Published 12/21/23
1001 Novels: A Library of America- Massachusetts
Strongest literary state of the six New England locations, by far. I feel pretty strongly about the top 4 in that order and the entirety of the top 10. The last twenty books on that list were pretty wretched. Every title between 20 and 30 was borderline excruciating. It's clear that Susan Straight's editorial vision encompasses popular fiction as well as literature.
1)Moby Dick by Herman Melville
2)The Handmaid's Tale by Margaret Atwood
3)The Scarlet Letter by Nathaniel Hawthorn
4)The Wedding by Dorothy West
5)The Parking Lot Attendant by Nafkote Tamirat
6)Mystic River by Dennis Lehane
7)Little Women by Louisa May Alcott
8)Promised Land by Robert Parker
9)The Good Thief by Hannah Tinti
10)We Love You Charlie Freeman by Kaitlyn Greenidge
11)White Ivy by Susie Yang
12)Unraveling by Elizabeth Graver
13)Leaving Pico by Frank X. Gaspar
14)Born Slippy by Tom Lutz
15) Beyond That the Sea by Laura Spence-Ash
16)Union Dues by John Sayles
17) Faith by Jennifer Haigh
18)April Morning by Howard Fast
19)An Arsonist’s Guide to Writers’ Homes in New England(2007) by Brock Clarke
20)Caucasia by Danny Senza
21)Vida by Marge Piercy
22)Mermaid in Chelsea Creek by Michelle Tea
23)The Wishing Hill by Holly Robinson
24)Father of the Rain by Lily King
25)The Thing About Jellyfish by Ali Benjamin
26)The Woman Upstairs by Claire Messud
27)Dont' Ask me Where I'm From by Jennifer de Leon
28)Meeting Rozzy Halfway by Caroline Leavitt
29)The Giant's House by Elizabeth McKracken
30) Illumination Night by Alice Hoffman
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| Map showing locations of North American Red Lobster's. |
Published 7/11/23
Last Night at the Lobster
by Stewart O’Nan (2007)
New Britain, Connecticut
Connecticut: 1/9
Connecticut and Rhode Island close out the New England chapter of the 1001 Novels: A Library of America with nine title each. I'm going to finish off New Hampshire, Vermont, Connecticut, Rhode Island, do the non-Boston metro books of Massachusetts's(all of nine of them) then close out New England with the Boston area titles (21 books). Then I'll cut it all down to two posts and pick my top ten New England books from this list.
Last Night at the Lobster is just what it says it is, a novella almost about the last shift at a New Britain, Connecticut area Red Lobster. The narrator is Manny, the restaurant manager, who has ample cause to reflect on an evening where severe weather limits the number of diners. O'Nan is exceptionally sympathetic to his subjects and to the Red Lobster itself, which comes across as humbly dignified community meeting spot. As for Connecticut, there isn't much to say- I looked up a map of all the Red Lobsters in North America and there is nothing New England/Connecticut specific about the chain. Other than the snow, the only local flavor is the backstory of a waitress whose partner is an undocumented West Indian immigrant who is well know for his cricket prowess in the area.
At least Last Night at the Lobster escapes the bedroom suburb milieu of most of the other Connecticut titles on the list. Those books promise to try my patience.
Published 7/19/23
Talent (2019)
by Juliet Lapidos
New Haven, Connecticut
Connecticut 2/9
My high school girlfriend went to Yale- Talent- the sole novel by American journalist Juliet Lapidos- is set at Collegiate University in New Harbor Connecticut- it's obviously supposed to be Yale. Lapidos did her undergraduate degree at Yale. Anyway- I visited New Haven on a cool fall morning on my way to visit my other high school friends who were attending Wesleyan. I have a distinct memory of sitting in the cafeteria with my ex while she smoked cigarettes and ate breakfast at the very same time. It made quite an impression, as did the gothic architecture. I walked around the surrounding neighborhood and got a brief taste for it before I caught the next train- or bus- or whatever.
Talent was one of my least favorite books in the 1001 Novels project thus far. Anna, Lapidos' well-off, procrastinating literature graduate student, who is in her seventh year of trying to get her PHD (stuck on her thesis) sounds like someone I grew up with- not a specific person- just like someone I would have known growing up, in high school perhaps. The story involves the notebooks of a Vonnegut type of popular/semi-serious author who becomes a focus of Anna's thesis when she becomes entangled with the dead author's disgraced niece, a sketchy antiquarian who dabbles in replicating rare books and selling them online. Only in literary fiction!
Published in 2019, Talent came a few years too early to catch any neurodiversity vibes, but it's clear that Anna is a little different, a little neuro-diverse. The whole effort fell flat for me.
Published 7/26/23
An Arsonist’s Guide to Writers’ Homes in New England(2007)
by Brock Clarke
Amherst, Massachusetts
Massachusetts: 1/30
30 novels to represent Massachusetts's seems low, but I've already noticed a distinct preference for editor Susan Straight to pick more recent books, first novels in particular, so from that perspective you would expect Massachusetts's to be under-represented since it dominates the 19th century and then drops off in significance from there. Today I associate Massachusetts lit with working-class white guys, the idea of a Brahmin literary elite is risible in 2023.
Out of the 31 books picked to represent Massachusetts, only two of them are in the western half of the state. To cut Massachusetts in half you simply follow the course of the Connecticut river, which is familiar to most Americans as the border between New Hampshire and Vermont, that line runs right down the middle of Massachusetts. This book is one of them and the other is Born Slippy by Tom Lutz, which is placed just south of the Vermont border in Leyden.
My experience with
An Arsonist's Guide to Writers' Home in New England was compromised by two facts, first my background as a criminal defense attorney and second, my decision to listen to the Audiobook edition. I can't remember a time when I was so bothered by the voice of the person reading an Audiobook- dating back to when I pulled down public domain Audiobooks read by amateurs. Daniel Passer- if you are subscribed to Google alert's for mentions of your name and this pops up- I'm sorry. I see that you are a theater actor and some kind of "professional clown," and I saw that you read the Audiobook edition of
Bright Lights, Big City by Jay McInerney, so obviously you are well respected in the field etc, but personally I just couldn't stand it.
As to my background in criminal defense- I very much try to avoid to be one of those people who lets their profession dominate their perceptions about culture but the background here was just too much suspension of disbelief, based on what I know. Specifically, the idea is that the narrator (unreliable at best) is released from prison after serving a 10 year sentence for "accidentally" burning down the Emily Dickinson house and killing two people.
All the facts within the book that flow from this incident are ridiculous. To name a few:
1. Everyone constantly calls the narrator a murderer but it's clear from the way he was treated (10 year sentence instead of life in prison) that everyone accepted that the deaths were accidental.
2. After he is released from serving his ten year prison sentence, he spends the rest of the book gallivanting around New England without any sort of probation or parole agent keeping track of him. The fact that he is obviously on parole, and would be for a long, long time given his conviction for arson resulting in death, would be a huge factor in the story this author is seeking to tell about this narrator.
3. The quasi breezy tone of the novel built around arson was off-putting. Arsonists are placed on a level with serial killers and torturers in the criminal justice system, it's one of the most dangerous crimes that exist.
In writing this review I am aware that Clarke has a reputation as a surrealist with a dark sense of humor, and that he is a tenured Professor of English at Bowdoin. I'm also aware that he has published five novels and there isn't a hit or award winner among them. There are plenty of writers with this profile in the 1001 Novels: An American Library and while I'm resigned to my fate, in the same way I resigned myself to reading 150 European philosophical novels during the 1001 Novels to Read Before You Die project, I'm not happy about it.
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| Nicole Kidman in the 2004 movie version of The Stepford Wives |
Published 7/29/23
The Stepford Wives (1972)
by Ira Levin
Stepford, Connecticut (Wilton, Connecticut)
Connecticut: 3/9
The edition that I read was published by English film magazine Sight & Sound and it featured a foreword by the DIRECTOR of the film version Bryan Forbes which mostly him complaining about casting issues. Very unusual. The Stepford Wives is one of those books that was integrated in wider popular culture- I remember my mother complaining about other women in my well-off Bay Area suburb in the 80's and 90's as "Stepford Wives". The book was a hit- of course- author Ira Levin managed to land one of the seminal novels of the 60's: Rosemary's Baby and then this book in the 70's, both books aided by popular movie versions.
Levin doesn't quite make it into the international canon of literature- like Stephen King there is an argument about whether his books qualify as literature or are mere popular fiction. BUT whatever your feeling about underlying merit there can be no doubt that The Stepford Wives is a very Connecticut book, that it takes place there and that people continue to associate the bedroom suburbs of Connecticut with the locations in this big.
The Stepford Wives is not long- barely one hundred pages. The writing is workmanlike at best, but the idea of men replacing their wives with (spoiler alert) animatronic robots has proved to be evergreen- I'm pretty sure Dont' Worry Baby, a movie that came out last year, was a reworking of that theme.
Published 7/29/23
Born Slippy (2019)
by Tom Lutz
Frizzell Hill Road, Leyden, Massachusetts
Massachusetts: 2/30
Nice to read a book on the 1001 Novels list that isn't about a depressed teenage girl living in semi-rural New England. Instead Born Slippy is about Frank (Everyone calls him Franky), a young contractor from Connecticut working on a spec house in the Berkshires. He is convinced to hire Dmitry Heald, a young man from Liverpool looking for casual work in America in the summer before uni. Although Frank is the narrator, Dmitry is the star of Born Slippy, which is titled after Dmitry's favorite song. Since I'm a fan of the show Barry, it was almost impossible to imagine Dmitry as anyone other than Anthony "Noho Hank" Carrigan- who is actually from Massachusetts. If you've seen the show and read the book I'm sure you know what I'm talking about. In fact if Anthony Carrigan or one of his people is reading this they should go and option the book for a movie version starring Carrigan as Dmitry.
