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| Sunjeev Sahota landed his second Booker Prize nomination this week for China Room, his new novel. |
Published 7/27/21
China Room (2021)
by Sunjeev Sahota
Congratulations to Sunjeev Sahota and all the other authors on the Booker Prize 2021 Longlist! Here is the full list:
A Passage North, Anuk Arudpragasam (Granta Books, Granta Publications)
Second Place, Rachel Cusk, (Faber)
The Promise, Damon Galgut, (Chatto & Windus, Vintage, PRH)
The Sweetness of Water, Nathan Harris (Tinder Press, Headline, Hachette Book Group)
Klara and the Sun, Kazuo Ishiguro (Faber)
An Island, Karen Jennings (Holland House Books)
A Town Called Solace, Mary Lawson (Chatto & Windus, Vintage, PRH)
No One is Talking About This, Patricia Lockwood (Bloomsbury Circus, Bloomsbury Publishing)
The Fortune Men, Nadifa Mohamed (Viking, Penguin General, PRH)
Bewilderment, Richard Powers (Hutchinson Heinemann, PRH)
China Room, Sunjeev Sahota (Harvill Secker, Vintage, PRH)
Great Circle, Maggie Shipstead (Doubleday, Transworld Publishers, PRH)
Light Perpetual, Francis Spufford (Faber)
The biggest change in Booker eligibility recently was the addition of the United States- historically the prize was limited to books published in the UK Commonwealth- so South Asia, Anglophone Africa, the Caribbean, Australia/NZ, Canada and of course the nations of Great Britain. Of course, there was criticism of the decision to admit writers from the United States, but I really think it has solidified as the top literary Prize that isn't the Nobel- especially with their renewed commitment to the parallel Booker International Prize.
Handicapping the shortlist and eventual winner starts by looking at the list for prior nominees and winners. This year there are five books in that category- Ishiguro, of course, who just won the Nobel Prize, Sahota, Richard Powers, Damon Galgut and Mary Lawson. Interesting to see if Ishiguro rate the shortlist for Klara, but I believe many of his books have divided reception- the Nobel Prize closes that argument, but not for everyone, I suppose. Richard Powers and his not-yet-released Bewilderment is an interesting possibility- he scores a total zero for diversity points but the book is about neuro-diversity (autistic son and scientist(?) dad)- which could generate him that diversity bump.
China Room is an intriguing possibility both for shortlist and winner, since Sahota has a prior nomination AND they managed to release it in the US the same week as the announcement- so, they have their act together. There's also the traditional role of the Booker in bringing the writers of Anglo-Indian background to the attention of the wider world (America). Galgut is South African and has two prior shortlists from the period before American got into the act- 2003 and 2010. Galgut doesn't quite get a zero for diversity(He's gay) but he's still a white South African... but third time is a charm?
Mary Lawson is Canadian- with one prior longlist from 2006. I wouldn't think she is a strong contender for either shortlist or winner.
Turning to the new nominees, A Passage North has heavy Booker vibes and an appealing post-Sri Lankan civil war theme (for major literary prizes I mean). Rachel Cusk has hipster cache and connections in Canada, Los Angeles and London. She is prolific- having just completed her trilogy last year and formally sophisticated- I would rate for the shortlist for sure, but not to win. No One is Talking About This by American Patricia Longwood is another intriguing shortlist possibility, with even more hipster cred than Cusk, and it's a first novel. Surely it is going to a huge boost for her book, which is already available in the remaining chain bookstores and every indie bookstore in America- sales hit coming! Prestige television version! Etc.
Then you've got the mystery box that is the remaining longlist first time nominees for an American reader of literary fiction. The Sweetness of Water is a genuine best-seller from the US- Oprah's Book Club and all the trimmings of success. The African-American author, Nathan Harris, doesn't even have a Wikipedia page- so just the longlist is huge for him. Karen Jennings is South African with little international attention- hard to see her progressing with Galgut on the longlist and strong women writers up and down the longlist. The Fortune Men by Nadifa Mohamed ticks all the boxes diversity-wise AND it's a work of historical fiction that involves the United Kingdom reckoning with past injustices. That sounds like a potential winner!
Great Circle is another work of historical fiction by an American author- which- looks like a book I want to read but I'm not sure how it makes it onto the shortlist against the competition. Just the longlist is a great boost for a book like that. Light Perpetual looks interesting, but English author Francis Spufford does, in fact, score a perfect zero for diversity points so I'd bet longlist is as far as he gets.
So my shortlist would be:
The Promise by Damon Galgut
The Fortune Men by Nadifa Mohamed
The Sweetness of Water by Nathan Harris
China Room by Sunjeev Sahota
Second Place by Rachel Cusk
Bewilderment by Richard Powers
Winner: The Promise by Damon Galgut
So, yeah, China Room is good. I assume there is at least one slot on the shortlist for a writer from Sri Lanka/India/Pakistan/Bangladesh. Sahota combines the contemporary tale of a drug addled second generation English university student of Sikh-Punjabi decent who is trying to kick a nasty heroin addiction in his ancestral homeland during his summer break. Things are not going well- people around him in India literally do not seem to know what drug withdrawal is ("Dengue fever" the village doctor opines) and his Uncle sends him to rehabilitate the family farm, where he meets a local doctor, a woman, etc. This tale is intertwined with the tale of three brothers and their three wives in the 1920's, on said family farm. It's a clever intertwining of two related stories and Sahota essentially manages to write two good short novels into one great regular novel. That's the stuff that prizes are made of! Even if he doesn't win this year, chances are he will be back.
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| Chinese author Can Xue |
Published 8/5/21
I Live in the Slums (2020)
by Can Xue
Can Xue is generally regarded as China's top writer of "avant-garde" literary fiction, which makes sense given the topic of the short stories in her collection, I Live in the Slums, which was longlisted for the Booker International Prize. It caught my eye, coming from China and being written by a woman. If you read the Chinese literature that makes it into translation- all of which was first approved by the censorship authority of the Chinese Communist Party, it's clear that Chinese writers are allowed to talk about many subjects, but it had better be about events in the relatively distant past OR couched so obliquely that an average reader wouldn't interpret any criticism as referring to the contemporary Chinese Communist Party. Can Xue, with her slum-rat protagonists, falls into the later category. You can interpret her stories as criticizing Chinese society but the Government never comes into play.
Her work is often called "Dream like" and she is compared to writers like Kafka and Borges, and in the context of a short story collection, all the indirection can be tiring. Many have tipped Can Xue as a Nobel Prize contender, which, reading this collection- I can see it.
Published 8/12/21
Under a Whilte Sky (2021)
by Elizabeth Kolbert
Elizabeth Kolbert is a writer for the New Yorker. Generally speaking, non-fiction works by writers from/for the New York and/or the Atlantic Monthly occupy the slots of what you might call "serious non-fiction science writing." It's a genre that tends to appeal to politically liberal and well-educated folks, other non fiction audiences having less of an interest in all things scientific. The theme in this volume is man-make attempts to remedy the catastrophic effects of man-made climate change. Obviously, Kolbert is a skeptic of every step of the path which leads from our past/present to a future where government's spray dust into the upper atmosphere to cool the surface temperature.
