Dedicated to classics and hits.

Saturday, December 02, 2017

Fugitive Pieces (1996) by Anne Michaels


Book Review
Fugitive Pieces (1996)
 by Anne Michaels

  Canada's second most famous poetess-novelist is Anne Michaels.  With only two novels to her name she didn't quite go all in on the novel like Margaret Atwood (Canada's most famous poetess-novelist).  Fugitive Pieces is the story of Polish-Greek Holocaust survivor Jakob Beer, a young Polish Jew rescued by a Greek geologist, and raised in Greece (during the war) and Canada (after.)  A second part of the book is narrated by Ben, the son of Holocaust survivors, who knows Beer as the successful poet he becomes in Toronto.

 When I know the author of a novel is also a poet, I expect certain experiences from the text.  A quality of elusiveness, abstracted imagery, the absence of common narrative sign posts that tell the reader what to expect.  Fugitive Pieces has all that and more- themes of trauma, grief, loss and memory (swiped that from the Wikipedia page for this book.)

 I read most of Fugitive Pieces sitting in the holiday-heavy hellscape of the Brand Americana mall in Glendale, CA., waiting for my car to get serviced down the street.  Holocaust and contemporary American mall Christmas decorations make for some awkward thoughts, particularly when many of the shoppers- heavy on Armenians, Persians and other near Eastern minorities, have experienced their own 20th century Holocaust experiences.  Perhaps the Brand Americana mall is heaven, and we all died.  Or maybe it's purgatory.

  

SIlk (1996) by Alessandro Baricco

Image result for silk film
The movie version of Silk starred Michael Pitt and Keira Knightley
Book Review
Silk (1996)
 by Alessandro Baricco


  Another example of the 1990's era "International Best Seller: Now a Major Motion Picture" genre, translated from the Italian, about a French "silkworm merchant-turned-smuggler" who travels to 19th century Japan to secure supplies of silk worms for a consortium of silk manufacturers in southern France.  While there, he meets a girl-woman with "European eyes" who becomes his obsession.

  There really isn't a whole lot to it besides that description.  Baricco has a poetic/elliptical prose style that obviously attracted readers.  Also, Silk clocks in at 130 pages with wide margins and triple spacing between lines, so it's a fast read for anyone with a junior high school education or up.  I wasn't moved.  Inexplicably, this is a core book of the 1001 Books list, having survived all revisions. Baffling. 

Thursday, November 30, 2017

Cocaine Nights (1996) by J.G. Ballard


Book Review
Cocaine Nights  (1996)
 by J.G. Ballard

 A book written in 1996 means that there are only ten more years left in the first edition of 1001 Books to Read Before You Die.  It also means that the editors are basically guessing at this point, since there were plenty of authors writing books in 1996 who didn't make the canon until after 1001 Books was put together.  The period between 1996-2006 reflects what people thought canonical in the present- that is a contradiction in terms, time being the one factor required before a true argument for canonical or non-canonical status is advanced.

  Whether Cocaine Nights is or is not canon makes little difference to me; I just like to read J.G. Ballard novels, and the weirder the better.  Cocaine Nights is weird in that it is a work of crime/detective fiction, with a travel writer older brother heading down to the Costa del Spain to examine the circumstances surrounding the arrest (and confession) of his brother over the deaths of five expats in a highly suspicious fire.   Charles Prentice, the older brother and narrator, is gradually drawn into a world of petty crime, recreational drugs and be-spoke pornography, seemingly abandoning his mission and allowing himself to become corrupted.

  In the end, it turns into classic Ballard, with characters espousing their theories of the coming "leisure society" and what it means.  Considering that Ballard was writing before the internet, his hypothesis sound prescient- the idea of wealthy westerners living in antiseptic condos devoid of community or human interaction sounds very much like the world of today.

Wednesday, November 29, 2017

The Moor's Last Sigh (1995) by Salman Rushdie


Book Review
The Moor's Last Sigh (1995)
by Salman Rushdie

 The Moor's Last Sigh was Salman Rushdie's next book after his fatwa-inducing The Satanic Verses.  If the fatwa impacted any aspect of The Moor's Last Sigh, it escaped me.  I was struck between similarities between this book and his recently published The Golden House- both books, ultimately, deal with the crimes of fathers and the way those crimes impact their families.  The setting her is the familiar Bombay and the less familiar Cochin, an ancient entrepot for the East-West spice trade, a seat for the Portuguese colonists and destination for several waves of Jewish immigrants- both those from Spain and Iraq.  The characters in The Moor's Last Sigh cover the gamut of familiar Indian ethnicity- but the major families are Portuguese-Catholic and Sephardic Jewish.  Like many of his Hindu and Muslim characters, there isn't anything specifically religious about these, other than the occasional use of a scenic religious spot for a locale or intervention of a religious authority figure in some minor way. 

 Morares Zogoiby narrates The Moor's Last Sigh- the only son of Jewish Abraham and Catholic Aurora.  Abraham, the factory clerk for Aurora's families spice warehouse. Zogoiby is an extraordinary character- with one club hand and the peculiar quality that he ages twice as fast as a normal person.   The characteristics are evidence that Rushdie has entered a baroque period in his fiction, where the details proliferate to the point where they almost obscure the larger design of his fiction.

  The Moor's Last Sigh is sprawling and panoramic, and I'm at a loss to consider a book written by Rushdie about India anything but.   At the same time, there are similarities between Midnight's Children, Shame and this book.  After his jaunt into heavy historical fiction resulted in a decade long death sentence, you can't blame a guy for making a strategic thematic retreat to less controversial areas, but two decades later it reads as less vital than his other books written before this one.