Fan though I am of gender equity in my reading it was also nice to read such an aggressively masculine book- just as a change for all the depressed ladies that seem to swamp New England area lit. Frank tracks backwards and forward in time till we get to the present of the last act: Frank, a succesful Los Angeles area builder of sound proof studios for the Hollywood elite, and Dmitry, a shadowy money launderer married to an Indonesian beauty. At some point, Dmitry uses Frank's identification to open up a couple of bank accounts which sets up the action of the final act.
Author Lutz is also the founder of the Los Angeles Review of Books and the large portions of the story set in Los Angeles rang obviously true, down to his description of a relationship between a forty something contractor and a twenty something Angeleno. Lutz also does not stint on the sexual pathology of Dmitry, which is described in sometimes exhaustive detail (to his credit, every female character in the book admits that Dmitry is a handful). I'd expect to find him on the 1001 Novels list because editor Susan Straight is also an English Professor at UC Riverside, where Lutz is a tenured English Professor, so they must know one another.
I thought Lutz didn't quite nail the psychology of Dmitry, since he turns into one of those "getting out before I'm 35" type of rich guys that don't comport with my personal experience with highly driven, succesful individuals. They do not want to "get out" after "one last score," that is the attitude of losers and failures. But the plot wouldn't work without his specific motivation, so all and all Lutz makes Born Slippy an enjoyable lark.
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| American author Kaitlyn Greenidge |
Published 7/29/23We Love You Charlie Freeman (2016)
by Kaitlyn Greenidge
Wellesley, Massachusetts
Massachusetts: 3/30
I think this is the first book by an African American author on the 1001 Books list- which isn't entirely surprising considering that the African American population in Maine, Vermont and New Hampshire is small. Which is not to say that there are NO black people in those states. I've been to Portsmouth and seen the civic memorial to the African American graveyard and other African-American Portsmouth sights. Massachusetts, on the other hand, is 10% black and within Boston the figure is close to 25%, so you'd expect some representation in Massachusetts. And sure enough, here we are, with this interesting book by Wesleyan Professor/author Kaitlyn Greenidge.
Greenidge spins an engaging tale about an unusual family from Dorchester, with two hearing daughters who can speak sign language- as taught by their mother. They are recruited by a Wellesley area institute dedicated to primate research. Greenidge traces the story backwards and forwards through time using multiple narrators. Through these various voices (mostly African American) the reader learns about the troubled history of the institute and its ties to the Eugenics movement of the early 20th century. The dominant voice is that of the oldest of the two daughters who is troubled by the experiment, which involves raising a chimpanzee with a human family, and her families participation in it even before she learns the dark history behind the institute.
I listened to the Audiobook, which was mistake. I'm not a fan of adult literature where the characters are teens or young children. I'd rather just read those voices than listen to them for 10 to 15 hours. By the end I had a real appreciation for the book and for author Greenidge. By the end of the book she has conjured a truly disturbing set of circumstances.
Published 8/3/23
Agatha of Little Neon (2021)
by Claire Luchette
Woonsocket, Rhode Island
Rhode Island: 1/9
Welcome to the party Rhode Island! This is the last state in New England that I haven't actually visited. Lord knows I've tried to convince Amy at least to drive over the border once but I've been so far unsuccessful. Meanwhile she goes there every other year to "work" at the Newport Folk Festival. Newport looks nice, the rest of Rhode Island... it's basically the southern equivalent of the New Hampshire seacoast region- they even have their own Portsmouth in a similar location. Unlike New Hampshire there is no "rest" of Rhode Island.
Nine books is in line with the rest of the smaller states of New England- looking ahead there is at least one book I'm unlikely to actually read in full (She's Come Undone by Wally Lamb), one s****** genre mystery (Murder at Crossways by Alyssa Maxwell), a coming-of-age novel by a Hollywood a-hole (Outside Providence by Peter Farrelly) and also this book, Agatha of Little Neon, a debut novel by Claire Luchette (whose pronouns are they/them- or she/them).
Like other readers, I found Agatha of Little Neon very enjoyable- I should say here I listened to the Audiobook version because it was available on the Libby Library app- most of the book takes place in Woonsocket, a small town in Northern Rhode Island. Agatha is a Religious Sister- if you don't know the difference between Nuns and Religious Sisters, Nuns are cloistered- removed from the world- whereas Religious Sisters can do stuff- work- even though they both dress alike.
At the beginning of the book Agatha and her three co-horts are being relocated from their parish outside Buffalo New York to Little Neon- a recovery facility located in Rhode Island. Once they get there they engage with the lives of the half-way house residents and Agatha gets a gig teaching geometry at the local Catholic high school. If it sounds low stakes, it is, but it's also a compelling opportunity to read fiction about two groups: Religious Sisters and half-way house residents, who you don't often hear about in literary fiction.
I've lived and worked for years in Golden Hill in San Diego and there are several halfway houses in the area- they've been there for decades at this point- and I often see the residents going about their business and thought that each of them has a story to tell, also that telling their story might help them gain insight.
Published 8/7/23
Calm at Sunset, Calm at Dawn (1989)
by Paul Watkins
Newport, Rhode Island
Rhode Island: 2/9
One of the interesting aspects of the 1001 Novels: A Library of America is looking at the careers of the authors on the list. A major difference between 1001 Novels vs. 1001 Books is the depth and scope of both projects. 1001 Books is world wide from the beginning of literature to the end, 1001 Novels is the United States and almost entirely 21st/20th century. All the authors on the 1001 Books list are canon somewhere, even if that somewhere isn't the 21st century United States. On the other hand, many of the authors on the 1001 Novels list are barely even read. Looking at each new author and their career trajectory has proved almost as interesting as the books themselves.
Paul Watkins in particular is interesting. He is from the United States but was educated in the UK (at Eton, the fanciest of the "public schools"). His debut novel Night Over Day Over Night (1988) was nominated for the Booker Prize, longlist presumably- or maybe they didn't have the longlist back in 1988. he published nine novels between 1988 and 2005, all of them with respectable publishers. None of them were a hit, and several didn't even merit a review from the New York Times Book Review.
In 2005 he gave up on literary fiction and started publishing historical detective fiction under a pseudonym, Sam Eastland. Which is all to say that it looks like Watkins gave it a good try- didn't make it as a writer of literary fiction and then moved one to genre work, which appears to have been marginally succesful (over a thousand Amazon reviews for his biggest books of detective fiction, no more than a hundred or so reviews for this biggest work of literary fiction).
Calm at Sunset, Calm at Dawn is a relatively straight forward coming-of-age novel about James Pfeiffer, the younger son of a owner-operator of a fishing trawler in Newport, Rhode Island. James' dad and mom are obsessed with providing a non-fishing life for their boys. The reason given is a traumatizing experience for the family when the father was left adrift in the Atlantic Ocean for several days as a younger fisherman. Dad still wakes up screaming at night, years later.
None the less, James blows his chance at college when he accuses a classmate of stealing his camera, and is sent back home for the rest of the semester. There, against his parents wishes, he finds himself beginning his career as a fisherman. The story of an over-educated scion taking to the sea against his families wishes is at least as old as Two Years Before the Mast (1840), by Richard Henry Dana. Watkins depiction of life among the fishing reprobates of Newport Rhode Island is interesting, but protagonist James Pfeiffer is less so. Why would anyone chose the life of a deep sea fisherman? Pfeiffer is clearly motivated by the desire to "own his own boat," but otherwise he just seems like an immature adolescent who doesn't know what he wants.
Published 8/7/23
How Are You Going to Save Yourself? (2018)
by JM Holmes
Pawtucket, Rhode Island
Rhode Island: 3/9
I checked out this book of interlinked short stories of a group of bi-racial and African American men growing up in Pawtucket, Rhode Island as an Audiobook from the library and instantly regretted the choice. Holmes has an authentic voice, to a fault, almost, and the entire book is written in a locked in first-person narrative that switches in between the members of the friend group (there are four of them) with Gio, a bi-racial Cornell graduate working as a teacher outside Ithaca, emerging as the central figure.
I would have much preferred to have read the difficult prose- particularly the sex stuff, of which there is a lot and it is graphic and also there are certainly interactions that could be interpreted as rape. There's a gangbang of a minor- none of it is horrific but the casualness of the interactions are enough to give even a hardened libertine pause. Many of the stories crackle with the tension that characterize interactions between young African-American men and authority figures of all sorts. On that scale, Gio and his buddies hardly rate- there are no arrests, no jail time, no prison sentence. In fact, the most accurate comparison for Gio and his cohort are other privileged teens from other upper middle class urban areas- regardless of race.
Anyway- kudos to author JM Holmes for keeping shit so very real. I did not think that the 1001 Novels project was going to pick a book where a central theme would prove to be the emotions surrounding race-play in interracial relationships (don't google that term without safe search set "on"). I do wish I had read it instead of listened to it. I think Holmes is the second African-American/bi-racial author in the 1001 Novels list so far.
Published 8/9/23Murder at Crossways (2019)
by Alyssa Maxwell
Newport, Rhode Island
Rhode Island: 4/9
This is a straight-forward genre detective novel set among "the 400" in 1898 in Newport, Rhode Island. The constant use of the phrase "the 400," which was coined to describe the smart set in turn of the 20th century New York City, testifies to the extent to which the Newport described here was an economic colony of New York. Maxwell's lady detective is Emmaline Cross, a Newport local and member of a cadet branch of the Vanderbilt family. Cornelius shows up in his dotage, and Murder at Crossways is stuffed with observations that make it clear that Maxwell has read her Edith Wharton. Incredibly, editor Susan Straight selected this book over a book by Edith Wharton who actually lived in Newport and frequently set parts of her books there.
I guess the idea is that everyone has read Edith Wharton in school or what have you. Although neither the characters or plot is particularly interesting does have some moments, like the part of the plot that revolves around the characters learning about the effects of cocaine (it was still legal back then) and the frenetic description of the various carriages that the characters use to tool around Newport in the pre-automobile era.
I listened to the Audiobook version which was not great- how much gee-wilikers girl detective voice does a guy have to hear to get the point.
