The Power Broker (1974) by Robert A. Caro

 Audiobook Review

The Power Broker (1974)

by Robert A. Caro

   Clocking in at over 60 hours, the three volume Audiobook edition of Robert A. Caro's seminal masterpiece, The Power Broker, a comprehensive biography of New York park-and-freeway man Robert Moses, is certainly one of the most epic Audiobooks I've ever heard.   The Audiobook is broken into three volumes; each volume is a little over 20 hours long.   I wrote a review for the first volume back in September of last year.  Volume two didn't get the break-out treatment because, like many Volume 2's in a three-volume set, it didn't seem like it warranted a stand-alone post.   Roughly speaking, volume 1 is his rise, volume 2 is his hey-day and volume 3 is his decline and fall.  Reader, what does it tell you that I couldn't wait for the fall, and the last ten hours of the third volume was my favorite piece of the entire endeavor. 

  I was reflecting on The Power Broker, and Caro's achievement, during a recent trip to the Lyndon B. Johnson Library in Austin Texas (thanks Dad!) Caro has famously been trying to finish the fifth volume of his LBJ biography for years- the last update was in 2023 after his longtime publisher Robert Gottlieb died.   Both Moses and LBJ symbolize a very specific type of 20th century man, the non-ideological Government guy who saw the rise of big government as an opportunity to obtain the specific type of success both craved.   One of the ironies that plays out again and again over the cours of all three volumes of The Power Broker is that Moses, the ultimate public servant, held the actual voting public in the kind of contempt one associates with modern day plutocrats like Peter Thiel.    He did not brook criticism or compromise, which is astonishing for a man who spent his professional career rooting up large parts of New York City, displacing thousands, and rebuilding it in his image (parks and freeways to get to those parks). 

  His path to power was unique to the rise of big government in the 20th century, he was able to master the internal bureaucracy of New York state and city- serving as the head of the Tri Borough Bridge Commission in addition to a dozen over entities in his prime AND he served as the link between New York and Federal freeway fund.  If he was outmaneuvered at the state level, he could shut off the funding at the federal level, and his opponents knew it.

  Ultimately, he was only bested by two men, one he survived and the other who ended him.  The first was Franklin Roosevelt, who first encountered Robert Moses when he was the Governor of New York and Moses was in his early, progressive phase associated with his parks era.  Roosevelt owed nothing of his rise to Moses, and was secure enough in his power not to be cowed by the others backroom machinations.  A final showdown wasn't required because Roosevelt went to Washington DC, and spending on public works became a preferred path out of the recession, and Moses was a position to spend more of that money than anyone else in the country, so they needed each other and that was enugh.

   The other, Nelson Rockefeller, spelled the end for Moses, who was in his late 70's and early 80's when Rockefeller appeared on the scene.  As spelled out by Caro, the enduring key to Moses' unassailability within the New York state and city bureaucracy was as the counterparty for all the bond that the state had issued via his various positions.  Basically, you couldn't do anything to Moses because the bond holders viewed it as tampering with their bonds.  Fortunately, the largest holder of those bonds was the brother of Nelson Rockefeller, so he could do whatever he wanted to Moses and the bondholders wouldn't do shit to stop him.

Published 9/11/24

Audiobook Review

The Power Broker: Volume 1 (1974)

Robert Moses and the Fall of New York

by Robert Caro

Read by Robertson Dean

(2011)

   Lists like the 1,001 Novels: A Library of America and 1,001 Books to Read Before You Die commonly keep fiction and non-fiction books separate.  For example, in the two lists I just cited, there are zero works of non fiction.  At least with the 1,001 Novels project the bias is in the title, but the 1,001 Books list has no excuse.   One recent list to buck this separation is the recently published New York Times Top Books of the 21st Century, which combines fiction and non-fiction.   Such an approach might have benefited the 1,001 Novels project.   You can see why if you listen to the Audiobook of The Power Broker: Volume 1, which is just about as New York a book as one could possibly imagine.  Indeed, there is an argument that its inclusion is required if a reader wants to really know New York, city and state.  No single person has had a greater impact on how the entire state LOOKS than Moses.   

