The Heaven of Mercury (2002)by Brad Watson

 1,001 Novels: A Library of America

The Heaven of Mercury (2002)

by Brad Watson

Mercury, Mississippi

Mississippi: 16/19

     Living in California, it is easy to lose track of the relative size of places like it and New York to places like Alabama and Mississippi.  For example, the largest city in Mississippi is Jackson and it has a population of 146k.  In California, Jackson would be the 40th largest city, between Visalia and Victorville.  The total population of Mississippi, just about 3 million, is smaller than the CITY of Los Angeles, let alone the county or metropolitan statistical area.   Of course, the founding fathers foresaw this, which is why we are saddled with a political system which allows areas like the deep south and rural Midwest to put their candidates into the Presidency at the expense of places like California and New York.

     For places like Mississippi, it's not a question of the city/town/rural distinction of more populated areas, rather it is a question of small towns and rural areas.  Even the books putatively mapped onto urban areas in Mississippi take place in rural settings.   The Heaven of Mercury is a pure example of the small-town novel, nominated for the National Book Award for fiction back in 2002 about a local newspaper editor and his lifetime of unrequited love for a childhood almost-sweetheart.

    I've observed before that the use of a map to plot the titles in the 1,001 Novels: A Library of America presupposes certain kind of plots and narrators.  None of the book in the Mississippi chapter split their temporality between Mississippi and some other place.  Characters who leave Mississippi leave the novel.  This means you have a choice between people coming back from some other place and people who never leave.   Within that category Mississippi is almost unique in that NONE of the novels are about people coming back from some other place and ALL of the books are about people who never leave. 

  At least, with our newspaper editor character in The Heaven of Mercury we have a literate protagonist. 

Finus, the protagonist, is, I think, the most sophisticated of any of the protagonists in the Mississippi titles.

Queen Sugar (2014) by Natalie Baszile

 1,001 Novels: A Library of America

Queen Sugar (2014)

by Natalie Baszile

St. James Parish, Louisiana

Louisiana: 24/30

  Cotton gets most of the press when you consider deep south agriculture, but sugar is part of the story as well.  If you don't know the story of sugar and the role it played in advancing the slavery-industrial complex in the 18th and 19th century, you can't grasp the significance of a novel about a young African American woman who suprise-inherits a sugar plantation in Louisiana, but to be fair, neither does the protagonist- a native Californian who uproots her daughter in the aftermath of the untimely death of her husband and decides to make a go of it in the deep south.

 Queen Sugar is pitched somewhere between "issue novel" and "chick lit" with elements that hint at something deeper with plot points that sound like they were written for television (Queen Sugar was adapted into a movie for Oprah's OWN network).  Charley, the protagonist, is primarily concerned with survival and to a lesser degree with the issues faced by her own family, specifically those of Ralph, her ne'er-do-well younger brother, the product of a childhood fling between her father and a local, mentally unstable girl during high school.  Ralph has led a life filled with issues- taken from his mother in Louisiana to live with Charley and their father in California, being returned to Louisiana for being to difficult, dropping out of college a couple semesters short of his college degree (in Civil Engineering?!?!), succumbing to drug addiction in Phoenix of all places, losing his wife to an overdose, abandoning her body and taking his son back to Louisiana.  It wasn't hard to tell where Ralph was headed.

  I enjoyed Queen Chapters for the portions that actually dealt with the process of farming sugar cane- after reading endless books about cotton farming, it was a welcome shift.  I also thought the plot was more interesting than the book Baszile wrote, but I can see where she was aiming.

Joe (1991) by Larry Brown

 1,001 Novels: A Library of America

Joe (1991)

by Larry Brown

Oxford, Mississippi

Mississippi: 15/19

   I chuckled when I read the jacket copy, which compares author Larry Brown to Faulkner, Welty and O'Connor in the same sentence.  What you mean he writes like three of the five non-African-American authors that matter in the deep south?  If you look up the author online you will soon see that he is associated with a genre called "grit-lit."  The Good Reads page is a mess and lists titles from Faulkner to O'Connor and everything in between.  To me, it sounds like an attempt to rebrand Southern Gothic for the "modern" (aka 1990s) period.   The prevalence of freaks, and freak like behavior in literature from the deep south is unique within American literature, sure every state and region has its dysfunctional families, but the patriarch of the dysfunctional family in this book really takes the cake.  Calling him a knock-down, drag-out alcoholic doesn't begin to do his depravity justice.