Published 8/9/23
Reservation Road (1998)
by John Burnham Schwartz
Stamford, Connecticut
Connecticut: 4/9
Not to be confused with Revolutionary Road (1961) by Richard Yates, which is also set in Connecticut and is also on the 1001 Novels list. This isn't quite a legal procedural- the story is about a hit and run where a young boy dies and the impact of the crime on both families, neighbors in Stamford, Connecticut. The story is told in rotating chapters told from the POV of the perpetrator, Dwight, a disgraced attorney desperately trying to reconnect with his son after a messy divorce, Ethan, father of the victim, a literature professor at a local liberal arts university, and his wife, who is a basket case for the entire book.
Reservation Road is another book where my professional experience impeded my enjoyment- like- a major issue in the book is that the police do not make much progress in finding the perpetrator and generally give father Ethan a "what can we do" type of attitude. Now, I know full well that in communities like Stamford, Connecticut, the local authorities do not just throw up there hands when a child is murdered in a hit and run.
The whole story struck me as ridiculous up to and including the death of the child itself which happens because this 10 year old boy walks out into the middle of the street and fails to hear or see the approach of a speeding vehicle that hits him. Again, I grew up in an area that was in many ways the west coast equivalent of Stamford, Connecticut and I know for a fact that in places like that you can hear a car coming away, literally, for miles, because there is no other noise happening.
Seriously though keep me away from literature dealing with contemporary crime and punishment- I'm not a good audience for those books.
Published 8/21/23
Outside Providence (1988)
by Peter Farrelly
Providence, Rhode Island
Rhode Island: 5/9
Fiction about Americans is almost entirely about three different groups: city people, town people and rural people. Part of understanding American Literature is understanding the demographic changes where Americans have increasingly become concentrated in urban areas while at the same time resisting identifying themselves as embracing big city/cosmopolitan virtues. This shift happened in the 20th century. At the beginning of the century the concentration of people in towns and cities was under 30 percent of the total population. Today it's something like 90 percent of the total population in the United States.
Those places that are NOT located in cities, towns and built up areas are increasingly defined by their proximity to those places and intrusions from those places. In the states of New England, you can see that clearly in the fiction of Maine and Vermont which fairly crackles with the tension between locals and those from away. I mention this because Rhode Island is the first truly urban setting encountered in the 1001 Novels sequence. Obviously, Boston is THE city for New England, but Providence Rhode Island would be the second place finisher. Thus, it's not surprising to read a book by Hollywood filmmaker Peter Farrelly- presumably a fictionalized version of his own upbringing Outside Providence, coming out of Rhode Island.
This book basically seemed like a regional variation on The Basketball Diaries by Jim Carroll, which was about growing up in New York City between 1963 and 1966. Outside Providence is set in a different state and decade, but there is no mistaking the "city kid" coming of age motif that has been current since The Catcher in the Rye was published in the New Yorker. As far as I can tell, Outside Providence was a flop when it came out, then got made into a movie after the Farrelly Brothers broke out in Hollywood. To Farrelly's credit, Outside Providence does feel like a book set in a specific place- plenty of scenery described and outdoor escapades.
Published 8/21/23
The Edge of Winter (2007)
by Luanne Rice
South County, Rhode Island
Rhode Island: 6/9
I checked out the Audiobook of The Edge of Winter by Luanne Rice. Huge mistake. It made this intolerable tale even longer and more boring than it had to be. I want to make it clear that I am accepting the gauntlet thrown down by editor/creator of the 1001 Novels: A Library of America to embrace what is disparagingly called "chick lit" - though Straight seems to favor melodrama over the rom-com style plots of "classic" chick lit. Perhaps it might be better to say that 1001 Novels: A Library of America is filled with Oprah-lit- books that have been selected by Oprah for her books club must have featured a half dozen times already. Rice churns out titles with depressing regularity of someone who is operating in-genre- but she has some hits- one of her books has 65k Amazon reviews which is an astonishing number for any book anywhere. Most of her books have between 500 and 1500 reviews, which is good but not great.
Anyway- this one was straight-up excruciating with all of the tropes of New England lit by way of a Lifetime movie rolled into one Audiobook with an implausibly earnest narrator in light of the subject matter. I just, couldn't wait to be finished. Utterly excruciating. Very Rhode Island though- can't fault The Edge of Winter for being picked for the 1001 Novels list.
Published 8/23/23
April Morning (1961)
by Howard Fast
Lexington, Massachusetts
Massachusetts: 4/30
At last, a work of historical fiction on the 1001 Novels: A Library of America, list. Not that I love historical fiction but there have been so many works of contemporary fiction with protagonists that rely heavily on single moms, their sad kids and the alcoholic/absent father- I'm about to tote up all of northern New England: Maine, New Hampshire & Vermont, and I'm guessing the number of titles with sad single moms and their alcoholic/absent husbands is at least 50 percent.
Why not more historical fiction? I mean, I know why, because it is very unfashionable and deeply uncool and very little of it has been written in the past couple decades, in terms of the canon. I found April Morning, a fictionalized account of the Battles of Lexington and Concord in April of 1775, very interesting. The story is told through the eyes of Adam Cooper, a 15 year old boy on the cusp of manhood who finds his life turned upside down in the days surrounding the battle. April Morning is an interesting example of a book that was intended for adults but found wider acceptance as a "YA title" because of the coming of age elements surrounding his main character.
Published 8/28/23
Unravelling (1997)
by Elizabeth Graver
Lowell, Massachusetts
Massachusetts: 5/30
If you've ever wanted to read a book about what it's like to a knocked-up millhand in 1840's Lowell, Massachusetts, Unravelling is the book for you. Back in 1997 when Unravelling was released it got a decent New York Times review and an excerpt in the paper. Anyway- it's told from the locked in perspective of Aimee- an outcast of her New Hampshire farm village at 31, as she reminisces on the sequence of events that led her to her independent-but-shunned status.
It is a tale as old as the city itself: child lured to the city for work, corrupted by said city and ruined. Those seeking uplift won't find it here- Aimee is forced to give up her twins for adoption and never sees them again, or even has the opportunity to seriously look for them, her being an outcast surviving in a shack in the woods. Grim stuff. Very New England. Thankfully brief. I loved the depictions of factory life in Lowell- I've been trying to visit the factory museum there for a decade without success.
Published 8/28/23
The Ice Storm (1994)
by Rick Moody
New Canaan, Connecticut
Connecticut: 5/9
I think most people, to the extent they remember Ice Storm, remember the movie version by Ang Lee which was a flop but generally well received by critics because of the combination of cast and director. Upon finally reading the book, the clear missing ingredient in the translation from page to screen was humor. Ang Lee has never been a dude who makes funny feature films. The book, on the other hand, is very funny- this is actually the first book by Rick Moody I've read.
The portions written from the perspective of Elena- the bored housewife of one of the two families that comprise the core of the plot- are virtuoso discussions of the arcane field of 70's self-help movements, and finely observed details all around elevate the bored, cheating suburbanites of the Ice Storm in roughly the same way Patrick Bateman elevated homicidal trust fund stock 1980's stock traders- it's roughly the same kind of situation. There is a glossy, writerly sheen on absolutely everything. It makes Ice Storm highly enjoyable, but twenty years later the chapters written from the perspective of creepy Wendy Hood borderline cringe inducing. IDK, certainly in 1994 there was no issue.
Man, Connecticut though, not a particularly exciting state to be in. Five of the nine books are concentrated in the suburban square closest to New York City, one is set around Yale and the other three are in and around Hartford. Not the most exciting venues for literature and fiction.
Published 8/30/23
She's Come Undone (1992)
by Wally Lamb
Newport, Rhode Island
Rhode Island: 7/9
The end is in sight for Rhode Island- another downer of a northeastern state without much joy to be found in it's selections from the 1,001 Novels: A Library of America. I remember the sensation when She's Come Undone was released back in 1992. I remember seeing it being carted around ad nauseum at my Bay Area high school by my female classmates and seeing it years afterward at college and in cafe's in various cities. It was the fourth book in Oprah's Book Club and Lamb was the only man not Bill Cosby to be selected for years. Importantly for its cultural longevity, She's Come Undone was released in 1992 but Oprah didn't pick it till 1996 (the club didn't start until 1996).
I never read it back then- I knew a 400 plus page book about a mentally disturbed young woman was not something I needed to take on when I was literally surrounded by them. I remember, at the time, thinking that it was best to steer clear of women I saw carrying this book. I can confirm, now having read She's Come Undone that I was right to be wary. In 2023 what struck me most is that this a bildungroman/coming-of-age story written about a mentally ill, morbidly obese (she overcomes both hurdles) young woman, written by a middle aged man. I went back and looked at the New York Times review- which didn't even mention it as an issue. Obviously, Oprah well knew what she was doing when she picked it for her book club. Critics at the time didn't see an issue and audiences obviously didn't care, maybe because Price is such a rich fictional creation.
At the same time it's hard to see a book written by a white middle age man about a woman who gets raped at 13, has major mental illness and spends her adolescence as a morbidly obese teen qualifies under whatever constitutes the authenticity threshold in 2023. For example, if this book was about a non-white protagonist it's hard to imagine Lamb would have gotten the same pass, now or then.
Published 9/6/23
The Invaders (2015)
by Karolina Waclawiak
Little Neck Cove, Connecticut
Connecticut: 6/9
Another entrant into the "suburbia and its discontents" file of the 1001 Novels: A Library of America. Author Karolina Waclawiak is best know as a journalist- she was the editor in chief who turned out the lights when Buzzfeed News shut down. She's written two books- this one and How to Get Into the Twin Palms. The Invaders is set in the exclusive suburb of Little Neck Cove- populated by a mixture of rich white people who are either 1) rich old white guys 2) the first wives of those men 3) the second of third wives of those men and 4) their children.
