The House Girl (2013) by Tara Conklin

 1,001 Novels: A Library of America

The House Girl (2013)

by Tara Conklin

Lyndhurst, Virginia

Virginia: 4/17

    One observation I would make about Virginia and North Carolina is this theme of enslaved people being sold from the relatively benign environments of the upper South to the harsher, crueler world of the cotton belt:  Georgia, Alabama, Mississippi and Louisiana.  The plantation economy of places like Lyndhurst, Virginia is one of perpetual, inevitable decline as the soil failed from primitive 17th and 18th century farming techniques.  Instead, you had these small plantations owned by families who owned multiple properties or leased land to others, or made their money from a profession or trade.  The slaves in these environments were an asset of the estate that could be sold off in times of economic distress to places that needed man and woman power.

   The House Girl is two inter-related stories, one about Lina, a contemporary attorney working at a white-shoe law firm, she lives in Brooklyn with her artist Father and a mother who "died" under mysterious circumstances.  She is recruited by a partner at her firm to work on an unusual case undertaken at the behest of an African-American defense contractor, a lawsuit for reparations for slavery.  She is tasked with finding the so-called, "Lead Plaintiff," a lineal descendent of an enslaved individual who can serve as the face of the lawsuit.

  This story intersects with that of Josephine, the "house girl" of the title and an 18th century slave who works as the lady-in-waiting for her dying mistress on a swampy, run-down Virginia plantation.  The House Girl is a good pick for the 1,001 Novels project on a couple of levels.  First, with over 7000 Amazon reviews it is a certified hit by the standards of literary fiction (though this isn't quite that).  Second, Lyndhurst is the farthest east location for a Virginia title save two books set near the Cumberland Gap (that's a thing, right?), and the gloomy, gothic plantation where Josephine lives is very evocative of the time and place. 

  

   

Winter Birds (1994) by Jim Grimsley

 1,001 Novels: A Library of America

Winter Birds (1994)

by Jim Grimsley

Grifton, North Carolina

North Carolina: 2/20

   Winter Birds is another incredibly dark family drama written from the perspective of the son an extremely dysfunctional family living off a Freeway in rural North Carolina.  Winter Birds is so dark that it was originally published in German translation after no American publisher would take it.  After the German language translation, Grimsley did find a publisher but it was never a hit- Publisher's Weekly straight up panned it, for many of the same reasons I didn't enjoy reading the book.

 Grimsley is primarily a play-wright, and Winter Birds reads like a play- the entire book takes place inside the family home and is told in the second person.   Basically, the entire book is an extended scene of domestic violence, with multiple- multiple lengthy scenes that are basically this guy's one-armed father chasing his poor mom around the house with a knife.  Dad commits all types of atrocities including stabbing the family dog to death while screaming "this is you" to his wife, who is hiding in the woods.  In the culminating scene/waking nightmare, Dad forces the narrator to have sex with his own mother.  Horrific! 

Children of Men (1991) by Jeanne Schinto

 1,001 Novels: A Library of America

Children of Men (1991)

by Jeanne Schinto

Southeast, Washington DC

Washington DC: 12/12

    That's a wrap for Washington DC!  Children of Men, not to be confused with the PD James dystopian-future novel that was made into a very good movie, this book is about a member of the white economic underclass- the daughter of a father who moved out of the Appalachian region for work after World War II. Cathy "Bird Legs" Ashwell has the deck stacked against her from day one.  She lives in a run-down rental in a bad part of town.  Her dad is a flag-operator on construction sites who drinks himself to sleep every day after work.  Her mom left.  Her younger brother is a drug-addict after returning from Vietnam, her sister is a whore-in-the-making.  Cathy makes one decision for herself in this book- to pursue a young African American guy from her neighborhood, which, of course, works out poorly for her.  She talks her way into joining her paramour and her drug-addict brother on a criminal enterprise that ends with her brother dead, her paramour in jail in Virginia and herself gang raped.   She gets back home, finds out she is pregnant, has the kid, gets another boyfriend, has two more kids before she is 21 under what can only be described as horrific circumstances and spends the rest of the book trying to get her act together.