Half of the book just sets up the chapters on geo-engineering by looking at past efforts to remedy man-made climate disaster, with a memorable chapter on the Asian carp infiltration of the Great Lakes/Mississippi river eco-systems. The climate engineering chapters range from the seemingly benign (pumping carbon dioxide back into the ground to turn it into rock) to Strangelovian and/or resembling the actual back-story to the Snowpiercer media property, which goes curiously unreferenced in the pages long interviews with climate scientists that pepper the pages.
If you look at climate change from a historical perspective we are no doubt doomed, see the role of climate degradation in the collapse of every pre-modern civilization that didn't make it into the modern era. Cutting down all the trees, mismanaging the ground water, wasteful agricultural practices- the history is as old as humanity itself.
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| French-Rwandan author Scholastique Muksonga |
Published 9/8/21
Our Lady of the Nile (2012)
by Scholastique Muksonga
The first I'd heard of French-Rwandan author Scholastique Muksonga was when her memoir, The Barefoot Woman, was named a finalist for the brand new National Book Award for Translated Literature. I enjoyed The Barefoot Woman, which is largely about the experience of Muksonga's mom in exile in the aftermath of the Rwandan genocide. The tragic events of 90's Rwandan genocide (majority Hutu's against minority Tutsi's) were merely the latest chapter of a century of Western interference in the Hutu/Tutsi/Pgymy tribal kingdoms of the central African lake district, with the French speaking Belgians preferring the "genetically superior" Tutsi's (taller, lighter skinned and with narrower noses) to the inferior Hutu's, supposedly smaller, darker and shorter.
If The Barefoot Woman captures the 'after,' Our Lady of the Nile is a portrait of the "before"- set at an African Catholic girl's school circa 1980. The student population is mostly Hutu, reflecting the transition from a colonial rule that favored the minority Tutsi to majority rule favoring the Hutu. At the beginning of the book, there is an uneasy truce, but with Tutsi's clearly on the road to persecution. There is much to enjoy here- the relationship between the school girls, their perspective on outside events and a subplot involving a French plantation owner convinced that the Tutsi's are the descendants of the Egyptian Pharaoh's.
Published 9/8/21
Black Mamba Boy (2010)
by Nadifa Mohamed
British-Somali author Nadifa Mohamed made the 2021 Booker Longlist with her yet unreleased The Fortune Men. Since I can't read The Fortune Men yet, I settled for reading Black Mamba Boy, her 2010 debut bildungsroman/roman a clef which fictionalizes the extraordinary childhood and young adulthood of a character based on her father. There is nothing particularly unusual about the plot points in Black Mamba- young Somali boy seeks his place in the world with little help from fate, but the setting- beginning in pre-World War II Yemen before switching to the horn of Africa during World War II and Egypt and Great Britain after World War II, is breathtaking.
But again, the plot itself- the incidents, the Oliver Twist-esque suffering, is a bit much and perhaps it explains why Black Mamba Boy didn't take off. Looking forward to reading The Fortune Men when it comes out!
Published 9/8/21
The Council of Animals (2021)
by Nick McDonell
I hadn't heard of author Nick McDonell before reading The Council of Animals, his strange novella written from the perspective of post-apocalyptic sentient animals who have gathered to render judgment on the shattered remnants of humanity. This is McDonell's first delve into the world of fantasy/science fiction, his prior works being a enfant terrible style debut about spoiled rich kids in New York (Twelve) and a host of non-fiction work mostly concerning Iraq, Afghanistan and the impact those wars have had on its participants and observers.
I listened to the Audiobook version, which was a mistake. The style that McDonell has chosen for his sentient-animal narrators is understandable but it doesn't translate well into Audio, or at least, it didn't in this version. I wish I had just read it. Hard to recommend on any grounds.
Pupblished 9/8/21
What Strange Paradise (2021)
by Omar Akkad
I really enjoyed Omar Akkad's debut novel, American War, a well imagined tale of future dystopia in post-Civil War 2 America. For his second novel he's chosen a less genre milieu: Present day coastal Mediterranean Europe, under siege from would be immigrants from the African side of the sea. The main protagonist is Amir, a refugee from war-torn Syria by way of Egypt who is the sole survivor of the wreck of the Calypso, an overloaded smuggling boat. His perilous state is rendered slightly less so by Vanna, a girl of the same age as Amir, who takes him under her wing and tries to help him. Help, in this book, means getting off the island, and that is what Amir and Vanna go about doing.
The narrative flashes between the present day flight from danger is interspersed with the story of Amir's flight from Syria and trip across the Mediterranean. Clearly, Akkad is in the business of generating empathy for Amir and his kindred spirits, who are too often dehumanized in the debate over southern European immigration. Personally, as someone who works on the southern border of the United States defending people accused of illegal entry, alien smuggling etc, Amir's struggles seem fairly mundane- nothing I haven't heard a thousand times before, with the possible exception of the horrific wreck of his smuggling vessel.
Akkad is not without sympathy for his villains- a theme in his work that continues from American War. By doing this he encourages empathy for all sides, not just the folks he favors.
Published 9/8/21
To Walk Alone in a Crowd (2021)
by Antonio Munoz Molina
This is a new English language translation of Munoz-Molina's 2018 ode to the flaneur. Originating in 19th century France, the flaneur was (usually) a man who took pleasure in lengthy walks around a city (Paris) and coming into contact with different levels of society. Prior to the entry of the flaneur into Western culture, the idea that someone with means would purposefully chose to expose themselves to the lower rungs of society was controversial, to say the least. Indeed, often times the whole idea of wealth and status was to segregate yourself from the less fortunate. Flaneurs were also among the first to actually LIKE the experience of living inside a city, and appreciate the aesthetics of the city itself, again, controversial at the time.
Flaneur-ism has maintained a vibrancy that has long outlasted the original French version. There is an entire literary movement, called "psycho-geography" that mostly consists of lengthy descriptions of prosaic urban environments in time and history, and it's impossible to ignore the impact of flaneurism on most literary subcultures since the advent of modernism.
To Walk Alone in a Crowd is not exactly a novel, but it is centered around writers and their experiences in various cities, Walter Benjamin, on the run from the Nazi's, Fernando Pessoa in Lisbon, Edgar Allan Poe in Boston and Baltimore. Melville in New York. He combines personal observations with actual history based research, for example:
A great step forward will take place when different routes are juxtaposed. From 1846 to 1849, Poe, Whitman, and Melville are all living, working, and walking simultaneously through New York City, orbiting around a small number of magnetic poles: a particular bookstore, the offices of a handful of literary journals, the houses of a few cultured people that hold soirees.
