'd think there would be more novels written by the sons and daughters of the Indian diaspora in America but one gets the sense that writing fiction is secondary to becoming a doctor, scientist or venture capitalist. The post World War II South Asian immigrants to the United States mostly arrived as graduate students in hard-science/technical subjects- they had top degrees from elite Indian universities.  There's a much smaller subset of small-business owning immigrants who were fleeing turmoil- your NYC cabbies and gas station owners, but mostly the South Asian experience in the US has been small families: Dad, Mom and one or two kids.  Dad works as a scientist or doctor or in computers, Mom stays at home or has some kind of home business.  Kids are under intense pressure to do well.  

   In that regard, what must be mildly embarrassing for Sathian's own parents (she went to Yale for undergraduate and then went to, sigh, the Iowa Writer's Workshop), is great for readers.  Sathian's magical realist/coming of age drama is a rare depiction of the inner lives of two families of reasonably well off Indian American immigrants living in suburban Atlanta.  Sathian's protagonist is feckless male high school student who moons over his more successful neighbor-girl, also Indian American.  One night he stumbles over her neighbor's secret:  Her mom is creating a drink out of stolen gold as a way to harness the ambitions of others.   Sathian goes light on the lore- I sense the hand of the market at work, but that doesn't detract from a lively tale. 

  I could actually identify somewhat with these characters- some of the action takes place in the Bay Area and some of Sathian's high school portraits reminds me of Indian American girls who went to my own, highly selective high school in Oakland.   I was glad to get this window into a world that had always seemed opaque to me as a high school/college/law school student.

The Buffalo Hunter Hunter (2025) by Stephen Graham Jones

 Audiobook Review

The Buffalo Hunter Hunter (2025)

by Stephen Graham Jones

  Stephen Graham Jones is an enrolled member of the Blackfeet nation in Montana.  He is also a prolific author of genre fiction, with a bibliography that dates back to 2000, and usually with one publication a year, or two publications in one year and none in the next.  I'd never heard of him until he published The Only Good Indians, which was picked up by Simon & Schuster and represented a step up in authorial profile and out of the limitations of genre fiction (his previous publisher was Tor- a science fiction/fantasy/horror genre specialist.)

  I actually didn't like The Only Good Indian and didn't finish the Audiobook I checked out from the library, but that could have had something to do with the pandemic era publication date.  I also didn't know about the author's tribal affiliation, which makes a big difference in distinguishing genre horror from speculative but literary fiction.  The Buffalo Hunter Hunter, to me, is like, a riff on Interview with a Vampire but with the intent to actually say something about its historical era, instead of using the historical elements as scenery for the soap-opera plot.  It is also very much a horror novel with a very...um. visceral and uniquely Mountain West take on the familiar tropes of vampire lit.

  The format. a mysterious, black-clad Native American with an acute sensitivity to sunlight shows up one day in a late 19th century Montana frontier church whose minister has his own connections to the events that have touched the life of the stranger.  He insists on unburdening himself to the preacher over a series of evenings, and then the preacher recounts the events to his journal.

  Jones uses a somewhat awkward but historically accurate/appropriate framing device for this sort of 19th century yard, a present-day graduate student in western history who is the last descendant of the frontier preacher and who comes into possession of his narrative.  Considering his lengthy publication history, it's hard not to suspect that Jones is writing with editorial guidance about maximizing the potential for what I would imagine would be an FX miniseries adaptation.   More power to him- I think it would be a great tv show/movie, but you'd have to get the violence right, which would be tough. 

  The Audiobook is also good for this book because you get the Native American narrator voice, which I wouldn't have wanted to do in my head, reading a paper/e copy at home.

The Emperor of Maladies by Siddhartha Mukehjee

 100 Best Books of the 21st Century (New York Times)

The Emperor of Maladies (2010)

by Siddhartha Mukehjee

#84

   I'm wrapping up the non-fiction portion of the 100 Best Books of the 21st Century (New York Times) list.  I'm not sure if I'm going to do the fiction portion, since most of the books I haven't read from that part of the list are books I already know about and don't want to read.   I'm busy enough with my day job these days that I don't feel compelled to read as much during my leisure time.  I listened to the Audiobook version over a period of months.  It's a 22 hour listen, and frankly, 22 hours of listening to the history of the treatment of cancer proved to be a bit of a slog. 

   The take-away is that curing cancer is incredibly complicated because cancer itself is incredibly complicated.  Really, the history of cancer is the history of medicine itself.  No disease has attracted more attention from scientists seeking a cure, and The Emperor of Maladies was written at the cusp of the modern period, where a decline in the cost of genetic sequencing of individuals has made "curing cancer" a realistic prospect for a small but growing cohort of sufferers.   The major issue, as it turns out, is that each cancer is genetically different, and a cure requires sequencing the genetics of the cancer cells for a particular person.  