Morvern Callar (1995) by Alan Warner


Book Review
Morvern Callar (1995)]
 by Alan Warner

   Scottish fiction is over-represented in the 1990's portion of the first edition of 1001 Books to Read Before You Die.   Morvern Callar is the name of the book and the narrator.  Warner set this and all his books in a place called "The Port" based on the town of Oban, on the west coast of Scotland.  Thus, Warner represented a sub-region of an already established regional literature. Like, I believe, all the other representative of Scottish fiction from this period on this list, Morvern Callar is a member of the Scottish underclassed, an orphan, raised by a railroad worker, who, at the beginning of the book, is working a dead end job at the local super-store, and living with her boyfriend, an independently wealthy aspiring novelist.

  Warner famously opens with Callar discovering the body of her boyfriend, who has killed himself as she slept. As one might expect of a young female character in a work of Scottish fiction, she deals with it a resourceful fashion, and the book goes on to tell a kind of hybrid bildungsroman/crime caper.  Morvern is an appealing character, and Warner doesn't overdo it on the Scottish slang/language.  At the same time it's hard to make a really principled distinction between Morvern Callar and better known books like Trainspotting, except to note that Morvern Callar is narrated by a woman and set outside of the major Scottish cities.

Sunday, November 26, 2017

The Ghost Road (1995) by Pat Barker



Book Review
The Ghost Road (1995)
by Pat Barker

  The Ghost Road is the final title in her Regeneration Trilogy, set during World War I and focusing on the treatment of shell-shocked/ptsd British soldiers during the war.   Barker won the 1995 Booker Prize for The Ghost Road and the Regeneration Trilogy is well equipped to find long-term canonical status as a representative of state-of-the-art historical fiction.

  It was quite a turn for Barker, who, in her own words was seen as a, "female, northern, working class" writer before she turned her hand to male characters and historical fiction.  Ironically, none of her earlier work made the 1001 Books list.  Calling the three books a "trilogy" stretches the term- there are some overlapping characters(pioneering psycho-analyst William Rivers), and certainly overlapping themes, but the trilogy tells three difference stories.  The Ghost Road switches between the present of closing stages of World War I, biographical reminisces of  private Billy Prior about his various sexual exploits, gay and straight, and lengthy flashbacks exploring the time William Rivers spent in Melanesia among a tribe of (former?) head hunters.

  I found the portions set in Melanesia to be particularly compelling.  The heavy gay theme was unexpected and wasn't part of Regeneration, the other book of the three that I've read.  Being gay in early 20th century England was a hanging offense, and many English found sexual liberation in the otherwise horrific circumstances of the trench warfare of World War I.

The Rings of Saturn (1995) by W.G. Sebald


Book Review
The Rings of Saturn (1995)
by W.G. Sebald


  Wikipedia describes The Rings of Saturn by W.G. Sebald, as "a hybrid of a book...combining fiction, travel, biography, myth and memoir."   The framework is a walking tour that "W.G. Sebald" is taking in south eastern England.  The Rings of Saturn consists of both text and pictures, some of the pictures are locales from the walking tour, photos illustrating some of the stories within the story and even a photo of the author himself.  I might also add that "history" is an additional element, the relationship between the West and it's colonies recurs as a theme throughout.

  I'm not sure what kind of audience Sebald has in the the U.S. it must be a cruel irony for German language authors that truly world-wide notoriety can only come after their books are translated into English, but the two languages are extremely close linguistically speaking, so perhaps that's a consolation. What can the reader even say about The Rings of Saturn.  One, it's weird and that weirdness is the very reason people find it so interesting.  Two, despite the weirdness, it's not hard to follow or understand like other works of experimental literature.  Three, the setting of this German language novel in the English south-east is very much on purpose and links to the larger theme of the exploitation of the world by "the west."

The Vegetarian (2016) by Han Sung


Book Review
The Vegetarian (2016)
 by Han Sung

  The Vegetarian was published in the original Korean in 2007.  In 2016, a translation by Deborah Smith appeared in English, and later that year it won the newly refocused Booker International Prize, for books translated into English.   There have been a couple older Korean titles in the 1001 Books project that I've skipped because they weren't readily available from the library, and I believe this is the first novel by a Korean author that I've read.  The obvious reference point for The Vegetarian, is Japanese literature, likely to be the only East Asian literary fiction an English speaker that evokes familiarity. Small apartments, intense family situations, women and men afraid to say what they mean, emotional constriction.   Perhaps I'm just contributing to a stereotype, and considering the fraught 20th century history between Japan and Korea a Korean author might consider the comparison an insult, but there are many cultural similarities between the two places.

  The focus of The Vegetarian is Seoulian house wife Yeong-Hye and her abrupt, dream-inspired decision to forego eating meat.  The novel switches between the perspectives of several people, Yeong-Hye's husband, her brother in law, her sister, none of them Yeong-Hye herself.  It is the consequences- horrific consequences- that provide the material for The Vegetarian.  Now, this same exact thing actually happened to me- my ex woke up one day and decided to become vegetarian more, or less, based on anxiety, so I could relate to the male characters and their uncomprehending reactions.  Korea, as you may or may not know, is a very meat focused cuisine, with bar-b-que being the the major event. The reaction to Yeong-Hye's decision range from abandonment, to extreme anger, to exasperation, but no one understands or empathizes with her decision.

  The Vegetarian is heavy with ideas but light in terms of the weight of the prose, it's an afternoon of reading or maybe a few broken up sessions.  For me, the appropriate reference point is A Hunger Artist, the short story by Franz Kafka

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