He speculates on the intersection of literary lives:
There is a kind of invisibility to Herman Melville, as if lost or perpetually estranged among the people walking down the street with him, or in the smaller sphere of his literary circles, the bookstores and cafés. Walt Whitman, who was his exact contemporary, must have crossed paths with him. When Melville’s first book was published Whitman wrote a favorable review in a Brooklyn paper. Melville was a reader of Poe, and both frequented the same bookstore in New York, whose owner they knew well. But they never met, or if they ran into each other now and then, to the point of becoming familiar strangers, we will never know it. Melville walked quickly, in long strides. He said Broadway was a Mississippi flowing through Manhattan. During a trip to London in 1850 he spent his days exploring alleyways and courtyards, bookstores, theaters, cafés, dubious streets he would have avoided in other people’s company, where women stood at the corners offering themselves under the gaslight.
The rest of the book is mostly about the narrator and his desire for a rootless existence:
YOU CHOOSE WHAT YOU WANT AND WHEN YOU WANT IT. I want to live like this, unencumbered, taking walks, reading books, carrying a backpack with notebooks and pencils, wearing a pair of sturdy hiking boots that give a slight elastic impulse to my heels and to the muscles in my legs, the head of the femur sliding in the hip socket, the strength of the hip, an ancient bone, the base on which the spinal column rests. I want to live on foot, by hand, by pencil, at ease, responsive to whatever I meet, loose like the air that moves around my body as I walk or like a graceful swimming stroke. I want to remain astonished.
I unabashedly loved To Walk Alone in a Crowd, and I find myself thinking about it weeks later, and going back to some of the authors he mentions- Edgard Allan Poe, for example, and rereading some of his tales.
Published 9/8/21
Birth of a Bridge (2010)
by Maylis de Kerangal
I'm unsure how I heard about Birth of a Bridge, a novel by French author Maylis de Kerangal about the building of a bridge in a fictional Southern California city. I know why I read it- How often does a writer from another country write a novel about building a piece of American infrastructure? I'm glad to report that Birth of a Bridge is EXACTLY what you would expect- de Kerangal to different voices- the construction boss, the female cement engineer, the yokels who actually have to put the bridge together. There is a French crane operator, a grasping Mayor. It all hung together fairly well, though the generic Southern California city location seemed silly at times. Where is Coca? Everywhere. Nowhere.
The author doesn't use Birth of a Bridge to make grand statements about modern society, she just tells the story of putting together this bridge. It's an interesting story even if it isn't going to change the world.
Published 9/8/21
Boy in the Field (2020)
by Margot Livesey
Boy in the Field is another gender-equity pick but there is no doubt that Boy in the Field is a hit for Livesey- with over a thousand Amazon reviews- big numbers for a small-scale work of literary fiction about three young siblings who find a young man battered in a field by their route home from school. Mom and Dad are are also major characters, but their can be no doubt that Livesey has written this book from the point of view of the kids. Luckily, they are interesting kids.
The plot is less so- it looks like Livesey has some background in crime fiction- I saw comparisons to Patricia Highsmith for her earlier work- and there are some crime elements- the violent assault of the eponymous boy in the field- but there is no doubt that we are firmly in literary fiction land, where people sit in their house and think deep thoughts about the why of it all. There can be no doubt that Livesey is an acute observer of the inner lives of children, but let's be honest, kids usually aren't that interesting, and upper-middle class ones from the wealthy, English speaking parts of all are least of all.
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| South African writer Damon Galgut, will the third time be a charm for the Booker prize. |
Published 9/8/21
The Promise (2021)
by Damon Galgut
You'd have to consider The Promise by Damon Galgut a favorite for Booker shortlist status since he's already made it twice before (but never won.) I'd say he's also a top pick for actually winning the Award- if he makes the shortlist how can they not give it to him. So far I've read six of the Longlist titles and The Promise is certainly shortlist worthy. Is The Promise an out-and-out winner? No, but the Booker winner criteria seems to change with each successive jury.
It's impossible to discuss Galgut to a general audience for literary fiction without comparing him to J.M. Coetzee, specifically as a potential successor (awkward because Coetzee is still writing novels) or heir to Coetzee's legacy. In the Booker related interview I read in the Guardian, Galgut (who must be sick to death to Coetzee comparisons to the point where it must be extremely bad form to bring it up to him) talked about his respect for Cormac McCarthy- to the point of once trying to psych himself up to knock on the door of his house when he was in New Mexico.
Andddd... I guess I can see that influence in The Promise though I can' entirely put aside Coetzee. Can anyone out there blame me? I didn't love The Promise, it's one of those books that is so well drawn that it is awkward to read. There is no experimental structure but he does manage to write the tragic history of this South African family in a way that rewards a reader who makes it to the end. That is a sign of a good author and a good book- it makes the reader think it is one thing and then it turns out to be another.
Published 9/10/21
Great Circle (2021)
by Maggie Shipstead
Great Circle is another 2021 Booker longlist pick, written by American author Maggie Shipstead. At 569 pages, Great Circle puts the "long" in longlist but fortunately it's a fast ride. Shipstead skips between past and present as she tells the intertwined tales of Marion Davies, a 20th century aviatrix with LGBTQ tendencies and Hadley Baxter, a contemporary actress who is enlisted to play Davies in a feature film after she gets terminated from her star-making Twilight-esque role in a YA fantasy franchise. Also along for the ride is Jamie, Davies' artist-twin brother as well as a host of secondary characters- enough to fill two basketball teams.
Other than the late developing LGBTQ angle, it's hard to pinpoint the attraction of the Booker panel to this title as a longlist contender. True, they love an epic work of historical fiction (See 2013, The Luminaries by Elanor Catton and the two wins by Hilary Mantel for her Thomas Cromwell trilogy. It's nice to see a book on the longlist that can plausibly be described as a "fun read" or "page turner" but again, at 569 pages it had damn well better be. I thought her depiction of contemporary starlet Hadley Baxter was particularly clever but even after I finished I was left asking questions about the relationship between the two characters. I believe the idea is that the same actress would play both roles in a movie/tv version (which would be a movie/tv version of a book that is essentially about the process of making a movie based on a book...trey meta.)
The short list gets announced next week on the 14th. Excited to see who makes the cut!
Published 9/17/21
No One is Talking About This (2021)
by Patricia Lockwood
Congratulations to all the Booker Prize short-list nominees! I feel like making the short-list is huge for most authors- almost as good as wining, whereas making the longlist is only a so-so experience, heavy readers like me are way more likely to take your book for a spin, but a longlist nomination doesn't do much for the general Audience, like in the United States, straight up nobody gives a fuck about the longlist titles. I was surprised to see No One is Talking About This made the shortlist- one of three American books next to the forthcoming Bewilderment by Richard Powers (which also made the National Book Award longlist- announced today) and Great Circle by Maggie Shipstead- another surprise to me.
I had been hearing about No One is Talking About This here and there for months, basically in headlines that announced it as "The Great Internet Novel" or questioning that idea. Knowing that I was going to read it eventually, I skipped the debate. The truth that No One is Talking About This is half internet novel, half novel about a difficult childbirth, I think the two portions are literally split in two as in "Part One" and "Part Two."