  Volume 1, which lasts 22 hours in Audiobook format, handles his rise, and takes us to the cusp of his monumental bridge, tunnel and freeway building projects that remade Manhattan in his image.  We learn that Moses came from a patrician upbringing- a key element of his success is that he never needed to make money from his work and that his vision was inspired by the idea of a non-partial bureaucratic technocrat, who overcame all obstacles to benefit "the people."  Caro presents it as an idea he came up with while he was doing post-graduate studies in Oxford University, and his school-child dreams of a core of highly disciplined, uncorruptible state employees was about as far from the facts on the ground in New York City as could be possible.

   After some early career missteps, he was rescued from obscurity by a friendship with Belle Moskowitz, a reformer and early supporter of future Governor of New York Al Smith.  Moskowitz recommended Robert Moses to Smith as a man who could get things done, as someone who could help Smith implement the progressive ideas he wanted to advance to distance himself from the Tammany Hall political machine from which he sprang and get him in the running for a run at President.  Smith and Moses were an odd couple to be sure, and the depiction of their friendship is the unquestionable highlight of the book.   

   In Volume 1, most of the action is stage setting, as Moses begins to develop his vision of parks and freeways to drive to those parks.  Most of the action takes place on the tip of Long Island, where Moses spent the 20's and 30's in endless litigation with the land barons who owned all the property out there.  Parks were really popular with the general public and the press, particularly when those standing in the way are wealthy captain of industry.  It's clear both from the action of the book and Caro's relentless foreshadowing that the combination of power and lack of public accountability would turn Moses into a monster, but by the end of Volume 1 that moment is still on the far-ish horizon.

Perspective (2025) by Laurent Binet

 Book Review

Perspective (2025)

by Laurent Binet

   This is pretty clearly a Laurent Binet riff on Umberto Eco or, more recently, Alvaro Enrique- i.e. a medieval who-dun-it with real life characters.  The plot involves a risque portrait of a duchess (or somebody like that) and the efforts her scheming father will go through to retrieve the portrait and her honor.   I was disappointed and barely paid attention, a sad miss for Binet, from my perspective, or at least not the kind of inventiveness I'd expected from his other books. 

Brother Brontë (2025) by Fernando Flores

 Audiobook Review

Brother Brontë (2025) 

by Fernando Flores

 I checked out the Audiobook of Brother Brontë from the library based on the capsule review in the New York Times book review promising Latin American themed/dystopian/literary fiction, and it was that, though perhaps it suffers from the narrow viewpoint common to many protagonists in post-apocalyptic fiction.  If you don't know anything different, what is there even to say about the situation.  Here, Flores hedges his bets by making one of the young-ish characters a "last bookworm" sort of heroine.   Various elements flash into view and then disappear, rendering the proceedings closer to literary fiction, but less exciting than genre.  Only the setting, which I imagined to be something like Brownsville, on the Mexican/Texas border, really stirred by imagination.    My issue with Brother Brontë is similar to my issue with the YA and child narrators from the 1,001 Novels: A Library of America list:  They don't go anywhere, they don't do anything, and they aren't particularly interesting people, being under 13 and poorly educated.   The sameness of the inner experience of the lower echelons of the socio-economic ladder across genre and geography is something that is never commented upon by literary critics, but I think it is worth noting. 

Random Family (2003) by Adrian LeBlanc

 100 Best Books of the 21st Century (New York Times)

Random Family (2003)

by Adrian LeBlanc

#25

       This might be THE most representative book from the New York Times 100 Best Books of the 21st Century list, a 432 page in depth exploration of the life and times of a loosely related group of New Yorkers who are knee deep in the crack epidemic.  You've got Coco Rodriguez, the main character, a woman who manages to have four children by three different men in between the ages of 17 and 24.  You've got Jessica Martinez, the consort of a notorious crack kingpin who is sentenced to life in Federal Prison during the book, and who herself serves a ten year federal prison sentence over the course of Random Family.  You've got Coco and Jessica's respective families, who are equally filled with child sexual abuse, drug usage, child neglect and early/frequent exposure to domestic violence.

   As someone who deals with individuals who are enmeshed with the Federal Criminal Justice system because of their participation in drug trafficking, I am well familiar with the social milieus that produce the characters in this book, and everything that they say or do was familiar to me- listening to the Audiobook of Random Family was like listening to a 20 hour federal probation report, where probation officers try to get to the heart of the same questions that LeBlanc frames in 15 pages instead of 400.