A Density of Souls (2000) by Christopher Rice

 1,001 Novels; A Library of America

A Density of Souls (2000)

by Christopher Rice

New Orleans, Louisiana

Louisiana: 23/30

   This is an utterly ridiculous novel by the son of author Anne Rice.  Three boys and one girl are friends as children.  Upon entering high school, two of the boys become "jocks," the girl becomes the girlfriend of one of the jocks and the fourth, who is clearly the main protagonist, is gay.   The other three all turn on the gay friend for reasons that are entirely unexplained.  Although there are no year specific tells, it seems clear that A Density of Souls, is set in the 90's, in a period where anti-gay bullying was still OK, but the bullied had an idea that their situation was temporary and would improve outside of high school.  The story just gets more ridiculous by the page, with plot points involving incest, insanity, forced institutionalization and lots and lots of gay stuff.   By the end, the mysteries are resolved, but it left this reader scratching his head.  What the hell did I just read, was my thought at the end.  Published by Harvey Weinstein, as well.

The Collected Stories of Eudora Welty (1980)

 1,001 Novels: A Library of America

The Collected Stories of Eudora Welty (1980)
Jackson. Mississippi

Mississippi: 14/18

  Looking at a Google Ngram that compares the popularity of Faulkner, O'Connor and Welty, Welty comes in third place.  All three authors have experienced precipitous declines in frequency since the turn of the millennium, with only O'Connor showing some resilience.   Having read the three authors, the simplest explanation is that at some point it became untenable to teach students with materials that use the "n-word," in any way, shape or form.  Welty's short stories are chock full of it, although since her stories cover such a wide swath of time, it is possible to observe some characters holding back from the term as time progresses into the Civil Rights era.  My understanding is that saying the n word in any context in a classroom is enough to get a teacher fired.

  I think Welty also suffers because she never got comfortable with the novel as a format- even her Pulitzer Prize winning "novel" The Optimist's Daughter, clocked in at 208 pages.  Short stories do well in literature courses but aren't as great for the buying public or critics. As I've brought up many times, trying to write a review of a book of short stories is straight up not a good time because you are either summarizing a bunch of plots, or trying to draw connections with little or no insight into the authorial mindset. 

 This was my first time reading her work- my major observation is that she sure did seem like a practitioner of "Southern Gothic" but did not like the term.   Perhaps the development of the entire literary genre was a reflection of the tastes of the audience for literary magazines based in the north- the New Yorker, for example.  It's not hard to imagine that editors at the New Yorkers thought that their audiences were interested in the freakishness of the south, and that they picked stories that reflected that, and that writers like Welty got the message.   Conversely, it is hard to imagine whatever literary culture that existed in the south being happy with the freaks in Faulkner, O'Connor and Welty.   Perhaps though it was preferable to literature which frankly addressed racial practices in the south in the mid 20th century.

The Prophets (2021) by Robert Jones Jr.

 1,001 Novels: A Library of America

The Prophets (2021)

 by Robert Jones Jr

1833 Haining Road, Vicksburg Mississippi

Mississippi: 13/18

Author Robert Jones Jr.

Published 2/22/21

The Prophets (2021)

by Robert Jones Jr.

  An early front runner for the National Book Award longlist, The Prophets is the debut novel by American author Robert Jones Jr., about a forbidden love affair between two slaves on a Mississippi plantation in the early 19th century.   And although the hook should be enough to pique the interest of most fans of American literary fiction, this book is by no means "just" a LGBT love story set in the antebellum south.  Jones ably blends different voices- the white children of the plantation owner, women slaves on the same plantation as well as voices from Africa- which expand the standard parameters of the American slave narrative across the ocean in time and space.

  Like Marlon James, Jones Jrs' take on the African American LGBT experience is physical and intense.  His two protagonists, Isaiah and Samuel, are nuanced figures, even as their actions become increasingly direct.  Jones deserves plaudits for his frank and direct depiction of the trauma inflicted on the enslaved by their so-called masters, reserving special spite for the "progressive" white children of the planation over class. 

   Although I shouldn't have to say this in 2021, The Prophets is not "just" for people interested in LGBT issues in literary fiction.  It is a broadly appealing work, and it packs a narrative punch that will make you glad you picked it up.

The Oxygen Man (1999) by Steven Yarbrough

 1,001 Novels: A Library of America

The Oxygen Man (1999)

by Steven Yarbrough

Indianola, Mississippi

Mississippi: 12/18

   Indianola is in northwest Mississippi, what I imagine to be "catfish country," where cotton farmers converted their plantations to aquaculture in an attempt to adapt to changing times.  Within the 1,001 Novels: A Library of America, The Oxygen Man is interesting because it is a debut novel on a small press- besides academic imprints there are very few non-major press books in the 1,001 Novels project, which seems like a lost opportunity.  Yarbrough writes in modernist style with the narrative skipping between time periods, for the benefit of the audience the years are added in between segments.  The main protagonists are a brother-sister duo of what can only be described as a white-trash family- Dad is an itinerant commercial painter, Mom is the town whore.   As a pair they have penchant for big fights followed by lusty make-up sex, and they are not afraid to do either in public, to the chagrin of their minor children.