I didn't love the plot- it seemed pretty maudlin to me, which I think is probably the point- moving beyond the internet and cynicism to find real meaning in the horrors of everyday life, but as a criminal defense attorney who spends most of his time defending indigent defendants from the vagaries of the Federal criminal justice system, I am well acquainted with the emotions Lockwood describes. I just can't imagine this is going to win the Booker Prize, but the shortlist is huge, and it really sets up her next book.
Also, the Audiobook is great, narrator Kristin Sieh really nails a narrator who could be hyper annoying in Audio form, but is not.
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| The power of Oprah! |
Published 9/23/21
The Sweetness of Water (2021)
by Nathan Harris
It is not every year that an Oprah's Book Club selection makes the Booker Prize longlist, but here we are, a genuinely in-stock, best-selling American novel that also made the Booker longlist. Not the shortlist, which was announced last week, but considering The Sweetness of Water was already a sales success, the lack of shortlist status shouldn't matter in the least for Nathan Harris. The Sweetness of Water is a work of historical fiction, set in the Faulkner-esque Southern town of Old Ox in the aftermath of the Southern defeat in the American civil war. Harris provides characters of both races, genders and sexuality, with a melting pot mentality I found rewarding (and often lacking in the sometimes binary world of literary fiction)
I liked The Sweetness of Water, but didn't love it. Ultimately Harris pulls up short in bringing the events to an unforeseen or deeply significant ending- maybe this is why he Booker jury didn't pick him for the short-list. Or maybe it's the Oprah Book Club thing.
Published 9/23/21
A Town Called Solace (2020)
by Mary Lawson
Here is another Booker longlist title that didn't make the shortlist cut. Canadian writer Lawson picked up another Booker longlist nomination in 2006 for her second book, The Other Side of the Bridge. It's clearly central to the Booker Prize to throw at least one longlist nomination to a Canadian writer, you could call it a "slot" alongside slots for African writers, writers from South Asia, writers from Aus/NZ, the English spot, the non-English UK slot, the Caribbean slot and the American slot. I guess you would call Lawson a regionalist, the region being "Northern Canada"- is that the suburbs of Toronto?
A Town Called Solace is a classic Booker longlist pick, a quiet book about little lives in a small town in Canada with some interesting themes and a well developed plot. If you actually pick up A Town Called Solace, sit down and read it, you won't be sorry, but getting started might be tough. It's impossible to explain without spoiling aspects of the plot.
Published 9/27/21
Second Place (2021)
by Rachel Cusk
Rachel Cusk is another good example of an author who I read because she gets a nomination to the Booker longlist, as she did this year for Second Place. Second Place comes hot on the heels (relatively speaking) of the completion of her Outline Trilogy, which wrapped up in 2018 with Kudos. Kudos was very much on my radar screen in 2018, but I just couldn't muster the energy to go back read the first two books in the trilogy.
I quite enjoyed Second Place, narrated by an unnamed woman who invites a notorious painter to her out-of-the-way estate. Listening to the Audiobook, the painter sounded like a cross between Andy Warhol and Lucian Freud. The truth is that I didn't want to enjoy Second Place, but I most certainly did. I honestly can't get enough listening/reading to novels that revolve around artists and their behavior. I can see why it didn't make the shortlist- it's not a signal masterpiece and the ending isn't fantastic- but it isn't some kind of experimental odyssey that makes no sense.
Published 9/27/21
Bewilderment (2021)
by Richard Powers
Is Richard Powers a potential Nobel Prize winner? It might have seemed highly unlikely before The Overstory won the Pulitzer Prize in 2018. Before that he had only some longlist/shortlist nominations and a single National Book Award for The Echo Maker. Now he's got the National Book Award, The Pulitzer and a legitimate shot at the Booker Prize this year after Bewilderment made the shortlist. I was surprised by the shortlist pick, if only because nominating an American writer with a large popular audience for the longlist as a way to drum up interest in the lesser known writers seems like a very Booker thing to do.
I think if Powers actually wins a Booker he'd have to be considered as a Nobel Prize contender. Surely, if a novelist is picked because of the importance of novels and their relationship with the hard sciences, Powers would be one of a select few. Historically, the Nobel seems to favor "political" or "socially conscious" writers over those concerned with science, but perhaps the times are changing. I mean really, after handing the Literature award to Bob Dylan, it really feels like anything is possible.
The elevator pitch for Bewilderment is "Richard Powers does Flowers for Algernon." Flowers for Algernon is the famous and oft read short story turned novel about Charlie, a "retarded" janitor who receives life changing intelligence boosting surgery. In Powers' take, the narrator is the single father of a "neurodivergent" pre-teen boy who suffers from non-specified differences that combine aspects of ADHD with Austism/Aspergers syndrome. Powers is scrupulously aware of avoiding labels, probably because he understands how distracting the labelling process can be in the course of attempting to tell a story.
It's obvious that there is a slot for neurodivergency in the canon, presumably to be meted out either to an Author who is actually nuerodivergent themselves or some kind of cross-over writer who first nuerodivegency and some other slot- gender/sexuality seems like a likely pairing. Alas, that writer has not emerged, leaving the field to interpreters of neurodiversity like Powers. Speaking as the older sibling of a neurodivergent child, I think that Powers gets it right.
It should come as no surprise to anyone that the flag-wavers in the neurodiversity movement tend to be otherwise socioeconomically privileged individuals. Specifically, the overlaps between parental/societal expectations that a specific child should "do well" in school and the failure, for whatever reasons, of said child to do so frequently leads down the path depicted in Bewilderment, whereas less advantaged children simply stop going to school or even up in alternative scenarios. Just speaking from my own personal experience, the overriding obsession with the special needs of a neurodivergent child to the exclusion of all other concerns seems to be the prerogative of a very particular (white, well educated, financially secure) type of parent.
So in that way, Bewilderment, with it's tenure level Astrobiologist single father is par for the course. Although the narrator himself is the child of a schizophrenic mother and the husband of a deceased life who struggled with serious depression, he never appears to question the wisdom of having a child in the first place, and seems genuinely surprised with how everything turned out. My experience is that, even when the raising of a neurodivergent child goes well, it's basically a life ender, in that the parent ends up just spending the rest of their life dealing with it. It's enough to put you off wanting children, but not this guy.
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| American author Lauren Groff |
Published 9/27/21
Matrix (2021)
by Lauren Groff
I loved, loved, loved this new novel by American author Lauren Groff, which is nominated for the National Book Award this year. I liked Florida (2018) and Fates & Furies (2015) and I was excited for her new book even before I learned it was the reimagining of the life of a nun during the pre-Black Death Middle Ages. Her protagonist, Marie de France, is the bastard child of a French noblewoman (a rape at the hands of an English royal during hostilities in France.) After her beloved Mother expires, Marie spends three years undetected pretending that her Mother is still alive. Discovered, she is packed off to England "Angle Terre" to revive a decrepit Nunnery in the English country-side.