   Mukehjee does have lots to say about the causes of cancer, which can either be incredibly reassuring or the equivalent of a death sentence with no execution date.  Genetics plays a huge role in who does or doesn't get cancer, as do environmental factors and personal choices, but it really isn't only one thing or the other.  One fact I did take away is that family history is super important- if cancer runs in your family you are susceptible to it no matter how hard you try to stay away from risk factors, conversely, if no one in your immediate family has had cancer, you are more likely to get away with risky personal choices and environmental exposure. 

The Love Songs of WEB Dubois (2021) by Honore Jeffers

 1,001 Novels: A Library of America

The Love Songs of WEB Dubois (2021) 

by Honore Jeffers 

Eatonton, Georgia

Georgia 10/26

  I love a writer with some ambition, even if I don't love the book.  That's the case here with The Love Songs of WEB Dubois, a debut novel with some gusto written by author/professor Honore Jeffers.  It would be fair to call this book "over-stuffed" in that it covers multiple generations (and multiple characters within each generation) of a mixed-race but basically African-American family that has done well in 19th and 20th century Georgia without getting into any trouble.   The main protagonist is Ailey Pearl Garfield, one of three sisters and the daughter of a medical doctor and his wife.   She is pretty clearly a stand-in for the author herself, as her experiences and physical description mirror that of the author. 

 

  At 816 pages, the plot resembles something like a 19th century Russian novel written by Dostoyevsky or Tolstoy but the subject matter is distinctly modern, with a strong current of child-sexual abuse and its consequences running through the family from start to finish.  I thought The Love Songs of WEB Dubois wasn't perfect, but it was interesting, and it will certainly be a top 5 book from Georgia and top 10 for the Chapter (Georgia/Florida/Louisiana/Alabama/Mississippi). 

Kira-Kira (2004) by Cynthia Kadohata

 1,001 Novels: A Library of America

Kira-Kira (2004)

by Cynthia Kadohata

Chesterfield, Georgia

Georgia: 9/26

   Kira-Kira is a YA book about the experiences of a Japanese-immigrant family living and working in rural Georgia.  In some ways Kira-Kira is different than the vast amount of immigrant struggle narratives in the 1,001 Books project, in that the family here works hard and doesn't spend the entire book complaining about how hard it is to be an immigrant in America, which, if you take the books in this project as the sample-set, constitutes about 90% of the immigrant experience.   It is similar in that, like other books told from the perspective of a young child, the protagonist doesn't go anywhere or do anything for the most part, just sits around and thinks about her family circumstances.    The benefit of that approach in the context of this particular project is that the narrator in these situations has plenty of time to slowly meander through whatever American setting is involved.  Here, it's rural Georgia, which is on no one's list of top places to visit.   At least the racism and discrimination experienced by this Japanese immigrant family is leavened by their unfamiliarity to locals.  

Postwar: A History of Europe Since 1945 (2010) by Tony Judt

 Audiobook Review

Postwar (2010)

by Tony Judt

  Postwar: A History of Europe Since 1945 was itself published in 2010, which puts it on the edge of being out-of-date, but I couldn't turn down the opportunity to listen to the 40 hours plus Audiobook.  It took me months, because like many titles in the LA public library system, they have one or two permanent copies of many titles, and you have to wait months between check-outs.  I'm not complaining about it, just saying it happens with longer books.  At one point I had thought that the book blog aspect of this endeavor would be focused on history, not fiction/literature, but there is a real lack of content, as the kids would say.  Cutting edge history is the domain of for-pay journals or graduate student work that isn't published.  Popular history in the United States basically means books about "the wars" (Revolutionary, Civil, World I, World War II, Vietnam) or "the presidents."   Leading writers of popular history in the US would have to include Bill O'Reilly, again, not complaining, just describing the market for history books in this country.

   Subjects that fall outside those two categories are few and far between.  I use the Bancroft Prize, which focuses on the Americas, and the Pulitzer for proxies on history books that are making the scene, but for subjects outside the US, it is even worse, in terms of supply.  Thus, Postwar, despite or perhaps because of its length, is a rare treat, a contemporary work of popular history about a subject that isn't America based (although the US does pop up relentlessly in the context of the subject), writing about areas (Central, Eastern, Southern Europe) that I don't here much about on a day-to-day basis.   In print, Postwar is 960 pages long, and I feel like that wouldn't include an index let alone footnotes.  Maybe an Index.   Judt starts at the end of World War II and methodically works his way forward, area by area, using contemporary, specialist sources to write a book for generalists (although, 960 pages calls that term into question). 

  Were it not for the Audiobook, I'm quite sure I would have never read  Postwar in print, if only because, closing in on turning 50, I believe that physically reading a book over 500 pages, in paperback or hardback, is a real ordeal.

