Nonesuch (2026) by Francis Spufford

 Audiobook Review

Nonesuch (2026)

by Francis Spufford

    I really enjoyed English author Francis Spufford's last book, Cahokia Jazz, an alt-history work of detective fiction where Native Americans survived and evolved in parallel with Euro-Americans in the Midwest.  I really, really loved the alt-history part of Cahokia Jazz whereas the actual story was a pretty straightforward take on detective fiction.  Here, my preferences swung in the other direction, I wasn't wowed by the scenario, but I found the actual plot and characters interesting.   In Nonesuch, Spufford has moved back to the UK, where he finds his protagonist, Iris Hawkins, staring down the barrel of World War II.  Hawkins is a self-described "Suburban Slut," and a second generation "City" girl, where she works for a stockbroker of the Jewish persuasion and dreams of achieving financial success as a female stockbroker (literally illegal in that time and place.)   

    One night she ditches her date and finds herself at an avant-garde film party where one-reel art films are played over phonographic records.   There, she meets her romantic interest, Geoff, a technician in the nascent television department of the BBC as well as her nemesis, Lady LaLage Cunningham, a British Aristo Fascist.   The plot involves the occult, and an attempt by the British Fascist movement to travel back in time and prevent England from coming into the war against the Nazi's.   Along the way she learns about her feelings and has a decent amount of lit fic sex- Spufford must have been keeping tabs on the romantasy trend, because there was exactly zero sex in Cahokia Jazz.

The Grandissimes: A Story of Creole Life(1880) by George Washington Cable

1,001 Novels: A Library of America

The Grandissimes: A Story of Creole Life (1880)

 by George Washington Cable 

New Orleans, Louisiana

Louisiana: 18/28

  I thought there would be more 19th century American literature in the 1,001 Novels: A Library of America but thus far it hasn't been the case.  The Grandissimes is the only 19th century title in this entire Chapter and I'm pretty sure there wasn't a single 19th century book in the prior chapter.   The preface to this edition calls The Grandissimes "the first modern southern novel," thought they can only mean that it is the first modern by novel BY rather than ABOUT the south, since Uncle Tom's Cabin was published in 1852 and is certainly "about" the south.   The Grandissimes, set in the beginning of the 19th century (before New Orleans was an American city) is named after a local family with a white part and a "F.M.O.C" or "free man of color" part. Cable uses the conventions of 18th century gothic fiction- masked balls, confusing correspondence to heighten the drama of conflict between the white Grandissime and the colored one through the deployment of various proxies- a newly arrived white pharmacist, a creole voodoo priestess.  It is, to be honest, confusing and reminded me again about how fiction influenced by 18th century fiction and early 19th century fiction can feel "post-modern" when it is actually "pre-modern." 

   This is the first 19th century American novel I've read in some time, and I suppose the knock on second-tier semi-classics like this one is that they are too derivative of their inspirations.  Here, it's hard to find anything that doesn't seem directly lifted from Sir Walter Scott.

Pariah and Other Stories (1983) by Joan Williams

 1,001 Novels: A Library of America

Pariah and Other Stories (1983)

by Joan Williams

Arkabutla, Mississippi

Mississippi: 11/18

   I read this slim volume of short stories sitting in court in a single afternoon, waiting for my matter to be called.   Pariah is geographically distinct because it is the northwestern location within the entire chapter spanning Florida to Louisiana.  Louisiana is further west but the northern border of Louisiana is miles south of the northern border that runs through Georgia, Alabama and Mississippi.  Thus, Arkabutla is closer to Memphis than any large population center in Mississippi. 

  Williams is best known as a protege of William Faulkner- her bare bones Wikipedia page is almost comical in its lack of biographical detail- surely Joan Williams is a candidate for a literary revival?  Perhaps though it's the perspective- like Flannery O'Connor her characters are losers and weirdos- the collection of short stories beginning with three interconnected stories about a mentally challenged person.  There is frequent and unkind use of the n-word- many of these characters can be described as poorer whites who fear and resent the incipient Civil Rights movement, a frequent subject of discussion among the characters.  

 I can see how folks might shy away from reviving stories like these, but I found the obtuseness refreshing, as well as the literary ambition.

The Awakening (1899) by Kate Chopin

1,001 Novels: A Library of America

The Awakening (1899)

by Kate Chopin

Grand Isle, Louisiana

Louisiana: 17/28

  No re-reads!  Man, that is a sassy-ass write up below- written during my year of divorce, clearly.  I stand by the analysis, though. 

