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Monday, November 04, 2024

Indigo Girl(2017) by Natasha Boyd

 1,001 Novels: A Library of America
Indigo Girl (2017)
by Natasha Boyd
West Ashley, Charleston, South Carolina
South Carolina: 2/13

   I'm running two or three states ahead of reading physical books, so I'm listening to Audiobooks set in South Carolina and reading books set in Virginia.  That figures to be the major dynamic going forward since I'm almost positive I will close out all the Audiobooks from this chapter months before I finish reading the rest.   I liked Indigo Girl because it is set in the Colonial/Pre-Revolutionary period- when I started the 1,001 Novels project it was clear in New England that the editor favored contemporary stories over historical stories, and I accept that, but all things being equal, say a plot that is a bildungsroman about a young woman in a rural area of America, I'd rather read about the past than the present. 

  The protagonist of Indigo Girl is the oldest daughter of a British Naval Officer who is sent to fight the Spanish in the Caribbean. Daughter endeavors to save the family plantation by growing indigo, which has never been tried before in the Carolinas.  This character is a historical person- she ended up marrying Charles Pickney who was the father of one of the signers of Declaration of Independence.  The author added an afterword where she noted how she used historical artifacts- letters by the real version of her character- to give voice to her story. 

Indigo Girl was also interesting to me because it was set in the period before the slave rebellion's in Haiti solidified white opinion against a more genteel form of slavery.  One of the plot points in this book revolves around the fact that in the timeline of the story, South Carolina has recently made it a crime to teach slaves to write, though they did not make it a crime to teach a slave how to read, a fine point picked up on by the heroine and her husband to be, lawyer Charles Pickney. 

  It's not literary fiction, but as historical fiction goes it is well suited for its depiction of early Colonial Charleston.

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