The main characters are Cheryl, an aging trophy wife and Teddy, her college age step son recently returned after being expelled from college. Husband Jeffrey is mostly absent- like many of the men in this category of books, his career is opaque- he's in sales, or something. As the reader expects in a work of literary fiction set in the American suburbs ALL IS NOT WELL. Cheryl and Teddy are BOTH SEIZED BY BOUTS OF ENNUI. Characters TAKE DRUGS and HAVE SEX- well not so much sex, this is Connecticut after all.
Whenever I read a book from this shelf I find myself urging the sad suburban characters to get active mentally and physically- go for a run! Join a gym! Read a book! Volunteer at a homeless shelter! I'm a firm believer that 99% of contemporary maladies are caused by either a lack of mental or physical exercise and/or a lack of purpose. Neither Teddy nor Cheryl do anything like that beyond taking long walks in the woods (Cheryl). The lack of purpose is particularly glaring in almost every book about suburban discontent including this one. Unless the character is a child under the driving age, there really is no excuse for the lives of these sad suburbanites. Get out of your house, go do something- anything! Just stop moping around!
Published 9/6/23
The Memory of Running (1999)
by Ron McClarty
East Providence, Rhode Island
Rhode Island: 8/9
The Memory of Running came as a real surprise with a very quirky origin story. Author Ron McClarty is best known as an actor (he was a main character on the Spencer for Hire tv show. He wrote this book, a heroes quest story about an obese Vietnam veteran reeling from the deaths of his elderly parents in an auto accident. Cleaning out their house, he finds a death notice for his estranged, mentally ill sister from Los Angeles which sends him on a journey across America on a bicycle, as he struggles with his memories of growing up with a mentally ill sister.
When McClarty wrote the book he couldn't find a publisher so he created his own Audiobook version (McClarty is a notable Audiobook narrator- the winner of many "Audies"). Author Stephen King listened to the Audiobook and wrote about it in his Entertainment Weekly column and the rest is publishing history! From the perspective of the 1001 Novels project, this hardly qualifies as a Rhode Island- the present of the book is a cross-country journey on a bike, and the flashbacks are very focused on the interactions between the narrator and his family.
The theme of the mentally ill sister ripping the family apart has been a major issue in three of the last five books I've read in the 1001 Novels: A Library of America. It's amazing to me that the characters in these books let their whole entire lives be governed and ruined by a mentally ill sibling or family member. Some of these literary families are working class, others are upper middle class, but they all let their entire lives- personal and professional be ruined by a psychotic child. Well, ok. Personally, I don't think having a sub-optimal family situation is a reason to be totally enslaved by it.
The Memory of Running has some moments, but most of it reads like a book length montage scene of Forrest Gump running across America with dangerous misunderstandings and a host of sad, sad stories.
Published 9/12/23
Don't Ask Me Where I'm From (2020)
by Jennifer De Leon
Weston, Massachusetts
Massachusetts: 7/30
Don't Ask Me Where I'm From is a 2020 YA title about the experience of the high school aged US citizen daughter of two illegal immigrants from Central America. Early in the book she is selected by her urban high school to attend a ritzy high school in the suburbs. meanwhile dealing with the sudden deportation of her father at home. I've now read more YA novels via the 1001 Novels: A Library of America project than I had in the proceeding decade plus. I find them tedious. Unfortunately, Don't Ask Me Where I'm From is no exception to that trend. First, I checked out the Audiobook from the library but I literally could not take it. I found the voice of the narrator/teen to be particularly annoying, like watching a humorless television show about high school students.
I don't have anything against Liliana and her background- I deal with the consequences of our broken immigration system in the federal court system on a weekly basis, talking to families EXACTLY like Liliana's, so she isn't saying I haven't heard or felt or argued in Court a million times over the past two decades. As for her high school experience, I don't have a lot of sympathy. I'm a full supporter of diversity, affirmative action, being cognizant of valuing different experiences etc. but not so much of high school students. It's a tough time, I know, but would it be too much for one character in a YA title to not think that they are the center of the universe and that their particular set of problems is unique to themselves- because that it is literally every high school student in a a YA novel EVER.
Don't Ask Me Where I've Been is, however, the first book about Central American immigrants, which is a diversity win for the 1001 Novels: A Library of America.
Published 9/13/23
Winner of the National Book Award:
A Novel of Fame, Honor and Really Bad Weather (2003)
by Jincy Willett
Frome, Rhode Island
Rhode Island: 9/9
Rhode Island: It's eccentric even by the high standards for eccentricity set by the other states in New England. That is my assessment after reading the 9 books this smallest state got on the 1001 Novels: A Library of America List. As you might guess from the title, Winner of the National Book Award is a wry, self-aware book that still manages to be about the troubled relationship between two sisters in the northeast- which feels like the subject of 8/10 of the last 1001 Novels: A Library of America. This time around, one sister (narrator) is a prim librarian the other is a slatternly tart currently facing murder charges for killing her comically abusive writer husband.
Once again I found myself rolling my eyes at the degree to which the mental illness of one family member totally controls the life (and plot of the novel) of another, seemingly not insane family member. Like other re-occurring situations this one seems to be at the heart of contemporary fiction, particularly as it is represented by editor Susan Straight in the 1001 Novels List. Winner of the National Book Award, is, at least, intermittently funny and it comes with pull quotes from both Augusten Burroughs and David Sedaris, which should give anyone familiar with either writer an idea of the vibe the reader is going to experience. I'm pleased to see the end of Rhode Island- the fourth state I've finished on the 1001 Novels List.
Published 9/13/23
Beyond That, the Sea (2023)
by Laura Spence-Ash
Chelsea, Massachusetts
Massachusetts: 9/30
I listened to this entire Audiobook- 12-13 hours worth, without guessing that this was a recent release. It's obviously a recent work of historical fiction but it could have been published anytime in the past fifty years and I wouldn't have questioned it. But, as it turns out it came out this summer and got a capsule review back in May of this year. The Times called it, "a timeless exploration of what it means to be a family," but I mostly found the Audiobook bearable because of the accents from upper-crust Boston and working class London in the 1940's to 1960's as articulated by the book readers. Beyond That, the Sea is a good example of a book I might have been able to complete in hardback, but give me an Audiobook with a female narrator in 1950's London and I am all ears for 10 to 15 hours of drive time.
The story is about a girl- Beatrix call her "Bea" who is shipped across the ocean during the London Blitz to live with a genteel family in Boston. For the purposes of the 1001 Novels project, Beyond That, the Sea is assigned to Chelsea, which is a still-grubby western suburb of the center city. I've never been there beyond stopping to buy a doughnut and coffee off the freeway on the way north, but I gather from the description of the family home of the American host family, it used to have some nice parts.
Her host family is part of the genteel protestant world of old Boston- Dad is a three generation legacy at Harvard, Mom comes from a family that is perhaps less cultured but wealthier than that of the Dad. They live in a house provided by the school where Dad is the headmaster. They have two sons. Most of the book is about the relationship with Bea and those two boys (then men) but both sets of parents have their own distinct voices, with both Mothers taking up almost as much space as the central relationship between Beatrix and the two sons of the family.
Here, for the first time, nine books in, we get some good Boston content- Beatrix loves Fenway park and a couple important scenes take place there. There are also decent descriptions of Maine- where the family owns a small island with a house. There is some tediousness in the fact that most of the book takes place with the three main characters on separate continents for decades- it's just not conducive to compelling fiction- but it's a pleasant enough book. It is fiction- not literature, with a happy ending fit for a Hallmark movie.
Published 9/14/23
Meeting Rozzy Halfway (1980)
by Caroline Leavitt
Boston, Massachusetts
Massachusetts: 10/30
The Map Makers for the 1001 Novels project have Meeting Rozzy Halfway placed in Boston, but it seems like Brookline, a tony suburb that is surrounded by Boston, would be more accurate. I'm not entirely sure, having never been to Brookline, but I've certainly heard about it, specifically as having a Jewish element within the greater Boston metro area- which is not a Jew intensive area. I hadn't read or heard of Leavitt before this book- a review of her 2021 novel Cruel Beautiful World identifies her as a writer of "dramatic-absorbing popular fiction", which is not the same as being a writer of serious literature but better than being the type of writer of popular fiction who is ignored by the New York Times Book Review.
Meeting Rozzy Halfway also got a New York Times book review as part of a two-book review where both books are about family relationships. The critic in the Times wasn't a huge fan at the time, but I gather from the author's afterword to the Ebook version I read, it was a popular success and sold plenty of copies. I agree with the criticisms of the New York Times critic back in 1980, Rozzy, the schizophrenic half-sister is not particularly interesting as the literary insane go. Bess, the sister and narrator, is herself a bit of a bore, and the relationship between siblings seems more of an example of a self-obssessed schizophrenic using everyone around her, with the healthy sister functioning as an enabler.
The reader knows that things are not going to end well for anyone in Meeting Rozzy Halfway- like all families that allow themselves to become consumed by the disability of one of them, regret is inevitable and also self-inflicted wounds- in this book the father of the family, a succesful corporate lawyer, eventually becomes a shuffling automaton who stuffs his face with junk food 24/7 and does nothing but watch television in his spare time. Leavitt is not there to propose any solutions and I sensed that the desired reaction was to stand up and applaud for the sacrifices made by the well-sister/narrator but I found both siblings equally unsympathetic.
Meeting Rozzy Halfway also scores a zero out of ten for its Boston-ness- they could have been anywhere and it's quite clear over three hundred page novel that the only thing this family cares about is itself.
Published 9/18/23
The Good Thief (2008)
by Hannah Tinti
Salem, Massachusetts
Massachusetts: 11/30
Finally an enjoyable entry on the 1001 Novels: A Library of America list, after a seemingly endless procession of books about mentally ill siblings and the family members who let them ruin their entire lives. This, on the other hand, is a dark work of historical fiction set in mid 19th century "factory-land" Massachusetts. For some reason the 1001 Novels project decided to place The Good Thief in Salem- which- unless that's supposed to be the location of the Dickensian orphanage where Ren is plucked by petty criminal Benjamin Nab- makes no sense at all. I've spent plenty of time in Salem and it's not clear to me why you wouldn't select Nathaniel Hawthorne's The House of Seven Gables- which is literally located in Salem and continues to exist as a museum. My sense is that editor Susan Straight has stayed away from picking easy books that people already know about (although I see Moby Dick lurking on the 1001 Novels map) in favor of more recent books by a more diverse group of authors.