  Children of Men is so dark it actually warrants comparison to the PD James novel- the presence of any kind of light in this novel is so dim that one wonders why write it at all.   This was the first and only novel by Jeanne Schinto, who was born in Greenwich Connecticut but graduated from George Washington and the Johns Hopkins creative writing program.  Presumably, Cathy Ashwell is based on someone she met while doing some kind of social work in the District.  Kudos to editor Susan Straight for giving some attention to this book, which otherwise has disappeared from the public consciousness. 

Thank You For Smoking (1994) by Christopher Buckley

 1,001 Novels: A Library of America

Thank You For Smoking (1994)

by Christopher Buckley

Capitol Hill, Washington DC

Washington DC: 11/12

   I read Thank You For Smoking, Christopher Buckley's satire(!?!) of the lobbying industry when it came out- or shortly thereafter, when I was actually living in and attending school in Washington DC.   A comic novel is a rare thing these days.  I didn't re-read it for the 1,001 Novels: A Library of America project, but it 's about a tobacco lobbyist who is kidnapped by anti-tobacco activists.  Very 90's plot.

Lincoln in the Bardo (2017) by George Saunders

 1,001 Novels: A Library of America

Lincoln in the Bardo (2017)

by George Saunders

Georgetown, Washington DC

Washington DC: 10/12

  Of course I read Lincoln in the Bardo the year it came out.  Before it won the Booker Prize, even.  It looks like I listened to the Audiobook back in 2021- that must have been a covid thing. I really enjoyed this book.  Saunders got three books onto the recent New York Times Best Books of the 21st Century, including this book, which is in line with his position as a writer who has established himself as a short story writer who is treated like a novelist and then as a prize winning novelists once he decided to actually write a novel.  It's a close call between this book and All of Aunt Hagar's Children for best DC title in the 1,001 Novels: A Library of America project.  Here is the post from 2017:

Published 9/18/17
Lincoln in the Bardo (2017)
by George Saunders

  So here I am, more or less caught up with contemporary fiction.  The 1001 Books Project originally ended in 2006, so "the present" means the period between then and 2017.  Reviews of contemporary books will focus on their potential for canonical status, with the understanding that it is unknowable whether I am correct or not.   Unfortunately, the single best indicator would seem to be those books that either win major literary prizes or are nominated for such.  This criterion will take into account the sales record of each title, since simply looking at the best seller for canon candidates (while efficient) is simply too depressing to contemplate.

  Lincoln in the Bardo is the second 2017 book I've read in this category- the first being Colson Whitehead's The Underground Railroad.  Both books were selected based on their low odds on the Ladbrook's table for Booker Prize shortlist nominees.  Lincoln in the Bardo DID make the short list, The Underground Railroad did not.   Lincoln in the Bardo also has the top odds to win the prize- currently at 2/1.  Author  George Saunders is well known as a short-story writer and an essayist- I actually saw him speak last year in Los Angeles because my girlfriend is a fan and I left saying, "Well, he should write a novel." (He alluded to the fact that he was doing so during his talk.)

   So here is that novel, and yes, he did do an amazing job writing his first novel, with critical plaudits and an appearance at the top of the New York Times best-seller list.   It is a very appealing package: First time novel by a known quantity, combines historical fiction and the supernatural, popular United States President (Abraham Lincoln) appears as a major character (though not the Lincoln of the title.) AND- AND- it's is very, very easy to read, written in a format where each statement is written in citation format, whether or not it takes the form of actual dialogue or a quote from a historic text about the Lincoln administration.

  The Bardo of the title refers to the Tibetan spiritual concept which roughly equates to "purgatory"- neither heaven nor hell but a kind of supernatural waiting room, where unresolved issues may cause spirits to linger in the corporeal world as spirits, their issues reflected in their "physical" demeanor.  The Lincoln of the title is the President's son, William "Willie" Lincoln.  He died at the very beginning of the Civil War, and the story is "based" on two subsequent visits that the President made to Willie's tomb.