While it isn't exactly a cheery place, the Middle Ages before the upheaval of the Black Death was relatively stable. Groff seems well versed on recent development in scholarship on this period of history, because Marie's nunnery doesn't seem like a such a bad place to land, especially after Marie starts taking care of business. Also, at 220 pages, Matrix isn't a slog- it's actually quite unlike a normal work of historical fiction, where the author seems set on making darn sure that the reader knows how much the author knows about the period. Can a television version a la The Favourite or Catherine the Great on Hulu.
Published 9/28/21
So Long, See You Tomorrow (1979)
by William Maxwell
In August, New York Times film critic A.O. Scott published a lengthy article on American author William Maxwell as part of his series of "The Americans"- artists who help to define what is to be American. The whole idea is to revive interest in "overlooked or under-read" authors (
his formulation). So far he has published essays on Wallace Stegner, Edward P. Jones and Joy Williams. This process of artistic revival is very much at the heart of this blog- seeing how, if and when it works to bring an Audience to an author who is either non-canonical or canonical for other types of work besides literary fiction.
Answering the question of why William Maxwell came to be "overlooked or under-read" seems pretty easy, he wrote about an unfashionable part of the world (the American Midwest) during an unfashionable time, the middle part of the 20th century, after all the slots for canonical writers from the Midwest who wrote about the eartly 20th century/late 19th century, were filled.
So Long, See You Tomorrow was his last novel by about 20 years, his second-to-last novel appearing in 1961 and this first appearing as a New Yorker short story (split into two parts) in 1979 before being published as a book in 1980. A reader for looking for reasons Maxwell is "overlooked or under-read" might point the timeline of his bibliography: novels published in 1934, 1937, 1945, 1948 and 1961. Short story collections in 1956, 1966, 1977, 1988 and 1992. That is not the kind of productivity meant to inspire the cultural-industrial complex to do it's best promotional work.
Next, you might consider his subject matter Wikipedia calls it "domestic realism," which, really didn't come into vogue as a subject of literary fiction worthy of canonical status until the 1970's, and didn't fully arrive until decades after that. I've noticed that domestic realism penned by American authors from and about the Midwest seems to be a favorite for re-issue houses, probably on the grounds that republishing an American author has a better chance to catch on than publishing non-American authors.
So Long, See You Tomorrow recaps the events leading to a murder in a small town as experienced by various participants- a couple of broken marriages, allegations of infidelity, a divorce trial, back before you could just get divorced. The events take place in the 1920's, and I'm not sure I would be able to guess that it wasn't written back then- Maxwell has a style heavily influenced by the high modernism of Virginia Woolf, and everything about So Long, See You Tomorrow, feels like high modernism from the early 20th century.
Published 9/28/21
Strange Beasts of China (2020)
by Yan Ge
Reading contemporary Chinese literary fiction is interesting because...if it comes from China, it means that the text has passed the censor's pen and been granted permission to be published by the Chinese Communist Party. But what does that mean? It's not a blanket prohibition on criticizing Chinese party because many of the Chinese language books I've read can be easily interpreted as a critique of contemporary aspects of Chinese society, materialism for example. Criticizing the impact of capitalism or "business culture" on workers seems to be all right.
Mostly what you get is oblique allegories where it is impossible to determine what secret more or political truth is being described. Some of the difficulty stems from inability to directly criticize the Chinese Communist Party and I think some of it comes from the collection of ideas that can be described as "things lost in translation."
The gently surreal world of Strange Beasts of China is one where everything is basically the same with the exception of different tribes of human-like monsters who co-exist under difficult circumstances with their human counter-parts. I was hopeful for Strange Beasts of China, but everything is just so oblique. I honestly don't know what to make of it.
Published 9/29/21
An Inventory of Losses (2020)
by Judith Schalansky
I've appreciated the recent increase in English language attention to works of literary fiction translated into English. First, the Booker revamped its every-so-often recognition of a translated author to a yearly prize with the same format of its other awards(longlist/shortlist). That was followed in short order by the National Book Awards announcing a new category for Translated Literature, which presumably should consist of all their formats, but seemingly omits poetry and children's literature in favor of a longlist that resembles the English language longlist in fiction.
Something I've noted about both the National Book Award for Translated Literature and the Booker International Prize is that the authors tend more to the experimental/"High" literature than the English language longlist, which typically favor bangers written by proven commodities or first-novels written by promising new comers. Experimental fiction tends to be relegated to maybe one or two titles for each English longlist, here it is the reverse. The only non-experimental "banger" type book I've encountered so far on either longlist for 2021 is Waiting for the Waters to Rise by known commodity Maryse Conde, a perennial Nobel Prize contender and actual winner of the one-off alternative Nobel handed out a couple years ago when the actual Nobel took the year off.
The New Directions Publishing product listing for An Inventory of Losses cites W.G. Sebald and Bruce Catwin- which are both good comparisons. Also Rebecca Solnit, who I haven't read. Those familiar with Scalansky's last book, An Atlas of Lost Islands, should know what they are getting into, those who aren't familiar with Atlas are probably not going to like An Inventory of Losses. Inventory has discrete moments of joy- like when she describes the lost objects at the beginning of each chapter, but the actual chapters themselves are hard to connect. I honestly couldn't tell you what each is about without going back and referring to marked passages and notes, which I didn't bother to keep for this book. It was like looking at a book of interesting photographs more than reading a book.
Published 10/1/21
New Teeth (2021)
by Simon Rich
I actually thought Simon Rich was English, maybe because the narrator of the New Teeth, Rich's new collection of short-stores, has an English accent. Turns out he's not, but rather an enfant terrible of American comedy, with "youngest writer ever on SNL" and "son of New York Times columnist and writer Frank Rich" prominently featured on his Wikipedia page. Anyway, credit where credit is due, New Teeth made me laugh, repeatedly even though you would think some of the themes (a baby detective investigating the disappearance of his younger sister's toy, A half man-half ape city-rescuing superhero asked to work a desk job in the city bureaucracy) sound too much like other contemporary culture products to be interesting. Fact is, I loved the story about the baby detective and I loved the story about the half-man, half-ape superhero reckoning with his obsolescence(Clobbo.)
And so, even though I try to avoid books of short-stories by American Humorists if at all possible, I liked this book of short stories by this American humorist. I highly recommend the Audiobook, which was a great format for this book.
Published 10/5/21
Waiting for the Waters to Rise (2010)
by Maryse Conde
Maryse Conde is a perennial contender for the Nobel Prize in Literature (which is being announced later this week). Like many non-English language writers with top international profiles, her record of being translated into English is spotty. Take Waiting for the Waters to Rise, originally published in French in 2010, the English translation came out last year and got nominated for the National Book Award for translated fiction longlist (it didn't make the shortlist, announced this week.) I'm baffled by the shortlist omission- I thought Waiting for the Waters to Rise was a real banger. Babakar, the protagonist, is an obstetrician living in the French overseas (Caribbean) territory of Guadelope, As the book reveals, he has an interesting history, born in Mali to a mixed Malian/French couple, he moves to Mauritania to practice as a doctor, only to be sucked into a civil war. He relocates to Guadelope, where the beginning of the book finds him spontaneously adopting the orphaned newborn of an illegal Haitian immigrant who dies in childbirth.