    Trying to say anything about Postwar is tough because the subject is so large- like reading a book called History and then being asked to describe it.   The major trend is the rise and fall of Communism, though Judt's major contribution to this subject matter is combining that more familiar story with the first chapter of the European Union story.    The cut-off point in time leaves the reader wondering whether the accession of Eastern and Central European states will prove a success, and with the Ukranian conflict not even on the horizon. 

   I guess, the parts I found most relevant to the present situation were the chapters about the rise of post-communist populist/nationalist movements in central, southern and eastern Europe.  Postwar cuts off too soon to cover Brexit, and Le Pen makes a brief, late appearance, but the stuff about the split between the Czechs and the Slovaks, the situation in Hungary- where Victor Orban appears as a rabble-rouser, not yet in power and the conflict in the former Yugoslavia all gave me pause.   Another theme, or rather, absence of a theme, is any premonition that Ukraine and Russia would begin a now decade long war over...?.?>? only four years after the publication date.

  With the benefit of reading Postwar I would now argue that the war was precipitated by the eastern reach of the E.U., and Russia's feelings about that vis a vis Ukraine, which for many is considered a part of Russia and whose independence movement is fraught with Nazi's, Neo-Nazi's and the far right.  I could go on. 

The Director (2025) by Daniel Kehlmann

 Audiobook Review

The Director (2025)

by Daniel Kehlmann

  I think Daniel Kehlmann is my favorite German-language author.  I enjoyed both Measuring the World- which is a 1001 Books to Read Before You Die pick, and Tyll, his medieval jester novel.  I like his take on historical fiction, dark, but also funny.  The problem with historical fiction is that it typically treats the past like we view the present i.e. a perfectible world with characters who possess a positive attitude about the capabilities of humanity to solve its own problems.  Of course, no one thought like this until well into the mid/late 20th century, and yet in work after work of historical fiction the protagonists evince an eagerness to investigate and solve problems that, IMO simply didn't exist in the past.  People just accepted shit, back in the day.

  The Director is about German auteur G.W. Pabst who inauspiciously left Hollywood right before the beginning of World War II to return to the embrace of the Reich, which chose to overlook his past indiscretions (he was own as "Red Pabst" because of his Communist sympathies) and co-opt his talents. After a slow start, The Director really picks up in the second act, when Pabst begins working for the regime.  After that point, it's a wild ride.

Eviction (2016) by Matthew Desmond

 100 Best Books of the 21st Century (New York Times)

Eviction (2016)

by Matthew Desmond

#16

  The overriding theme of the non-fiction portion of the 100 Best Books of the 21s Century by the New York Times is "getting to know the underclass."  It is poverty, more than race or gender, which interests the voters for this project.  Like Nickle and Dimed by Barbara Eisenreich,  Eviction is a laser-focused sociology-inspired work of reportage from the front lines of the housing crisis as represented by Milwaukee, Wisconsin.  Desmond moved into a particular trailer-park for some of his time researching this book, and the trailer park really takes center stage.

  My abiding conclusion after listening to Eviction is the same thing James Baldwin said, "Poverty is expensive."  In other words, if you can't exist on a day-to-day basis you end up paying MORE for things like food and shelter.  The best example from these pages is the practice of landlords having tenants' possessions removed to a storage unit facility, where they are then charged for keeping their possessions even after they are rendered homeless.  

Purple Cane Road (2000) by James Lee Burke

 1,001 Novels: A Library of America

Purple Cane Road (2000)

by James Lee Burke

New Iberia Parish, Louisiana

Louisiana: 3/28

    Purple Cane Road is one of 24 volumes in James Lee Burke's Dave Robicheaux series- about a Louisiana sheriff's deputy who isn't afraid to use investigatory techniques that should probably get him fired.  This being Louisiana, he does, not, apparently get fired in this or any other book.  He is also obsessed with the solving the mystery of who murdered his Mom (aren't we all?)  This book weaves what can only be described as a familiar mix of police procedural and criminal deviousness, with a well-mannered hit man and a loose-cannon sidekick filling in the cast.  I listened to the Audiobook- which- like some other parts of the country, I like because the narrators do accents that I could not do in my head.

Orleans (2013) by Sherri L. Smith

 1,001 Novels: A Library of America

Orleans (2013)

by Sherri L. Smith

New Orleans, Louisiana 

Louisiana: 2/28

   This is a YA post-apocalyptic title, set in a New Orleans which has been disenfranchised from the rest of the country after a series of horrific hurricanes and the consequent emergence of a fever which infected all the remaining residents.  I could not believe that this book- which is almost entirely about tribes divided by blood types and the raids that go back and forth as people try to steal blood from one another.  The narration is split between a local teen and an outsider, Daniel a scientist with the military who is researching a cure for the fever.

   Again, I was startled that a book marketed to teens would contain so many scenes of cringe-inducing blood theft and minors being raped as a matter of course, but what do I know.