  Saunders manages to pack an astonishing number of voices into the 300 pages- over 100 by most accounts.  The other voices are other left behind spirits, and each of them adds some value to Saunders vision of Civil War era America. The grave yard in which Willie is laid to rest stands next to a paupers grave where African-Americans and vagrants were unceremoniously dumped, and thus Saunders is able to inject more social concern into a novel about ghosts and Abraham Lincoln than one might initially consider possible.

  It is this extra level of plot- the white graveyard next to the black graveyard, which I think really pushes Bardo into canonical territory.  Also, the fact that is both clearly a work of "experimental" fiction AND fast/easy to read and understand- that is a rare quality, and a canonical quality.   I think, weighing against it is the fact that it lacks the "weight" that often marks a canonical novel.  The technique of writing an entire book as a series of quotes from other sources detracts from the over-all impact, and may directly alienate less serious readers- a key component of the audience for a newly canonical text.

   Surely, the winning or losing of the Booker Prize will be a huge factor. The prize, like the winnowing of the long list to a short list is notoriously unpredictable, but with 2/1 odds, Lincoln in the Bardo is the odds on favorite.

Henry and Clara (1994) by Thomas Mallon

 1,001 Novels: A Library of America

Henry and Clara (1994)

by Thomas Mallon

Ford's Theater, Washington DC

Washington DC: 9/12

    I have a vague memory of touring Ford's Theater, perhaps on my Junior High trip to the capital. It couldn't have been during college, when I eschewed all "touristy stuff" in favor of undergraduate ennui.  The 1,001 Novels project has this book mapped at the theater because the couple in the title- He:  A Union Army soldier returned from the just completed Civil War and She: A friend and confident of the largely friendless and confidant-less Mary Lincoln were, in fact, in the box with Lincoln and Mary when John Wikes Booth shot him, Henry also being stabbed by Booth before he(Booth) jumped out of the theater box to the stage below.

   Writing books about actual historical people is Mallon's schtick and Henry and Clara is a good choice for a chapter on books about Washington DC because the protagonist is Clara, wife of Henry, and she describes Civil War Era DC like a character out of Vanity Fair.  The reader really gets a sense of the place circa 1860 onward.   Henry and Clara is chock a block with historical detail but the plot itself: Henry's slow decline into madness after surviving the assassination attempt is hampered because Clara, like most people of that era, doesn't understand much about the process of mental illness.   

Nothing Gold Can Stay(2013) by Ron Rash

 1,001 Novels: A Library of America

Nothing Gold Can Stay (2013)

by Ron Rash

Boiling Springs, North Carolina

North Carolina: 1/20

   North Carolina, here we go.  I drove through North Carolina once after college driving between Washington DC and San Francisco, but I didn't stop and I've never been back.  These days what I know about North Carolina is that it's a reddish-purple state with some strong universities, a big African-American population and a bunch of southern white people.   I'm looking forward to actually learning something about North Carolina via the 1,001 Novels: A Library of America project and Nothing Gold Can Stay, a book of short-stories by Ron Rash, is a good start.

    Boiling Springs is mapped on the border of North and South Carolina, about half way between Charlotte and Asheville.  It's a whole lot of nothing according to the characters, who see a two-hour drive to an Indian Casino as a big trip.  One reoccurring motif is characters filling out financial aid forms for college- there are fourteen stories in this collection and financial aid forms are mentioned in four or five of them.   There's also meth addiction, illegal bear hunting and run-down shacks a plenty.  Despite the repetition of the financial aid motif and the author's steady disregard for providing endings to the stories, I enjoyed Nothing Gold Can Stay and Rash is the first author in weeks where I've considered looking further into his bibliography. 