The Awakening by Kate Chopin (10/17/13)

1,001 Books to Read Before You Die
The Awakening (1899)
by Kate Chopin

  The Awakening by Kate Chopin is often called the American Madame Bovary.  That makes her the fourth and last of the national Bovaries.  Let's see- you've got the original by Flaubert, the Russian Anna Karenina by Tolstoy and the German Effi Briest.  Although The Awakening is the only book of the four to be written by an actual woman there is nothing about it that marks off the presence of a female authorial voice.  The Madame Bovary of the awakening is Edna Pontellier, a bored New Orleans house wife of a wealthy Creole stock market guy.  Edna is unhappy, but she doesn't know why, oh, it must be her husband whom she decides that she no longer loves.

 It is impossible to read any of the quartet of national Bovary novels without reflecting on my own experience.  I have heard the words of Bovary/Karenina/Briest/Pontellier from the mouth of my own wife, and I've been through the marriage therapy sessions that these women lacked, so I am intimately familiar with the thought process that leads a woman from a "happy" marriage to an "unhappy" marriage without any assistance from a disrespectful or malevolent husband.  That is something that all of these protagonist's share in common:  A husband who doesn't "do" anything to merit abandonment.

After reading all four novels I am left with the abiding conviction that all four husbands make the same mistake of treating their wives with respect.  It seems like if all four of these characters had been treated with a bit less respect, they might have stayed married.  Perhaps they would have been unhappy, but they all seem to be pretty unhappy post separation as well, so it hardly seems like an unfair swap.

Ten Seconds (1991) by Louis Edwards

 1,001 Novels: A Library of America

Ten Seconds (1991)

by Louis Edwards

Lake Charles, Louisiana

Louisiana: 16/28

   Ten Seconds is another familiar tale from the American South, albeit told with some literary ambition. Louis Edwards frames the flashback intensive format through the ten seconds it takes to run a forty-yard sprint, with the narrator reflecting on the poor choices he has made regarding his family, particularly in regard to his wife and young children.   It is well trodden territory for the 1,001 Novels: A Library of America.  I did enjoy the depiction of the narrator's commute the petro-chemical plant where he works- here in Southern California "the commute" is a huge part of everyday life, but I can't think of a single book so far- at least since the chapter on New Jersey, where commuting is even something a character does. 

Biloxi (2019) by Mary Miller

 1,001 Novels: A Library of America

Biloxi (2019)

by Mary Miller

Willow Avenue and Volunteer Park, Biloxi, Mississippi

Mississippi: 10/18

   Louis MacDonald is a recently divorced 63-year-old man, someone who has retired early from an unspecified job/career in anticipation of a substantial inheritance from his deceased father.  As the book opens, MacDonald is at what you would call "loose ends": He adopts a dog under mysterious circumstances from a quasi-neighbor and spends time drinking full sugar Coca-Cola and ignoring warnings from his doctor about his incipient diabetes.  MacDonald is one of those adult American men who doesn't know how to care for himself- he is seemingly unable to cook for himself and mostly relies for sustenance on leftovers his sad-dad apartment compels neighbor brings home from his job cooking at a chain restaurant (are there any other kinds, here in Biloxi, Mississippi.) 

   I've hit a mini streak of his pathetic protagonists inside the 1,001 Novels: A Library of America. The southeastern Louisiana coast doesn't have a monopoly on the character type, but there is no denying the affinity between the bleak landscape and the bleak lives.  You could put this novel and Frederick Barthelme's Waveland back-to-back and maybe not notice the switch from one book to the next.   The third 1,001 Novels selection from this stretch of coastline is the similarly bleak Where the Line Bleeds by Jesmyn Ward, which at least had the benefit of solidly depicting the landscape in a way that the protagonists in Biloxi and Waveland seem incapable of doing.  

  

Now I Surrender (2026) by Alvaro Enrique

 Audiobook Review

Now I Surrender (2026)

by Alvaro Enrique

Translated by Natsha Wimmer

 I am a big fan of Mexican author Alvaro Enrique.  I was especially excited for the English language translation of his 2016 novel, Now I Surrender, a combination of multiple novellas taking place in Apacheria.  At times, Now I Surrender reminded me of Roberto Bolaños, 2666, of the corpus of work by Teju Cole and of course, Cormac McCarthy, the forever laurearte of the North American desert Southwest.  The first strand of Now I Surrender is the McCarthy-esque bit- a 19th century Mexican army captain leading a rag-tag bunch of "troops" in search of a kidnapped Mexican woman.  This portion contains the kind of hard to stomach violence that one associates with McCarthy's border trilogy, though the characters have a distinctly Mexican point-of-view, vastly different from McCarthy's affectless Americans.

 The second strand is a writing/rewriting of the events surrounding the capture of Geronimo and the last band of wild Apache Indians.  This section is more like Enrique's other work- a poetic reimagining of very real historical events, with characters who sound like modern people.  

  The final strand is a Teju Cole Esque part about a character who sounds very much like the Author- a Spanish language writer of some repute, living in New York City and struggling with his split Mexican/Spanish identity.  Seeking clarity, he takes his wife and children on a tour of Apacheria, where he muses on the subjects in the other two stands of the book.

