Dedicated to classics and hits.

Friday, November 08, 2024

The Last Days of New Paris (1998) by China Miéville

 Audiobook Review
The Last Days of New Paris (1998)
by China Miéville

  I'm a big fan of science-fiction, less so of fantasy.  Sure, when I was a lad I played by fair share of Dungeons and Dragons and read all the fantasy classics.  As an adult I enjoyed the Game of Thrones television series, but beyond that, regular fantasy just seems so tedious with its magical creatures that recreate the cultural preoccupations of whichever author is behind the keyboard.  I am, however, intrigued by the writers of the "New Weird" movement a genre that lands somewhere in between fantasy, science fiction and literary fiction.

  Chief among these is English author China Miéville.  The Last Days of New Paris is an alternate-history/fantasy novella about a group of surrealists resistance fighters battling Nazi's and otherworldly demons conjured up by a detonation of an "S-Bomb."  The thin plot, which involves running around a ruined Paris and fighting Nazi's who are seeking to capture control of the free-ranging apparitions wandering around post-war Paris with the help of Demons they've conjured from hell, is also an opportunity for Miéville to write about the history of the surrealist movement and animate some of those characters.

  I found it all pretty incoherent as an Audiobook, and I couldn't even make it through the Appendix, where Miéville pedantically explains all the surrealist references among his characters and his monsters- which often take their shape from the psyche of their surroundings(!?!).   The thing about fantasy is that you always know where it's going to end up- there is going to be some kind of a quest and the protagonist either does the thing or fails heroically.  It's like, people never sit down for a meal and a chat in fantasy novels.  

Thursday, November 07, 2024

The Known World (2003) by Edward P. Jones

 Book Review
The Known World (2003)
by Edward P. Jones

  Pulitzer Prize winner The Known World by Edward P. Jones was the highest ranked novel on the the recent Best Books of the 21st century book that I hadn't read(#4).  I can't believe that editor Susan Straight didn't include it in her Virginia chapter of the 1,001 Novels: A Library of America project, perhaps because she picked one of Jones' other titles for the Washington DC chapter.   Having now read The Known World, I found the exclusion baffling and I can't explain it except as an example of the firm one author/one book rule that seems to be operative within the 1,001 Novels: A Library of America project.  Similarly, editor Straight left off Colson Whitehead's The Underground Railroad, which is set in South Carolina and also seems to be a victim of the one author/one title.

  Surely the one novel in American literature that covers the experience of African American slave OWNERS in the upper south is worth including in a project that shows the different experiences of Americans?  Looking into Edward P. Jones and his legacy, I understand how I missed it the first time around- Jones has the lowest of low literary profiles and never wrote a second novel.  Having read The Known World, I can understand why.  If you totally nail such a huge subject and everyone agrees that you nailed it and it is the best book on the subject, why bother trying to top it?

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