  Unsurprisingly, this behavior impacts the children's lives and attitudes, with the fulcrum of the story hinging on a semi-public sexual encounter between the sister, witnessed by the brother and his friend.

Little Altars Everywhere (1992) by Rebecca Wells

 1,001 Novels: A Library of America

Little Altars Everywhere (1992)

by Rebecca Wells

Thornton, Louisiana

Louisiana: 22/30

   Wells is best known for her viral phenomenon, The Divine Secrets of the Ya-Ya Sisterhood, which is the publishing industry equivalent of the late-blooming chart success of Appetite for Destruction by Guns n' Roses.  Both rose to number one on their respective industry charts over a year after publication.  This success drew the attention of Malcolm Gladwell in HIS best-seller, Tipping Point, where he explored the word of mouth that made Ya Ya such a hit.   The website for the 1,001 Novels: A Library of America mistakenly lists the publication date as 2009, no idea where they got 2009 from, and not the first or second time they've listed the wrong publishing year for a mapped title.

   I'm not sure it was because of my utter disinterest in the book or actual issues with the writing, but Little Altars Everywhere felt more like a knitted together cluster of short stories.  It's a fine, well-travelled literary tradition though I don't think Wells was getting stuff published in the New Yorker before Little Altars Everywhere was released.  I would place Wells' bibliography squarely within the "chick-lit" genre- 1992 was the year the phrase was coined, in reference to Terry McMillan's Waiting to Exhale.  Altars fits into that broad category although it's also obvious to an almost painful degree the literary debt Altars owes to its southern literary forebears.    Maybe it's just the early Eudora Welty stories I started reading after this book that put me in mind of this, but it always seems like there is pressure on writers from the deep south to add some element of freakishness, either race based or otherwise, that sets the action apart from what you commonly see in other parts of the country.

  Here, there is a plot line- in a light comic novel mind you- about mother son incest that would be eyebrow raising even a much more seriously regarded work of fiction.

The Feast of All Saints (1979) by Anne Rice

1,001 Novels: A Library of America

The Feast of All Saints (1979)

by Anne Rice

New Orleans, Louisiana

Louisiana:21/30

  Like Stephen King, Anne Rice hit career gold with her first published novel, Interview with the Vampire (1976) but there was an eight year gap between it and The Vampire Lestat, the first of 12(!) sequels that I didn't realize were published as late as 2018.   I imagine in the period between 1976 and 1985 Rice was trying to not be pigeonholed as a one trick pony, failed, and then spent the rest of her light pooping out crap to pay for her San Francisco mansion.  The Feast of All Saints reads like Interview but with the free people of color at the center instead of Vampires.  Like the Grandissimes, Rice is writing this book from the perspective of someone who is not herself related to any free people of color.  Her plot is confusing and hard to follow, with at least a half dozen major characters and dozens of minor characters spread out over several interrelated clans. 

  Marcel, the child of a French trader and rescued Haitian woman, yearns to leave New Orleans for the fairer environs of Paris, which lacks the entrenched racism of the nascent American order.  He falls under the spell of Christophe, a writer who has returned to New Orleans after finding literary success abroad. Each male protagonist is surrounded by a suite of females: mothers and sisters, while a ring of predatory white men rings each female character. African American men appear only as slaves.   Like all of the novels set in early 19th century New Orleans, it is impossible to ignore how deadly a place it was before medicine got a grip on yellow fever and malaria.  People died every year in the hundreds.  It was brutal.

Nonesuch (2026) by Francis Spufford

 Audiobook Review

Nonesuch (2026)

by Francis Spufford

    I really enjoyed English author Francis Spufford's last book, Cahokia Jazz, an alt-history work of detective fiction where Native Americans survived and evolved in parallel with Euro-Americans in the Midwest.  I really, really loved the alt-history part of Cahokia Jazz whereas the actual story was a pretty straightforward take on detective fiction.  Here, my preferences swung in the other direction, I wasn't wowed by the scenario, but I found the actual plot and characters interesting.   In Nonesuch, Spufford has moved back to the UK, where he finds his protagonist, Iris Hawkins, staring down the barrel of World War II.  Hawkins is a self-described "Suburban Slut," and a second generation "City" girl, where she works for a stockbroker of the Jewish persuasion and dreams of achieving financial success as a female stockbroker (literally illegal in that time and place.)   

    One night she ditches her date and finds herself at an avant-garde film party where one-reel art films are played over phonographic records.   There, she meets her romantic interest, Geoff, a technician in the nascent television department of the BBC as well as her nemesis, Lady LaLage Cunningham, a British Aristo Fascist.   The plot involves the occult, and an attempt by the British Fascist movement to travel back in time and prevent England from coming into the war against the Nazi's.   Along the way she learns about her feelings and has a decent amount of lit fic sex- Spufford must have been keeping tabs on the romantasy trend, because there was exactly zero sex in Cahokia Jazz.