Like McGlue by Ottessa Moshfegh, another work of dark historical fiction set in19th century Massachusetts, The Good Thief is historical fiction with a modern sensibility. There is plenty of R-rated content here, even though the story is told from the perspective of a child-orphan. Of course, whenever a book is about orphans and factories and the 19th century the comparison on hand is Charles Dickens, but it's worth noting that when he wrote, Dickens was a contemporary novelist writing about contemporary issues, not a writer of historical fiction.
Basically these phrases should be enough to determine whether The Good Thief is right for you: historical fiction, 19th century, orphans, factories, Massachusetts, dark.
Published 9/23/23
Masters of Illusion:
A Novel of the Connecticut Circus Fire (1994)
by Mary-Ann Tirone Smith
Hartford, Connecticut
Connecticut: 7/9
My fear before I started the 1001 Novels: A Library of America is that reading 1001 Novels about America would prove tedious. Simply compare the non-1001 Novels books from the past six months. 1001 Novels books are domestic tragedies about sad working class and middle class families. Non 1001 Novels books span the globe and take in an incredible range of histories and life experiences. Masters of Illusion: A Novel of the Connecticut Circus Fire is the first "tough get" on the 1001 Novels list. The Los Angeles Public Library only has a single copy, which means you can't check it out. I ended up buying a used copy on Amazon for five bucks. The book that arrived was both a library discard and a large-print edition- a double loser. Library discards are the bottom of the barrel of the used book world- their average value is zero cents plus whatever scarcity value the title has- thus me paying five books for my library discard, large print edition.
In terms of the ability to describe the place- Masters of Illusion is a 10/10 if the place is the Connecticut Circus Fire- which was a real event that took place in Hartford, Connecticut in 1944, the proximate cause being an ill-advised decision to "water proof" the circus tent with a mixture which included paraffin and gasoline. Over one hundred and fifty people died, over seven hundred were injured. Since it happened during World War II, most of the victims were women and children.
The protagonist is Margie Potter, the youngest survivor of the disaster. As an 18 year old high school graduate, Potter marries a handsome fireman, Charles O'Neill, who, as luck would have it, absolutely obsessed with solving the mystery of who started the fire. Margie is swept away by a mixture of passion and a curious lack of ambition- part of her back story is her desire to forego college so she can "get married, have a bunch of babies and stay home and read."
I suppose it wasn't an unusual attitude for a working-class woman in Hartford Connecticut to have in the late 1950's early 1960's Margie and Charlie have a daughter, Martha, and as Martha grows up she begins to question her father's obsession, which forces Martha to re examine her entire life with Charlie. Masters of Illusion is 100% out of print- the hardcover sells for 80 bucks. Of course, eBooks have changed the very idea of being "in print," but Masters of Illusion is the first out-of-print title in the 1001 Novels list thus far- over 50 books in!
Published 9/27/23
The Thing About Jellyfish (2015)
by Ali Benjamin
Stoughton, Massachusetts
Massachusetts: 12/30
Another insufferable YA title from the 1001 Novels: A Library of America list, this one about a 12 year old in suburban Massachusetts who grapples with the loss of her friend, who drowns while on vacation. Little Suzy has issues besides this one- including recently divorced parents, but it will come as absolutely no surprise to anyone who has read even a single YA title that she becomes fixated on the cause of her friend's death, which she believes was caused by the sting of a jellyfish.
Suzy's pre-adolescent angst takes the form of a refusal to speak which is quirky but seems to be pretty common among bookish 12 year old girls the world over. Everyone is understanding- here parents take her to a therapist who seems content to charge them for weeks of sessions that consist of utter silence. Here teacher is fine with her not speaking in class, but tells her that she will have to give an oral presentation on a subject of her choosing- required of all students. Suzy, of course, pick Jellyfish.
And that is the book for you. I don't think I missed anything. There is no doubt that The Thing About Jellyfish was a huge hit and that I have a minority opinion. It was nominated for a National Book Award (Children's Literature, I'm hoping) and Reese Witherspoon optioned the films rights and inked Millie Bobbie Brown to star back in 2019- I guess the pandemic put a stop to that, and there is no way that MBB could play a 12 year old now.
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| Author Nafkote Tamirat |
Published 9/27/23
The Parking Lot Attendant (2018)by Nafkote Tamirat
Jamaica Plains, Boston
Massachusetts: 13/30
I've been pretty harsh to YA fiction and its YA protagonists since I started the 1001 Novels project, which seemingly features a parade of such work. One of my issues is an obvious fact- none of these YA books are written by YA authors. I'm not sure why that is the case. After all, if you look at other areas of the culture industry: music, film, there are tons of child participants. However in the world of fiction, the views of children are almost entirely written by adults. Strange.
The Parking Lot Attendant is another 1001 Novels book with a YA protagonist, but this is adult fiction with a child narrator, not YA fiction. The nameless narrator is a high school girl, the child of Ethiopian immigrants. She falls under the sway of Ayale, putatively a parking lot attendant but in reality some kind of guru, criminal mastermind and/or cultural icon of the Ethiopian expatriate community. Tamirat, to her credit, doesn't provide any backstory to the Ethiopian-ness of her characters, but its worth noting that the highly negative popular view of Ethiopia as a destitute land of famine and poverty disguises the fact that Ethiopia was, until a 1970's Marxist revolution, an ancient Empire that ruled over a variety of lesser developed African tribes. The ruling class, speakers of an ancient Semitic language called Amharic are lighter and are generally considered to be the descendants of immigrants from the Arabian peninsula after Judaism and Christianity developed but before Islam.
Which is all to say that the Ethiopians who make it over the USA are not the starving tribesmen that people remember from USA for Africa, but the children of elites from the capital of Addis Abba, many of whom fled the Communists in the 1970's and 1980's, making them closer to immigrants from Cuba and Eastern Europe than the economic immigrants from south of the border.
In other words, a book written from the point of view of an Ethiopian adolescent is as sophisticated politically as say, The Secret Agent by Joseph Conrad, which is a reference point that popped into my head frequently as I read this slim volume. Ayale and his people are not just a bunch of immigrants trying to hustle in a new world, they have political goals, which are gradually revealed as the narrator recounts her recent past from a present where she is part of some kind of political movement with the goal of creating an independent state in between Ethiopia and Somalia.
Published 9/29/23
The Woman Upstairs (2013)
by Claire Messud
Manchester-by-the-sea, Massachusetts
Massachusetts: 13/30
Another totally insufferable entry from the 1001 Novels: A Library of America list. Blame it on the protagonist, 42 year old singleton Nora Eldridge, a woman who turns her back on a prominent NYC career and postcard marriage to teach grade school, work on her shitty dioramas (I believe this is the THIRD novel already where a character makes diorama art as adult "serious" art) and complain about her circumstances to her lesbian-couple best friends.
Is she happy about the choices she has made? She is not. Is she happy about her present circumstances? No, she is not. Into this frothy mix of middle aged female displeasure comes Reza Shahid, the child of a French-Arab-Italian couple, the husband of which is working at Harvard University for a year- he's a scholar, but his actual work is never discussed. The wife of this couple is Sirena Shahid, and obviously her name foreshadows her activity in the book. Sirena is a real artist, who does installation art. After bonding over the bullying Reza faces at the school where Nora is her teacher, the two decide to split the costs on a studio rental.
Huge mistake to check out the Audiobook here- I've begun abandoning 1001 Novels: A Library of America when the protagonist is a YA teen girl, I just can't stand the hours of listening to YA narrators tell their story. Going forward I'm going to adopt the same procedure for books focused on unhappy middle-aged women. So boring- every story, the same batch of complaints. Either they feel trapped by their children and family OR they are consumed with regret over their failure to be trapped by their children and family. No character on the 1001 Novels list ever reflects on their situation to the tune of, "Well, lots of people are unhappy in the world, I'd better to focus on the positives, and work to change the negatives." I mean, there wouldn't be a book if that were the case.
And just to be clear I'm only talking about AMERICAN authors here- none of this applies to books about women from other places.
Published 10/6/23
Promised Land (1976)
by Robert Parker
Cape Cod, Massachusetts
Massachusetts: 14/30
This is the fourth book in the series of detective novels that spawned the famous Spenser for Hire television show. It's amazing how ubiquitous prime-time television was in its heyday. I never watched an episode but I still remembered that Robert Urich played Spencer. I had no idea that the show was set in Boston. I listened to the Audiobook, which was a pretty low rent affair, not that a detective novel from 1975 requires narrative fire-works. Parker wrote 40 Spenser novels before he died in 2010. If it is not clear already, a detective novel is a welcome change from the sad families and single women that have absolutely dominated the Massachusetts portion of the 1001 Novels: A Library of America list. Je-sus.
Besides never watching the show, I'd never read a Robert Parker book before this Promised Land. As the fourth book of forty, Spenser and his various attributes have already been set up- the weird relationship with his Jewish girlfriend is in place, and he's working as a private investigator. It was actually this exact book that served as the pilot episode for the television show, and it also happens to be the first book with Hawk, who I think goes on to become his African-American sidekick- maybe I'm wrong about the relationship. In Promised Land Hawk is a hired gun working for the bad guys, though with a code of honor that mirrors Spenser's own.
The character of Spenser is a private investigator for the 1970's- he cooks, he can talk intelligently about emotions and relationships, and he is actively anti-racist- calling out his employer when he uses the N-word to describe Hawk (who has just beaten him up a little bit). The gig involves Spenser being hired by a Cape Cod area business man to track down his wayward wife- who has left because he loves her "too much". She falls in with a nascent group of radical feminists who end up murdering a bank guard during a robbery(!). Spenser then has to bail out both the wayward wife and his original client, the husband, who is in deep to a loan shark for a real estate deal gone south.