My Monticello (2021) by Jocelyn Nicole Johnson

 1,001 Novels: A Library of America

My Monticello (2021)

by Jocelyn Nicole Johnson

Charlottesville, Virginia

Virginia: 3/17

   My Monticello is a collection of a few short stories and the title novella about a near-future break down of authority/government as experienced by a young, Virginia-based African American woman and her white boyfriend and a cluster of neighbors who relocate to Monticello (Thomas Jeffersons' estate) where Da'Naisha muses over the impending end of the world, her pregnancy and the possibility that the father could either be her white boyfriend or black ex-boyfriend, both of whom are with her at Monticello.  She also is concerned about her Grandmother, who is also at Monticello and close to death.   Even taking into account that a novella is short by definition, not much happens here.  There is one trip outside (it goes badly) and a looming showdown with white supremacists that happens off page, after the end of the novella.

  While I'm no stranger to the drama of women being pregnant under difficult circumstances- seemingly about 15% of the entire literary output of English language literature in any given time period, it seemed strange to center a novella on that subject and end it before she gives birth.  

Horror Movie (2024) by Paul G. Tremblay

 Audiobook Review

Horror Movie (2024)

by Paul G. Tremblay

   I'm not a big genre fiction guy but I dip my toes in fantasy, horror and crime/detective fiction and read quite a bit of science fiction.  My usual rule for fantasy/horror/crime/detective fiction is that I'll read it if it gets a stand alone (vs. round-up) review in the New York Times book section.   Regardless of the content of the book or the tenor of the review, any genre title that gets a stand alone review means that it is well above the standard quality for whatever genre, and that it may, in fact, exceed genre standards to the point where it qualifies as literary fiction.

  Such was the case with Horror Movie, the latest from Paul G. Tremblay, one of a handful of horror authors who maintain contact with the literary fiction establishment.  The New York Times review for Horror Movie- written by a horror-industry stalwart, was sparkling, to the point where I checked out the Audiobook from the library.  Alas, I did not enjoy my listening experience, largely for the same issues I have with most horror books.  These can be expressed as follows:

1.  Every horror novel wants the reader to care about whether SOMEONE lives or dies, and I never ever do, not for one moment, care what happens to any character in any horror novel.  In my mind, a real horror story is a novel about the struggles of an unwed, poorly educated teen mom who gives birth in the rural south in the mid 20th century.

2.  Every horror novel is built around a ridiculous concept- that the world is filled with malevolent things- human or other, who are absolutely obsessed with murdering/ruining the lives of living humans, specifically the characters in this book.  This is the opposite of my lived experience, which suggests that the supernatural is largely a delusion caused by different kinds of mental illness and that the wider world does not care what happens to a specific person, no matter what they have going on in their life.

3.  I don't enjoy being scared.

    Although I was never in danger of being scared by the Horror Movie audiobook, the other two issues were front and center, since the plot: About the revival of an ill-fated cult horror film shot by a bunch of college-age students in the Northeast,  hits points 1 and 2 right in the bullseye despite the metafictional attempts by the author to spice up the timeline of the book.  Simply put, who gives a shit whether these people live or die, or how they go about it.  Not me.

Eighteen Acres (2010) by Nicole Wallace

 1,001 Novels: A Library of America

Eighteen Acres (2010)

by Nicole Wallace

The White House, Washington DC

Washington DC: 8/12

   Nicole Wallace grew up in the next suburb over from me in Northern California and she went on to serve as Press Secretary under George W. Bush before working on the McCain/Palin Presidential Campaign, where she was singled out as being responsible for the Sarah Palin fiasco.   Her professional experience is what Wallace brings to Eighteen Acres a "you are there" novel about the first female (Republican) President, her husband, his affair with a television journalist  and the author-based press secretary who has to deal with all of it. 

  I'm not sure if this was intentional on the part of  1,001 Novels editor Susan Straight, but I couldn't stop laughing over this book set at the exact point in time when the Blackberry was THE communication medium for high ranking public officials.  The protagonists' Blackberry is mentioned at least 30 times over the three hundred pages of the book.  I loved my Blackberry and remember the era fondly.

  Aside from the constant Blackberry references there was amusement to be found in the pre-Trump Republican party, which now seems like a distant fantasy compared to our polarized present.  It's almost hard to fathom how angry pre-Trump Republicans like George W. Bush and John McCain made people- they seem like genuinely nice people after a decade of Trump and his operation.