Brown Girl Dreaming (2014) by Jacqueline Woodson

 1,001 Novels: A Library of America

Brown Girl Dreaming (2014)

by Jacqueline Woodson

Greenville, South Carolina

South Carolina: 3/13

   South Carolina is a geographically distinct state- the southern equivalent of Rhode Island on a bigger scale.  If you look at the map you can see that unlike Virginia, North Carolina and Maryland, South Carolina is cut off to the point where it basically looks like a city-state surrounding Charleston.  It's not hard to imagine some alternative history where South Carolina extends across what became Northern Georgia, but the Spanish and French presence in the South precluded expansionism early on, and then Georgia took that part of the US for itself. 

   Brown Girl Dreaming is one of only four South Carolina titles that takes place outside of the Charleston/low country area- Greenville is located in the northwest corner of the state and I had to look up its Wikipedia page to find out that it has a population of 1.5 million.   Brown Girl Dreaming was another easy target- a four hour long Audiobook which is "written in verse"- not poetry, exactly, but not prose- really a succession of very short chapters telling the story of the eponymous protagonist/narrator, the daughter of a single mom from Greenville, who is herself the child of Jehovah's Witnesses. Mom doesn't observe the faith, but the kids do, particularly after Mom decamps for New York City.  Her children eventually follow her up there, and this is another example of a 1,001 Novels title that could be placed on more than one location on the map.  Here, I thought the perspective of a Jehovah's Witness was interesting and I believe the first book which touched on that particular experience but this book didn't add much to my understanding of South Carolina or Greenville- basically all the narrator does in Greenville is hang out with her grandparents and go door to door with her fellow Jehovah's Witnesses. 

   Like many novels written from the perspective of pre-adolescent children, there is, simply put, a limit to how interesting a child under the age of ten can be in the pages of a book- and it's an even sharper limit if the author adheres to anything close to realism.

Jim the Boy (2000) by Tony Earley

 1,001 Novels: A Library of America

Jim the Boy (2000)

by Tony Earley

Rutherfordton, North Carolina

North Carolina: 8/20

   Jim the Boy  was an easy mark- under 200 pages, written from the perspective of a prepubescent boy growing up in the 1930's.  Earley was named one of Granta's Top 30 Writers Under 30 at one point but the only novels he ever published was this book and a sequel published in 2008.  As with all of the authors I hadn't heard of before the 1001 Novels project, I checked out his New York Times coverage and found a really detailed review for this book and a somewhat less detailed review for the sequel and then a review for his most recent collection of short stories, published in 2014.  I guess it's not exactly a disappearing act but you'd hardly call him a household name.

  The most distinct aspect of Jim the Boy is the author's rejection of complexity that is inherent in choosing a 9/10 year old boy as the narrator and protagonist.  Like many of the protagonists and a few of the narrators, Jim isn't a complicated fellow.  This isn't a trauma narrative, but the opposite, a non-trauma narrative where the emotional peak is a back-alley confrontation in a small North Carolina town where Jim and a buddy are threatened by local streets toughs, and rescued by a friendly African-American.   In fact, I'm hard pressed to think of another book within the 1,001 Novels: A Library of America project that is so gosh darned wholesome. 

  The New York Times critic made a big deal out of the style back in 2000, which makes this book sound like a purposeful rebuttal to the frenzied Y2k era, but a quarter century later we have gotten no less frenzied.

Indigo Girl(2017) by Natasha Boyd

 1,001 Novels: A Library of America

Indigo Girl (2017)

by Natasha Boyd

West Ashley, Charleston, South Carolina

South Carolina: 2/13

   I'm running two or three states ahead of reading physical books, so I'm listening to Audiobooks set in South Carolina and reading books set in Virginia.  That figures to be the major dynamic going forward since I'm almost positive I will close out all the Audiobooks from this chapter months before I finish reading the rest.   I liked Indigo Girl because it is set in the Colonial/Pre-Revolutionary period- when I started the 1,001 Novels project it was clear in New England that the editor favored contemporary stories over historical stories, and I accept that, but all things being equal, say a plot that is a bildungsroman about a young woman in a rural area of America, I'd rather read about the past than the present. 

  The protagonist of Indigo Girl is the oldest daughter of a British Naval Officer who is sent to fight the Spanish in the Caribbean. Daughter endeavors to save the family plantation by growing indigo, which has never been tried before in the Carolinas.  This character is a historical person- she ended up marrying Charles Pickney who was the father of one of the signers of Declaration of Independence.  The author added an afterword where she noted how she used historical artifacts- letters by the real version of her character- to give voice to her story. 

Indigo Girl was also interesting to me because it was set in the period before the slave rebellion's in Haiti solidified white opinion against a more genteel form of slavery.  One of the plot points in this book revolves around the fact that in the timeline of the story, South Carolina has recently made it a crime to teach slaves to write, though they did not make it a crime to teach a slave how to read, a fine point picked up on by the heroine and her husband to be, lawyer Charles Pickney. 

  It's not literary fiction, but as historical fiction goes it is well suited for its depiction of early Colonial Charleston.