  At first, I was a little disappointed, but as the book moved forward, I found myself engaged.  Even though this book was published a decade ago, it still felt fresh, like it could have been published this year. Highly recommend this book and the rest of Enrique's bibliography, he is one of my favorite active writers in any language.

Waveland (2009) by Frederick Barthelme

 1,001 Novels: A Library of America

Waveland (2009)

by Frederick Barthelme

Waveland, Mississippi

Mississippi: 9/18

  Frederick Barthelme is the younger brother of noted American postmodernist author Donald Barthelme- who showed up in the 1,001 Books to Read Before You Die list a couple times- enough for me to get the drift that he is a difficult writer to actually enjoy, and to be confused by his prose, which is kinda the point with his brand of postmodernism.  Frederick is a different kind of author, call him a minimalist or maybe a pointillist, in that he specializes in the minutiae of everyday life, often written from the perspective who are going through it.

   His protagonist here is a semi-retired, semi-divorced architect doing a whole lot of nothing in coastal Louisiana. Waveland's characters stood out to me because the protagonist, at least, seemed more like a familiar "coastal elite" of literary fiction than a southerner, let alone a Cajun. His ex-wife and the other characters are more southern specific.  Barthelme does a good job evoking the landscape, a combination of the acuity of his protagonist, the fact that he has plenty of time to sit around and look at stuff and the distinctiveness of the landscape itself.  For example, you know when there is a house on stilts that plays into the plot, you know you can only be in a certain region of the country.

 Unlike most of the books from this part of the country there are no horrific, traumatizing incidents involving race, gender, sexuality or some combination of the three.  Low stakes fiction, but a pleasure to read. Maybe I identified a bit too closely with his protagonist. 

Capitalism (2025) by Sven Beckert

 Book Review

Capitalism: A Global History (2025)

by Sven Beckert

  I don't care about money all that much, but I'm obsessed with Capitalism, particularly the history of capitalism.  I'm also a fan of historian Sven Beckert- I really liked his Empire of Cotton, which I read back in 2019.  I also enjoyed his anthology Slavery's Capitalism, which I read in anticipation of the release of this book.   As much as I'm interested in any single subject in world history it is the history of capitalism.  Beckert's effort is laudable and about as good as any book for a general readership which takes in this entire subject in one volume is going to get.

 Much of what Beckert seeks to establish is the global part- recognizing that capitalism is NOT just something that happened during the industrial revolution in northwest Europe.  Beckert identifies an idea of the pre-modern capitalism of "nodes" or islands, of merchant driven capitalism that extend back to the dawn of civilization, in places like Oman, India and Venice.  These were physically small places where capitalism was defined by long-distance trade, and its exponents were merchants. 

 He then moves to what is probably the most important, and least well understood chapter, the era of "War Capitalism" which lay-people know as the colonial period, where western polities (and later, Japan) expanded into the New World and Africa and established a commodity-production model of capitalism that relied heavily on clearing land of indigenous peoples and replacing them with huge, single product plantations powered by slave labor.  Historically, defenders of capitalism sought to distance it from this epoch, but Becker relies on a half-century of scholarship which places War Capitalism and slavery at the center of the world-capitalist experience. 

 The War Capitalist chapter is really the high-point, with Beckert synthesizing a lot of scholarship that may be unfamiliar to a casual reader.  After that, everything gets pretty predictable:  The initial industrial revolution, the second aka "Fordist" industrial revolution, the rise of consumer capitalism, etc.  There wasn't much after the war capitalism chapters that really held my attention but it is hard not to appreciate Beckert's ability to make a dry subject (economic history) come to life for something resembling a general audience.

Can't Quit You, Baby (1988) by Ellen Douglas

 1,001 Novels: A Library of America

Can't Quit You, Baby (1988)

by Ellen Douglas

Jackson, Mississippi

Mississippi: 8/18

  Ellen Douglas was a writer of southern domestic fiction (and the pen name for Josephine Haxton).  According to her 2012 New York Time obituary, her wheelhouse was domestic fiction with post-modern influences (she cited Milan Kundera as a primary influence).  In books like Can't Quit You, Baby, much of the action took place inside the home, with the characters telling each other tales from their past.   In this book, domestic servant Tweet and lady-of-the-house Cornelia, spend the entire time prepping a meal in the kitchen.  Within this framework, they both reminisce, with much of the spoke banter between the two revolving around the fact that Cornelia is both literally and figuratively deaf to Tweet's experience. 

  As the book goes on, the reader learns that Cornelia, too, has had her struggles, including escaping her mother's home to marry her Irish American beau during World War II and a son who marries a somewhat questionable mother-of-two against her wishes.  Tweet's struggles are center stage, particularly her experience with her dying guardian-Grandfather and her dissolute father, who returns only to steal her inheritance.