Eventually he finds his way to Haiti, where Conde does an amazing job of portraying the day-to-day life in a place where day-to-day life seems quasi-unimaginable to the average English language reader. It was hard not to read Waiting for the Water to Rise without thinking of V.S. Naipaul- and maybe the similarity is what kept Waiting off the National Book Award shortlist. Fingers crossed for the Nobel announcement- I think she would be a great pick.
Published 10/7/21
Palmares (2021)
by Gayl Jones
Gayl Jones is a legit 20th/21st century literary enigma. She burst onto the scene in the late 1970's after being sponsored by Toni Morrison. She published two novels in the late 70's, one book of short stories in both the 1980's and the 1990's, and then two novels at the end of 1990's, and that was it until Palmares was published last month. There is much to love in Palmares, a sprawling (500 page) picaresque about the adventures of Almeyda. Almeyda is born a slave on a Brazilian plantation in the 1600's. Slavery in 17th century Brazil was a different institution than the ante-bellum slavery of the American south in the 19th century. The oppression Jones depicts is just as virulent, and in many ways more violently repressive, but less succesful at controlling resistance than the American institution that evolved centuries later.
Thus, the title, Palmares, refers to a settlement of escaped African slaves and free blacks
that really existed between 1604 and 1694. Almeyda spends half the book trying to get there, gets there, survives an extinction level attack by the colonialists and spends the rest of the book looking for her lost husband, Martim Anninho, a free black Muslim who is equally interesting. Much of the length of
Palmares is due to so many characters having a chance to tell their story, often in subchapters titled "So and so tells their story," The plot, which is itself complicated, twists itself around the different monologues. I loved listening to the Audiobook version- which is something like 25 hours long- but I also would have liked to read a physical copy to see all the names and places written down.
Anywho, big thumbs up for me, Palmares is just the kind of book I like to read. Looking forward to more of her work being published, and going back and reading her prior books. The fact that I hadn't already heard about her is borderline embarrassing, but her twenty years away from the game is a pretty good explanation.
Published 10/7/21
When We Cease to Understand the World (2021)
by Benjamin Labatut
Chilean author Benjamin Labatut scored a rare triple for this blog. His novel, When We Ceast to Understand the World was published by the New York Review of Books and nominated for the shortlist (and potentially the winner) of both the International Booker and the translated fiction National Book Award. When We Cease to Understand the World is a novel about advanced physics and mathematics, and the quirky lives of those actual pioneers. Personally I think there is a strong argument to be advanced that physics is *the* primary scientific metaphor of the 21st century, in the same way that biology/evolution dominated the 19th century and electricity dominated the 20th. Unfortunately, unlike biology and electricity, advance physics makes, at a very basic, level, no fucking sense.
It was a genie that Albert Einstein let out of the bottle and then spent the rest of his life trying to capture: The idea that there was no solid reality and that matter is just a collection of empty space and tiny, unpredictable particles forming waves of energy. What is so amazing about these pioneers of advanced physics is that they conjured this stuff up in their head- there are few if any actual experiments in the early history of advanced physics, and then decades later the entire world spent billions and billions of dollars to build enormous particle accelerators which then proved that these early pioneers were right on the money.
Any work of fiction that seeks to tackle some of these ineffable mysteries is a worthy effort, and I think Labatut handles these subjects better than most- and in a spare 190 pages. This is the kind of book that wins international literary awards.
Published 10/10/21
Cloud Cuckoo Land (2021)
by Anthony Doerr
I literally did not know who Anthony Doerr was before a chance conversation with a fan this summer. Doerr has one previously published novel, the huge hit All the Light We Cannot See, which was published in 2014 and won the Pulitzer Prize in 2015. I'm not a big fan of the Pulitzer format- they don't have a longlist/shortlist format, they just announce the prize and then give you a couple runners up. The winners are never a surprise- just find the three top selling works of "serious" literary fiction and look for the book that has the most widespread critical acclaim, tie breaker to the author with the higher profile, that's your winner. Doerr published two books of short stories before he published Cloud Cuckoo Land, so that's like a classic ascent for an American writer of literary fiction working in the 21st century.
Seven years later, we've got Cloud Cuckoo Land, his first book of any kind since All the Light We Cannot See. Along with many others, I noticed the similarities between Cloud Cuckoo Land and Cloud Atlas (2004) by David Mitchell. Beyond both books having "Cloud" in the title, both titles reference "imaginary" books as a unifying principle- there is no Cloud Atlas in Cloud Atlas, and Cloud Cuckoo Land references a fictional lost text by an ancient Greek author. Both books combine past, present and future. Here, the past is represented by a girl street urchin living in pre-Ottoman Constantinople and a Slave farm boy living outside the city. The present is represented by the residents of a small town in the Pacific Northwest experiencing suburban sprawl. The future is a girl living on a star-travelling generation ship that has escaped a dying planet Earth.
Cloud Cuckoo Land is already a certified hit- Number 3 on the Amazon sales list for "Fiction" and a National Book Award finalist. I'm not a fan of Cloud Atlas or David Mitchell, so I'm not going to harp on Doerr for knitting a similar tapestry. Nor would I expect the large audience for "fiction" on Amazon to care about whether the two books seem particularly related, I mean obviously, Doerr and the publisher must have considered it during the editing and publishing of Cloud Cuckoo Land. I am surprised by the near universal critical acclaim. I haven't seen a single takedown, and really I didn't read anything in the run-up comparing the two books.
Well, I'm not going to crap on Doerr's parade. If Cloud Cuckoo Land can be a National Book Award Finalist it can win a second Pulitzer. If it wasn't such a big literary event, I probably wouldn't powered through it in a week like I actually did, but having done so, I didn't feel like there was a great pay off. Of course, Cloud Cuckoo Land is good, but I wasn't wowed. And I couldn't make it half way through All the Light We Cannot See when I gave the Audiobook a spin last month.
Published 10/10/21
Zorrie (2021)
by Laird Hunt
The 2021 National Book Award finalist designation for Zorrie by Laird Hunt has the feeling of a career achievement nod, Hunt being the author of six previous novels, most on a small press. Zorrie was published by Bloomsbury, firmly placing him in the big leagues of marketing attention. Perhaps that has something to do with the National Book Award achievement. I'm not sure how else to explain the recognition for Zorrie, a Alice Munro-like portrait of the life of a woman who is born, lives and dies in a part of rural Indiana. She marries, does not have children, her husband dies in World War II and then she stays single for the rest of her life.