I didn't love it as a detective novel but as a BOSTON detective novel it was great and like I said, it was a welcome relief from the parade of YA teen girl coming-of-age novels, sad single women and sad family women that have populated this part of the 1001 Novels List. I'm sitting here looking at a stack of four more- including two that I tried as Audiobooks but couldn't bear in that form.
Published 10/19/23
Caucasia (1998)
by Danzy Senna
Boston, Massachussets
Massacussets: 15/30
The 1001 Novels: A Library of America has slowed to a crawl during the big fall release season/awards shortlists on both sides of the Atlantic. It doesn't help that I'm staring at a literal stack of YA and "domestic" fiction in my study. I'm really not in a hurry to read any of this books I've got checked out from the library in pursuit of this project. Caucasia is another volume from the sad families and their children genre that editor Susan Straight seems to prefer in her American fiction. Senna is a professor of English at USC and she's married to fellow writer Percival Everett. Senna comes from a mixed-race background- her mother Fanny Howe, is white, and her father, Carl Senna, is black. They were married in 1968 (mixed race marriage was legalized in 1967) and split up in 1970. Caucasia, and much of her other work, reflects the life experience of being mixed race, specifically written from the perspective of a child who can pass for white, as, I believe, is the case with Senna based on pictures of her online.
Caucasia was her debut novel and it's about Birdie Lee, a young girl, like Senna, the child of a white mother and black father who split up. Her mom, who is, lets face it, a bit of a drama queen, decides that she is being targeted by the FBI for her radical activities (unclear if that is actually the case), so she splits up her family, sending Birdie's black-looking sister off with her Dad to Brazil and decamping with Birdie to northern New England, where they end up spending most of the book in small-town New Hampshire. I'm assuming this didn't actually happen to Senna since it is both presented as a work of fiction and because she wrote a subsequent memoir of her personal experience as a mixed-race child.
Caucasia is another example of a book on the 1001 Novels: A Library of America written from the perspective of a teen although it is not YA fiction. Like many issues related to race, growing up in the Bay Area in an upper-middle class millieu shielded me from many of the harsh realities of race in America. It wasn't until I got to college in Washington DC that I realized that interracial relationships were in any way controversial. Certainly, among on elementary through high school classmates there were plenty of interracial relationships- black/white, white/asian, black/asian, etc. It just wasn't particularly unusual in that place and time. I know better now, of course, and Caucasia is a good book for those looking for insight on the experience of growing up biracial in America.
Published 10/24/23
The Wedding (1995)
by Dorothy West
Martha's Vineyard, Massachussets
Massachussets: 16/30
Dorothy West (1907-1998) was the youngest member of the Harlem Renaissance but many were surprised when The Wedding was published in 1995, over forty years after her last novel was published. The Wedding is set on Martha's Vineyard in the 1950, among the black elite who colonized a neighborhood called The Oval in the town of Oak Bluffs, which had historically been a segregated community for laborers in the area. The Wedding is the kind of book I thought I'd be seeing much more of in the 1001 Novels project: It is about a time and place I know very little about, and the book helped me learn more about the location and the people involved.
West takes a poly-phonic approach, writing in the third person about a variety of characters who have gathered for the marriage of Shelby Coles, the blue eyed, white skinned daughter of the leading family in the oval, to Meade Howell, a white(!) jazz musician from New York City. The reader learns about Shelby and her family: Corinne and Isaac Coles, her sister, her Grandmother, "Gram." Corinne, Isaac and Gram each get their own backstories as the reader learns about the experience of being a light-skinned "colored" person (black people who could pass for white) in the United States. It's a fraught topic, both in literature, where the concept of the "tragic mulatto" usually a colored woman passing for white, was a significant one in 20th century African American fiction. West is clearly writing to redress that stereotype, but I also feel like The Wedding is also meant to address the wave of African-American activism that proclaimed "black is beautiful" and looked skeptically at the light-skinned African American elite which proceeded it.
In short, The Wedding was everything I had hoped the 1001 Novels: A Library of America to be, and I'm hopeful that there will be more books like this one, and fewer about sad adolescent girls and their whimsical fantasies, going forward.
Published 11/20/23
Mermaid in Chelsea Creek (2013)
by Michelle Tea
Massachussets: 17/30
Chelsea, Massachussets
Despite having spend close to an entire month in Boston over the past decade, I've never got a sniff of Chelsea, which is technically a Boston suburb but functionally part of Boston. Chelsea is separated from Boston by the Mystic River, a body of water that serves as a divider between cosmopolitan Boston and the working-class, white suburbs north of town. Mermaid in Chelsea Creek is, you guessed it, another YA title about a sad teen being raised by a single mom. She amuses herself by going down to a dirty creek and playing the suffocation game, where you hold your breath until you pass out. During one of these episodes the titular mermaid appears to her and points her to a destiny that includes- can you guess?!?!- great magical powers and a destiny which includes saving the world, or something. Mermaid is the first of a trilogy so Sophie Swankowski doesn't get very far in this, the first book.
The reader is introduced to a variety of characters, some magical (talking pigeons!) and others less so. As far as YA books go, Mermaid is relatively benign and readable for an adult- probably because it was published by McSweeney's and not a mainstream publisher. Still, it is hard not to be irritated with yet another YA book about a struggling teen girl. Look, I get it, it is tough to be a teenage girl in a disadvantage neighborhood. It seems like there is plenty of thematic overlap in these books: Issues with their parents, issues with their school, a lack of direction to their future. Sounds like teenagers everywhere, right?
Mermaid in Chelsea Creek was one of these 1001 Novels books where I checked out the Audiobook and then quickly realized that listening to an Audiobook of this title would be a nightmare- I can't take ten hours of a teenage girl complaining about her life, it's just interminable. All their complaints are exactly the same. So then I checked out the hardback from the library and it went down easy.
Published 11/20/23The Giant's House (1996)
by Elizabeth McCracken
Massachussets: 18/30
Brewster, Massachussets
Ok, I'm out on Cape Cod right now- more than halfway through the interminable Massachussets chapter of the 1001 Novels: A Library of America. I think I'm close to 10% through this list and... a lot of teen girls coming of age and sad single moms so far. Speaking of which, The Giants House is another sad single lady- though the mom bit takes the whole book to arrive. The Giants House is an example of a book that does not make for a good Audiobook- which- I'm coming to learn, is a book where the narrator is someone I don't sympathize with or empathize with. The closer the Audiobook narrator is to me, the better- which is an example of how bias works unconsciously. The "voice" of a book never bothers me when I read it, because the voice I hear is "my" voice.
All I'm saying is that I would have had fewer issues completing this title if I'd read it vs. listening to the Audiobook. Now, The Giants House was a National Book Award nominee back before they had a longlist/finalist- so it was like one of five or four books. I went back and read the New York Times review at the time it was released and it wasn't a "whoa, all hail this masterpiece." If anything I would call it essentially a negative or at least neutral review- close to what I felt. The problem is with the narrator- Cape Cod Librarian extraordinaire Peggy Cort. Peggy... does not have a lot of romantic self confidence, and even allowing for the fact that this book is set in the psycho-sexual dark ages- 1950 small-town Massachussets, but you'd at least think a Boston trained librarian would have access to books about sex and such that would allow her to get beyond her one-note neurosis.
Peggy falls in love with James Sweatt, a teenager destined to become the worlds tallest man. Cort meets Sweatt when he is a very tall teenager, and the book follows the two and their curious relationship over the course of about five years. To McCracken's credit, shit gets extremely weird and dark before she closes up the story.
Published 11/27/23
Father of the Rain (2010)
by Lily King
Massachussets: 19/30
Boston, Massachussets
I was prepared to trash this book, but then I went and read the favorable New York Times review from 2010 and her current review count on Amazon (her top two books have 14k and 12k reviews, which is an order of magnitude bigger than what even succesful literary fiction titles register on that site). It looks like she traded in an earlier segment of her career, epitomized by this book, which won her some regional literary awards for a later portion of her career where she just spins out bangers.
What I'm trying to do here is not be unreasonably mean, even though I found Father of the Rain hard to bear, with its relatively privileged protagonist, an anthropology student who has landed a tenure track professorship at UC Berkeley. Daley Armory is headed in the right direction when her past, in the form of her alcoholic, waspy, father has a medical emergency and summons her back to the tony Boston suburb where she grew up. King doesn't actually tell the book in flashback format, rather we get a straight narration, taking you from Daley's mildly difficult childhood through her sub-optimal choice to chuck a potential tenured professor at UC Berkeley to teach high school and raise a couple kids with her husband- which is where she ends up- sorry for the spoiler but is that really a surprise- I felt like the resolution to this book was luminous from the very first page. Of course she isn't going back to get that job but also of course it works out for her in a different way in the end.
Like many parents in the pages of the 1001 Novels: A Library of America, Daley has a Mother who thinks she knows what's best for her daughter (leaving a mildly annoying, alcoholic husband who is none the less a good provider) when her daughter almost certainly disagrees with her. The formative moment in this book comes when Daley's mom announces to Daley that they are leaving the next day, without so much as a conversation with the Dad. I'm not hugely sympathetic to alcoholic wasps from Massachussets, but simply as a human being it seemed like Daley's mom was making a poorly reasoned choice.
Published 11/30/23
Illumination Night (1987)
by Alice Hoffman
Martha's Vineyard, Massachusetts
Massachusetts: 20/30
Really in my "tedious slog" era of the 1001 Novels: A Library of America project. This seemingly never ending Audiobook (only 224 pages in print) took me literally months to get through because I could normally listen only in 15 minute segments. The most incredible part about Illumination Night vis a vis its place in the 1001 Novels project is that this book also features a giant who lives on the Cape! The two books are only separated by a few hours drive (well boat ride since this book is on the Vineyard and the McKracken book is on the mainland).
Of course, The Giant's House is ALL about the giant and here the giant is a relatively minor player. The main character is Vonny, a 20 year mother of one married to Andre- a brooding motorcycle mechanic/restorer and mother of Simon, who is a tiny little boy. They move to the Vineyard year round at the beginning book and meet their next door neighbor Elizabeth Renny, an elderly widow and her granddaughter Jody, a bored, horny 17 year old who is sent as a seasonal assistant to granny but then connives her way into year round residency.
I was almost personally offended by the characters in this book and their problems. Particularly Vonny, who inexplicably becomes agoraphobic half-way through the book after she gets into a fight with her Dad. I am not exaggerating- she goes into New York, has an argument with her Dad- from whom she is ALREADY estranged, goes back to the Cape and can't leave her house. Andre nails the jail bait next door but slides off the hook when Jody becomes intimidate with the Giant who lives down the road.
Basically once Vonny manifests her agoraphobia I couldn't stop thinking about how only the privilege can suffer from a disease where you have to stay inside your nice, safe, bourgeois house. What happens to agoraphobics who live in a hut in the third world? In true literary fiction fashion, Vonny does have a livelihood that she can do from her house- she's a potter. Anyway I found the whole thing ridiculous and stupid. And I'm so tired of these books about sad housewives and their troubled lives raiding children as privileged white people in America. Boo hoo. Susan Straight has picked a lot of those books so far- roughly a hundred books in I think.
Published 11/30/23
Moby Dick (1851)
by Herman Melville
Nantucket, Massachusetts
Massachusetts: 21/30
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| Herman Melville |
Moby Dick is another 1001 Novels/1001 Books cross-over title- I read it for the 1001 Books project back in 2012. It's actually a pretty good review- with links to Ngrams I created showing the relative popularity of Melville to Dickens and Jane Austen in the context of literary revivals... but for the purposes of the 1001 Novels
Moby Dick is representing Nantucket. Considering how much of
Moby Dick takes place on a whaling vessel it seems like a bit of a stretch, but it's good to see a solid 19th century classic on the list.
2012 1001 Books Review:
Herman Melville is the second major Author on the 1001 Books To Read Before You Die list to obtain his canonical status from a Revival. The first example of the Revival phenomenon is the well-documented revival of Jane Austen in late 19th century. Although published in 1851, Herman Melville was ignored for decades after his death except by a small circle of writers and critics in New York City who "kept the flame alive."
The conventional explanation for the revival of Herman Melville is that he was "before his time" in using Modernist literary techniques. Fair enough. It is true that successors didn't start truly arguing for the enduring value of
Moby Dick until 1917.
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| Moby Dick the White Whale |
Much of the "blame" for the failure upon initial publications came from the harsh response that London based critics gave to
Moby Dick. The story goes that the less-sophisticated American critics followed their lead. That is a weak explanation for why
Moby Dick failed.
The best way to illustrate this is by looking at the reception by American critics of books Charles Dickens published in the 1840s. The American critics expressed negative opinions of works like
The Life and Adventures of Nicholas Nickleby that were "America specific" and independent of those expressed by English critics.
I would argue that the key to understanding the initial commercial failure of
Moby Dick by Herman Melville is held by looking at Herman Melville's popularity BEFORE
Moby Dick was published.
Specifically, he had popularity, and an Audience, based on Audience familiarity with his travel narratives. I think what went wrong when
Moby Dick was published was specifically that he confused his Audience. That Audience included both the folks who actually bought and read his earlier books, and liked them, as well as critics who were only interested in
Moby Dick because it was by someone who had sold books in the past and had an existing Audience.
That existing Audience- wasn't dissuaded from critics from not liking
Moby Dick- they themselves did not like
Moby Dick because it was so out there. If the people who bought and read 500+ Novels in the mid 19th century- and that would have been everyone who read Novels, period- had liked
Moby Dick, the critics would have come around. If
Moby Dick had been serialized, and the Audience for printed matters had glommed on to
Moby Dick for whatever reason, the critics would have come around.
A "blame the critics" approach to describing the failed initial reception of Moby Dick is wrong, one might as well blame the Audience for existing.
It is also worth comparing the eventual popularity of Herman Melville and
Moby Dick to Charles Dickens and his crowning achievement,
David Copperfield. They were published almost within a year of one another in London, so it's a good comparison. If you look at a Google Ngram comparing the frequency of mention of the two Authors names between 1840 and 2000,
Charles Dickens "takes off" in the mid 1860s and Herman Melville is flat well into the 20th century. Since the 1960s both Authors have been flat, with Charles Dickens reasonably more popular then Herman Melville, but with both in the same league.
If you add Jane Austen to the mix (another "revived" Author) you can see that
she has blown both men out of the water in the late 20th century. In the Dickens/Melville/Austen graph you can also see the impact of the earlier Austen revival during a time when Melville was essentially dormant.
You can also add the names of the works:
David Copperfield &
Moby Dick, to the Ngram that contains the names of the Authors, Herman Melville and Charles Dickens. This Ngram shows that
Moby Dick the work is almost more popular or as popular as the Author, whereas David Copperfield is only a fraction of the popularity of Charles Dickens.
I think the irony of the initial failure/eventual success of
Moby Dick by Herman Melville is that it has literally inspired a hundred years of writers to write books people don't want to read. Think about it, think about the later impact of literary modernism on the Novel and the shape that the Novel takes as an Art form during the 20th century.
Moby Dick has inspired a century of terrible writers to actually be terrible on the theory that after they are dead some egg head will finally "get" their brilliance. Personally, I'd rather throw in with Charles Dickens then Herman Melville.
Published 11/30/23
The Scarlet Letter (1850)
by Nathaniel Hawthorne
Boston, Massachussets
Massachussets: 22/30
The Scarlet Letter is another 1001 Books to Read Before You Die, 1001 Novels: A Library of America- not surprising considering it is a stone cold classic of 19th century American Literature. Hawthorne dominated the 19th century American Literature portion of the 1001 Books list- five or six titles I think, compared to just one in the 1001 Novels project, which seems to limit authors to one book- or at least one book per region. I haven't come across any repeaters in this New England portion of the project.
I didn't write a review of The Scarlet Letter for the 1001 Books project until 2018- it just seems like a book literally everyone has read in high school.
In 1001 Novels terms it represents central Boston- it's the most central Boston book- the map for this project has it just south of Bunker Hill. Only Union Dues by John Sayles, is more centrally located inside Boston.
2018 Review:
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| Demi Moore played Hester Pyrnne in the famously terrible 1995 movie version of The Scarlet Letter. |
1001 Books to Read Before You Die
The Scarlet Letter (1850)
by Nathaniel Hawthorne
The Scarlet Letter is another fun read from high school English class. Published in 1850, it is, I think, the first published American novel still widely read. The Last of the Mohicans was published two decades earlier, but I don't think people really read that book anymore. The Last of the Mohicans is also too long to be read in the context of a modern high school schedule, and The Scarlet Letter has almost the perfect length to be read in full by a high school student.
Listening to the audiobook this time around, I was struck by at just how very dark The Scarlet Letter is. It's one thing to know that the language is "darkly romantic," another to actually hear the language spoken aloud. Were it not for the Puritan wilderness location, you could call The Scarlet Letter gothic. And even if The Scarlet Letter isn't technically gothic, you could forgiven for describing it that way.
Honestly, it's hard to find much of the dialogue comical when heard aloud. Again, I was struck that listening to The Scarlet Letter instead of reading it raised the possibility of a satirical element that I totally missed reading it in school. Googling satire in The Scarlet Letter brings up a wide range of sources, so that's one point against high school me. Like I said, hearing it, the humorous/satirical intent is apparent.
Published 12/4/23
Mystic River (2001)
by Dennis Lehane
East Buckingham, Boston Massachussets
Massachussets: 24/30
It took me forever to make it through Mystic River because I decided to make it my court/jail book- i.e. the book I read when I'm sitting around waiting for a jail visit or a court hearing. Not a great look for the book since it basically guarantees that I will be in a bad mood each time I read said book. Once I took the book out of my briefcase it took me about an hour to read the last three quarters after months trying to get through the first 100 pages.
Mystic River is a hit two times over- the book is still in print and considered a minor classic of the genre (police procedural adjacent) and the movie (2003), has an 89 on Rotten Tomatoes- from both fans and critics. Finishing the book had me wanting to actually watch the film- which is almost unheard of in my experience. The crime: the murder of the daughter of a reformed local gangster in west Boston slum neighborhood takes a back seat to the neighborhood itself and the shared history of the cops and criminals, perpetrators and victims, who animate the action.
Lehane shows himself a savvy writer of fiction in terms of the way he manipulates the reader with his use of multiple unreliable narrators- it's one thing to identify the unreliable narrator, quite another to figure out where everything is headed. Considering the continuing popularity of the book and film I won't spoil the ending, but I did think the ultimate revelation was a little cheap. Guess I'm in the minority there judging from the twenty plus years of rave reviews from critical and popular audiences.
Published 12/4/23
The Handmaid's Tale (1985)- inexplicably listed as 1997 on the official website
by Margaret Atwood
Harvard Library, Cambridge, Massachussets
Massachussets: 25/30
The Handmaid's Tale is the last of the 1001 Books to Read Before You Die/1001 Novels: A Library of America crossover titles in New England. There were a total of five- the only non-Massachussets crossover title is A Prayer for Owen Meaney (1989) by John Irving- which didn't even make my top 10 for the Northern New England section. The Handmaid's Tale is a stone cold lock for any canonical list anywhere- it was already at that point when the editors included it on the 1001 Books list in 2008, and it certainly hasn't gotten less relevant since then, what with the television show starting in 2017 and growing after 2019, when the SEQUEL to The Handmaid's Tale won a split Booker Prize. Hard to imagine a sequel winning such a major literary award, but I surmise there was some embarrassment on the part of the Judges panel that Atwood didn't win back in 1986 when it lost out to The Old Devils- still in the old white guys era back then.