Of course, there is something extremely impressive about managing to capture an entire life in 128 pages. It is hardly a life filled with incident, but isn't that the point? This is an excellent piece of domestic fiction, written about the American Midwest, about the life of a character who is underrepresented in the literature of that time and place.
Published 10/11/21
The World Gives Way (2021)
by Marissa Levien
This book caught my eye because it is a well-reviewed (NYT) work of genre fiction (science fiction) by a woman. Added bonus, it has literary fiction cross-over potential. And it was available from the library as an Audiobook with no wait, so, slam dunk for me. The World Gives Way takes place on a cosmos crossing Generation Ship (second mention of this concept in two days on this blog, see Cloud Cuckoo Land for the other.) Levien's Generation Ship is a luxe model, that sounds more like a cross between Las Vegas and Disneyland than the grim, bare bones structure depicted in Cloud Cuckoo Land. Populated in equal parts by wealthy patrons who bought their way on and permanently indentured servants who have traded their freedom and the freedom of their children (and their children's children) for a ticket off the dying Earth, The World of The World Gives Way is part post-scarcity economy part Handmaiden's Tale.
Myrra, an indentured servant working as a nanny for a wealthy power couple, splits protagonist duties with Tobias, the child of two paid passengers who turned to life of crime, now working as a police investigator. When Myrra's employers turn up dead and Myrra goes on the run, Tobias fears the worst, etc. The hook is that the reason Myrra's employers commit suicide is because they know that the ship has suffered a hull breach and is in imminent danger of implosion. Escape is impossible.
That's the set up. I liked parts of The World Gives Way, and other portions I found tedious, but there is no denying the inventiveness of the scenario, and Levien is an above-average writer, more like a writer of literary fiction than a genre hack.
Published 10/11/21
The Twilight Zone (2021)
by Nona Fernández
The Twilight Zone, written by Chilean author Nona Fernandez, is a finalist for this years National Book Award for Translated Fiction. Fernandez is one of two Chilean authors on National Book Award shortlist, the other being Benjamin Labutut, nominated for When We Cease to Understand the World. Unlike Labutut's book, The Twilight Zone is actually about Chile, specifically the aftermath of the post-Allende anti-Communist dictatorship, which paired mid 20th century Fascist style police-state repression against Leftists with a thorough implementation of international-trade friendly neo-liberal economics as advance by University of Chicago Professor Milton Friedman and his acolytes.
Where does all that leave Fernandez? Her book is squarely in the post-reconciliation genre of recovery literature that finds kinship with 2015 Nobel Winner Svetlana Alexivech. Fernandez is, after all, free to publish The Twilight Zone inside Chile, something that couldn't be said for many Spanish language writers in the 20th and 21st century. Chile is also an important enough literary market to get her a translation deal in the United States, where Graywolf Press, the well-regard indie, put the translation out.
There is great power in Fernandez's musings about the vagaries of vile human rights abuses and the consequences (or lack thereof) to those who perpetrate them. The focus of this book is a member of the Chilean police who comes forward about the abuses committed by the Government against his people. The Twilight Zone consists of the narrator coming to terms this man's existence and his status as a valued witness.
It's funny- I can't think of any Nazi's who turned "state's evidence" in the Nuremberg trials, although I suppose there must have been engagement with the non-Nazi parts of the German military. The whole institutionalization of post-atrocity "forgiveness" possesses a macabre quality, which, I think is the point of calling the book The Twilight Zone. It strikes me that this could very much be a winner of the National Book Award for Translated Fiction this year.
Published 10/18/21
The Animals in That Country (2020)
by Laura Jean McKay
The Animals in That Country, by Australian author Laura Jean McKay ticked several boxes that made me want to read it. First, it's a prize winner from another English speaking country that won an international award (Arthur C. Clarke) as well as a domestic award (Victorian Premier's Literary Award.) At this point, with a well publicized release in both the UK and the US, it counts as a borderline literary/science fiction cross-over sensation. And did I mention the original publisher was a small press in Australia?
It is always a fair bet that if you even hear about a book from another English language country getting a wide release in the United States, it means that book has what it takes to be a hit with both critics and audiences. Otherwise, a publisher wouldn't even bother. This is a different phenomenon then when books published in other English language countries get released in the US without a separate campaign- that's just a dumping, or cross-posting situation.
The idea of The Animals in That Country is that a virus infects the population and allows them to understand what animals, and eventually insects, are saying. One might naturally suppose that this means that humans can "talk to animals" but that isn't really the case- the reality turns out to be much more horrifying, as humans face the consequences of their casual cruelty to most of god's creatures. The narrator- is Jean, a washed-up, alcoholic grandma who ekes out a living as a hanger-on at an outback wild life park in Australia, serving at the sufferance of her daughter-in-law (now separated from her son), who runs the park.
The plotting is conventionally genre, but the writing is not, and anyone who doubts that McKay is a writer of literary fiction trying to make a name for herself in the kiddie pool might consider that the name of this book comes from a poem by Margaret Atwood, who knows something about the line between genre and literary fiction. What isn't conventionally genre is the writing, particularly McKay's deft handling of the animal voices. The Animals in That Country is deeply unsettling and worthy of the international audience it has obtained.
Published 10/19/21
Peach Blossom Paradise (2020)
by Ge Fei
Ge Fei is the pen name for Chinese author Liu Yong, well regarded as one of the preeminent writers of "experimental" writers in China for the past several decades. Fei is little known in English- Peach Blossom Paradise, originally published in 2010, is only the second book from his bibliography to receive an English language translation. Part of a trilogy, Peach Blossom Paradise mostly tells the story of Xiumi, the neglected daughter of a wealthy land owner growing up in turn of the 20th century China.
Xiumi is married off, only to be kidnapped by by bandits. Her family refuses to ransom her, and she ends up the sex slave of a coterie of bandits. Eventually freed as a side-effect of inter-gang warfare, she makes her way back to her ancestral village and begins a program to revolutionize the people. Xiumi is not a Communist, rather this refers to the pre-Communist revolutionary activities of a coalition of intellectuals and criminals who acted through secret societies.
It's hard to say why this would be considered "experimental" literature in any language, it's more like a straight forward historical novel than anything else. Like many works of Chinese fiction in translation, it can be hard to pick up on the reference points. For example, this entire book is a reworking of the well known Peach Blossom Paradise myth, but who is going to know that in the English speaking world? Peach Blossom Paradise is nominated for the National Book Award for Translated literature shortlist, but it would seem like a longshot to win.
Published 10/20/21
Earth Abides (1949)
by George R. Stewart
I recently read an article about American author George R. Stewart (1895-1980), a Berkeley CA based writer who wrote widely across genre, with a good deal of popular success but little lasting critical impact. Today he is remembered for two books: Storm, which is about, well.. a storm, and is credited with being the inspiration for naming hurricanes after people to tell them apart. Storm just got a New York Review of Books reprint in August of this year. His other famous book is this one, Earth Abides, which is widely credited as being the direct or indirect inspiration for a generation of post-World War II post-apocalyptical fiction.