If I'm not mistaken Atwood is the first non-American author on the 1001 Novels list. I can tell from the review I wrote back in 2018 for the 1001 Books project that I was already over The Handmaid's Tale. I don't remember when I read it for the first time, but I certainly can remember the paperback copy that was on a variety of my book shelves over the years.
1001 Books to Read Before You Die Review
Published 4/10/18
The Handmaids Tale (1985)
by Margaret Atwood
I wasn't hugely surprised when Hulu announced a Season 2 for their smash hit television version of The Handmaid's Tale, by Margaret Atwood. The book, of course, has no sequel, so presumably they'll be writing a new chapter. I haven't finished the television series yet, but the idea that they would write a whole second season out of nothing doesn't offend me as I thought it might. The book itself is more or less genre fiction, Margaret Atwood's literary pedigree. What is unusual about The Handmaid's Tale is the anti-feminism which animates The Republic of Gilead, the authoritarian dictatorship which has replaced the United States of America in Atwood's alternate present of the book.
The key, animating fact in Atwood's dystopia is a precipitous decline in the birth rate, brought about by a poorly understood intersection of chemicals and ungodliness. This decline spurs a shadowy network of "think tanks" called the sons of Jacob, to come up with their new model society, which combines elements of New England Puritanism and Mormon pluralism with more far a field influences like Asian-style quietism and an economy that functions without money.
Offred's gilded cage is contrasted both with her life before Gilead, where she married a divorced man (illegal under the new regime) and gave birth successfully to a child who was taken by the new regime; the other alternative is being dispatched to "The Colonies" (roughly the south and south east) where a series of nuclear explosions and chemical attacks have rendered large swaths of territory uninhabitable. Offred isn't stoked about her role as a breeding object, but she isn't exactly leaping at the prospect of a nasty, brutish and short existence in the Colonies.
There is no denying the visual power of the imagery- which is well take by the television version. The book, I think, is clumsier, in a way, particularly in the way Atwood included a thirty page addendum written from the far future, presenting the book as an authentic historical manuscript. I understand why you would do that in the context of dystopian fiction, but it seems like a genre move.
Published 12/11/23
On Earth We Are Briefly Gorgeous (2019)
by Ocean Vuong
Hartford, Connecticut
Connecticut: 9/9
Here we are at the end of Connecticut and almost the end of Chapter One of the 1001 Novels: A Library of America Project, Pointed Firs, Granite Coves & Revolution. I actually read On Earth We Are Briefly Gorgeous- bought the hard back in fact, but never posted a review because... I just didn't have much to say about it- Vuong comes from a background in poetry, and On Earth We Are Briefly Gorgeous is a poetic bildungsroman adjacent tale about growing up in rust-belt Connecticut from the perspective of an LGBT teen/young adult. I remember enjoying the fact of the location- rust belt New England, and the fact that the POV was that of an Asian-American immigrant who did not come from a privileged background.
Even though I grew up in the Bay Area I knew few Asian-American families who were disadvantaged. This wasn't the case for white kids I knew- my prep school had plenty of disadvantaged white, black and latino students but no disadvantaged Asian student. Same thing in college. In law school I finally met some Asian-Americans from working class backgrounds, but they were high achievers. Anyway, it's all to say that I appreciated Vuong's POV and I think it's a great addition to the canon of American bildungsromans.
Published 12/12/23
The Wishing Hill (2013)
by Holly Robinson
Newbury, Massachusetts
Massachussets: 26/30
Coming to the end of the New England chapter of the 1001 Novels: A Library of America is a reminder of how geographically specific and universally understood the idea of "New England" is by the average American. There's an argument about the proximity of southern Connecticut to New York, but other than that everyone knows that New England is Maine, Vermont, New Hampshire, Rhode Island, Connecticut and Massachussets. Over the next 13 chapters, there will be less consistency- by necessity places like the "Midwest" "South" and "West" will be split between multiple chapters. It's also worth noting, coming to the end of Chapter 1 of 14, that all the books take place entirely inside the United States- I don't think any of the characters have left the country for any significant amount of time in any book.
UNTIL TODAY- because The Wishing Hill by Holly Robinson takes place partially in Mexico where the main character shows up recently divorced and pregnant by her local gardener in chapter one, only to be called home to Newbury Mass, where her dramatic (literally an actress) mother is in the hospital after a fall. Mom lives next door to her semi-estranged sister and... well...the plot is a variation on what I have begun to term Hallmark Movie lit- involving a woman who returns to her "home town" from some place more sophisticated and struggles with whether to stay or return to where she started.
I found the idea of a single American wanting to give birth and raise a baby in Mexico, Puerto Vallarta, to be risible. At least you would want to give birth inside the United States to forestall any questions of citizenship for the child. The struggle between daughter and mother had its moments- the family secrets unraveled by the plot weren't stupid or boring, but the main character was pretty lame, even by the standards of domestic fiction. So much incessant worrying on every page. I really couldn't stand this book.
Published 12/13/23
Vida (1979)
by Marge Piercy
Cape Cod, Massachusetts
Massachussets: 27/30
I was prepared to just really trash this book until I saw a blurb from her 1970 novel, Dance the Eagle to Sleep, by none other than Thomas Pynchon (it's pronounced pynSEAN, fyi). His dedicated website at Pomona College lists nine blurbs, the last in 1996 (for George Saunders). Vida was, for me, another extremely tedious entry from the 1001 Novels list, featuring the eponymous heroine who is on the run for a series of bombings against corporate targets in the late 1960's.
The book takes place all over the Northeast and Atlantic, with huge portions taking place in New York City and upstate Vermont. The Cape Cod location of the title is a safe house where Vida spends a couple weeks. Unclear to me why Vida what be slotted in for Cape Cod, seems like there would be plenty of titles that are set entirely on the Cape. If anything, this felt like a strong New York City title.
Having grown up in the SF Bay Area in the 80's and 90's, I am well familiar with the subculture of 60's activists who had to go "underground" for various reasons. A half century later, it all seems pretty silly, particularly if you compare the literature of the American left, with, I don't know, analogous writers in places like China and Vietnam, were such issues were literally a matter of life and death. The life or death angle here was, I felt, a little forced.
Also worth mentioning that 18/27 books have women authors. It seems very clear at this point that this a "My canon, my rules" situation with editor Susan Straight, and she wants us to be reading women authors. I'm all for it, but I'd like the books to be better, or at least less domestic. This book, at least, is not about a woman struggling with motherhood.
Published 12/18/23
Leaving Pico (1999)
by Frank X. Gaspar
Provincetown, Massachusetts
Massachusetts: 28/30
Provincetown is on the tip of Cape Cod- I've been there several times with my partner, who is a huge fan. There are several different elements to the Provincetown mix, chief among them the gay population/summer scene, a Massachussets family destination and a local Portuguese fishing community that has been there for centuries at this point. It's hard to miss the Portuguese family vibe, they have churches and a large part in the public culture of the town. I was still a little surprised to find that Provincetown is represented in the 1001 Novels: A Library of America by Frank X. Gaspar and Leaving Pico- a small press title about a boy growing up with a single mom in said Portuguese community. Leaving Pico wasn't any kind of a hit- it barely even has an Amazon product page which...is tough to do.
I did enjoy the intimate depiction of the waterside community that is always submerged in the summer when I visit- I recognized the depiction of the family home from walking around Provincetown, and knew almost all the places they visited during the course of the book. It's not surprising that this is one of the first and only books in the 1001 Novels project where the narrator does not leave the town where the action takes place. He takes a couple of trips in his Grandfather's crude sailing ship but other than that it is Provincetown all the way.
One of the central plot points involves his mom "running off" to Florida with her paramour, and when she gets back she makes it clear that she doesn't want to see someplace, anyplace, other than Provincetown where she has spent her entire life.
Published 12/18/23
White Ivy (2020)
by Susie Yang
1 Bennett Street, Cambridge, Massachusetts
Massachusetts: 29/30
Wow, one more book to go first the first of fourteen Chapters in the 1001 Books project. 43 titles out of Northern New England. 48 from Southern New England for a total of 91 titles for the first Chapter. 1001/14 nets out to an average of 71.5 books per Chapter, so that means New England is overrepresented by 20 titles. That makes sense since New England is probably the most literary physical landscape in America and contains multiple centers of authorial activity, universities, writers retreats, big cities, etc.
White Ivy comes heavily promoted as an Asian-American spin on The Talented Mr. Ripley with a young, female protagonist. It made a sales splash when it came out- the library copy I checked out had a Jenna's Book Club sticker on the front. Yang's protagonist is pleasingly imperfect- a poor student turned indifferent grade school teacher who reconnects with her childhood crush, a class mate and scion of an upper-crust WASP family (his deceased father was a senator!)
I found most of White Ivy pretty excruciating but thought the whole book was redeemed by the last fifty page, where the Ripley comparisons finally come into focus. I originally tried to listen to the Audiobook but I just couldn't take it, I'm glad I read the book instead.
Published 12/20/23
Union Dues (1977)
by John Sayles
Boston, Massachusetts
Massachusetts: 30/30
That's it- the end of the Chapter 1- New England, 1,001 Novels: A Library of America. It took forever to read this one because Amazon has some kind of Audible exclusive for it so you can't actually buy a physical copy on Amazon- bizarre! I had to buy it from ABEbooks.com instead. I like Sayles the film director- Matewan, Eight Man Out, and other movies. Sayles was a writer before he was director and his early efforts include this novel, Union Dues.
Like Vida, another book on the list about 70's era radicals in the Boston area, Union Dues suffers from a surfeit of political dialogue between 70's student radicals. Holy cow, who gives a fuck. At times Union Dues felt like it was twice the actual length of its 370 pages. There also ten page at a time depictions of life working at a meat factory in 70's Boston, and a couple of Police Officers who do everything but drop the N word in every other sentence. Sayles actually writes out the Boston accents, so there are plenty of spelling oddities. Other than that, I did enjoy the depictions of downtown 70's Boston- particularly the grittier parts.
Glad to moving on from New England- New York and New Jersey..
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