Earth Abides is at times hilariously out of date, like all books of science fiction it is much a reflection of the actual times of the author than any work of imagination on his or her part. For example, the main character continues to smoke tobacco cigarettes from "before the fall" for decades after the collapse (caused by an unidentified virus, with minimal societal disruption), while his after the fall community in Berkeley California never mentions marijuana.
Stewart's apocalypses is a relentlessly PG affair, with none of the horrors that contemporary readers associate with the genre. The single act of violence in the book is the murder/execution of a diseased drifter with ill-intentions at the hands of the community. The infrastructure of pre-collapse, specifically, running water, continues to operate for decades after the fall.
Isherwood Williams, the protagonist, is an intermittently interesting guy prone to paroxysms of guilt over his failure to lead his burgeoning community past a semi-parasitic existence of hunting the abundant free roaming cattle and eating out of still-good cans of food. I mean, you would think these people would be able to get a vegetable garden going. There are horses available, but they choose to rely on dogs for their limited travel needs. They are a profoundly unambitious bunch by the standards of the genre and their world is basically a paradise. It's all very mid 20th century.
Published 11/7/21
The Harlem Shuffle (2021)
by Colson Whitehead
What more can Colson Whitehead, a winner of consecutive Pulitzer Prizes for his last two novels, accomplish? I guess that would be a Booker Prize, which seems possible or a Nobel, which seems less likely but still not impossible where Ishiguro is a recent winner.
The Pulitzer and National Book Award must have breathed a sigh of relief when they heard that Whitehead's new book was going to be a work of historical crime fiction. Exciting, as would be an announcement for any new Whitehead title, but not, you know, a book that is likely to merit a third Pulitzer, simply by virtue of genre. I haven't checked, but crime fiction doesn't win any prizes outside of those exclusive to the genre.
Like Zone One, Whitehead's zombie book,
The Harlem Shuffle is both a work of genre, observing relevant genre specific rules, and a work of literary fiction, using authorial skills of character depiction and plot mechanics to create something separate from a strictly genre work.
Published 10/11/21
The World Gives Way (2021)
by Marissa Levien
This book caught my eye because it is a well-reviewed (NYT) work of genre fiction (science fiction) by a woman. Added bonus, it has literary fiction cross-over potential. And it was available from the library as an Audiobook with no wait, so, slam dunk for me. The World Gives Way takes place on a cosmos crossing Generation Ship (second mention of this concept in two days on this blog, see Cloud Cuckoo Land for the other.) Levien's Generation Ship is a luxe model, that sounds more like a cross between Las Vegas and Disneyland than the grim, bare bones structure depicted in Cloud Cuckoo Land. Populated in equal parts by wealthy patrons who bought their way on and permanently indentured servants who have traded their freedom and the freedom of their children (and their children's children) for a ticket off the dying Earth, The World of The World Gives Way is part post-scarcity economy part Handmaiden's Tale.
Myrra, an indentured servant working as a nanny for a wealthy power couple, splits protagonist duties with Tobias, the child of two paid passengers who turned to life of crime, now working as a police investigator. When Myrra's employers turn up dead and Myrra goes on the run, Tobias fears the worst, etc. The hook is that the reason Myrra's employers commit suicide is because they know that the ship has suffered a hull breach and is in imminent danger of implosion. Escape is impossible.
That's the set up. I liked parts of The World Gives Way, and other portions I found tedious, but there is no denying the inventiveness of the scenario, and Levien is an above-average writer, more like a writer of literary fiction than a genre hack.
Published 11/8/21
The Vorhh (2015)
by Brian Cartling
This book was recommended to me by a friend. It's what you would call a low fantasy, it's a recognizable version of our actual world, set in a faux-German colonial outpost in late 19th century Africa. The city sits at the edge of an ancient forest, which is called, for reasons unexplained, the Vorhh.
Cartling introduces a dozen major characters including real life French surrealist Raymond Roussel and famous English photographer and orthological eccentric Eadweard Muybridge. There is also a horny cyclops and myriad eccentric and supernatural denizens of the forest primeval. And a couple of strong female characters who are involved with said horny cyclops.
What is it all about? It's hard to say. Rare indeed when a work of fantasy leaves me scratching my head over the broad contours of the plot, as was the case here. Colonialism is certainly a theme, racism, as part of that. The Bible and Christian eschatology are in there but again I couldn't exactly say how. Certainly Catling is miles away from a conventional fantasy plot revolving around a quest for a hidden ring and such, although there are elements of the hero's quest as one among the many threads. The Vorhh is the first book in a trilogy, and I presume the story becomes clearer the further you read, because after the first volume, I had little idea what lay ahead.
Published 11/14/21
Immobility (2013)
by Brian Evenson
I saw this book on a list of post-apocalyptic lit on a book blog, though I can't precisely remember which one. I do like a good book blog list, even if it seems to me like most book blogs are trying to way too hard. They are all better than mine, of course. I'd never heard of author Brian Evenson before, which now seems borderline strange since he occupies that narrow space between genre and literature that interests me. Immobility is also Evenson's only library available Audiobook.
Evenson paints a super bleak scenario for what comes after the fall of man. It is a barren, lifeless landscape poisonous to humans. The narrator is something other than human, no one is really sure what, except that he doesn't die when exposed to the toxic atmosphere or earth, and he is basically immortal. Nothing really gets explained beyond that level, and the post-collapse society that Evenson draws in this novel is more sophisticated by an order of magnitude that what you typically see in work in this creative space.
Published 11/16/21
The Cabinet (2021)
by Un Su Kim
I really enjoyed The Plotters, which was the first book by Korean novelist Un Su Kim to be translated into English. The Plotters was a crisp, stylish work of crime-fiction, a book obviously inspired by the conventions of the noir genre but rendered eerie by the Korean locations and the writing style of Un Su Kim. The Cabinet is not a work of crime fiction, though the third act contains some bloody surprises which are sure to delight those familiar with his previously translated book. Mr. Kong, the narrator and protagonist, is a listless office worker who finds a sideline minding the client files of Cabinet 13, a bunch of genetic mutations who require constant attention from Kong's mentor. When his mentor dies, Kong becomes the subject of attention for different shadowy forces who seek to profit from the secrets of Cabinet 13.
Part social satire, part...something else, The Cabinet is just as rewarding as The Plotters, and it won the Korean Pultizer- the Munhakdongne award as well. If you start The Plotters, make sure you stick around for the third act, you will not be disappointed.
Published 11/16/21
Rabbit Island (2021)
by Elvira Navarro
This collection of short stories by Spanish author Elvira Navarro was longlisted for the National Book Award prize for translated fiction. Like many works of Spanish language short fiction that make it on the longlist of English language prizes, there is a heavy element of the bizarre and surreal. The title story, about a weirdo who tries to control the bird population on an island in the middle of a river near Madrid by releasing 20 rabbits, takes a macabre and disturbing twist. In another story an animal paw grows out of the ear of the narrator. Strange, disturbing, that is the vibe.
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