   A common theme, both in Random Family and my own professional experience, is disordered living.  A one parent household headed by Mom, or a serial household with Mom and a succession of partner's, is common.  It's been my own observation, borne out at length in Random Family, is that people who get into organized criminal activity do it because a) they never think it will end up with them serving decade long prison sentences b) they literally do not have a single other idea about what do besides crime. The men in this book, most of whom spend the entirety of the book in Federal or State Prison make these decisions when they are very young and even as they spend their ten, twenty year or life in prison sentences, the level of self-reflection is minimal because there were never any other choices to be made.

  The women on the other hand, again, based both on the experiences depicted in Random Family and my own professional experiences, is that women often believe that the only thing they have to offer is their body and that a child is their best chance of forging a lasting relationship with a providing male. When this inevitably fails to happen, the man disappears, and the woman is left with the child.  Coco, at the center of this book, is incapable of making a reasoned decision or really even looking after her own interesting, rather she is buffeted by the day-to-day chaos of the consequences of her decision to have four children with three different men.

  Coco is, in a sense, amazing in that she manages to keep her tattered family together through the entire book.  Jessica, on the other hand, manages to get impregnated by a guard while in prison and foists the children off on her long-suffering mother, also caring for some of her other children which she left behind to serve her decade long prison sentence.   The men are equally despicable and pathetic, the tattered flotsam of late-stage capitalism, going nowhere and doing nothing.  What, one wonders, is the end game for anyone in Random Family, except as a burden to the state and incubator of intergenerational trauma.   Those looking for answers will find none here and the author doesn't bother to try- it's not that type of book.

  

     

The Buffalo Hunter Hunter (2025) by Stephen Graham Jones

 Audiobook Review

The Buffalo Hunter Hunter (2025)

by Stephen Graham Jones

  Stephen Graham Jones is an enrolled member of the Blackfeet nation in Montana.  He is also a prolific author of genre fiction, with a bibliography that dates back to 2000, and usually with one publication a year, or two publications in one year and none in the next.  I'd never heard of him until he published The Only Good Indians, which was picked up by Simon & Schuster and represented a step up in authorial profile and out of the limitations of genre fiction (his previous publisher was Tor- a science fiction/fantasy/horror genre specialist.)

  I actually didn't like The Only Good Indian and didn't finish the Audiobook I checked out from the library, but that could have had something to do with the pandemic era publication date.  I also didn't know about the author's tribal affiliation, which makes a big difference in distinguishing genre horror from speculative but literary fiction.  The Buffalo Hunter Hunter, to me, is like, a riff on Interview with a Vampire but with the intent to actually say something about its historical era, instead of using the historical elements as scenery for the soap-opera plot.  It is also very much a horror novel with a very...um. visceral and uniquely Mountain West take on the familiar tropes of vampire lit.

  The format. a mysterious, black-clad Native American with an acute sensitivity to sunlight shows up one day in a late 19th century Montana frontier church whose minister has his own connections to the events that have touched the life of the stranger.  He insists on unburdening himself to the preacher over a series of evenings, and then the preacher recounts the events to his journal.

  Jones uses a somewhat awkward but historically accurate/appropriate framing device for this sort of 19th century yard, a present-day graduate student in western history who is the last descendant of the frontier preacher and who comes into possession of his narrative.  Considering his lengthy publication history, it's hard not to suspect that Jones is writing with editorial guidance about maximizing the potential for what I would imagine would be an FX miniseries adaptation.   More power to him- I think it would be a great tv show/movie, but you'd have to get the violence right, which would be tough. 

  The Audiobook is also good for this book because you get the Native American narrator voice, which I wouldn't have wanted to do in my head, reading a paper/e copy at home.

The Emperor of Maladies by Siddhartha Mukehjee

 100 Best Books of the 21st Century (New York Times)

The Emperor of Maladies (2010)

by Siddhartha Mukehjee

#84

   I'm wrapping up the non-fiction portion of the 100 Best Books of the 21st Century (New York Times) list.  I'm not sure if I'm going to do the fiction portion, since most of the books I haven't read from that part of the list are books I already know about and don't want to read.   I'm busy enough with my day job these days that I don't feel compelled to read as much during my leisure time.  I listened to the Audiobook version over a period of months.  It's a 22 hour listen, and frankly, 22 hours of listening to the history of the treatment of cancer proved to be a bit of a slog. 

   The take-away is that curing cancer is incredibly complicated because cancer itself is incredibly complicated.  Really, the history of cancer is the history of medicine itself.  No disease has attracted more attention from scientists seeking a cure, and The Emperor of Maladies was written at the cusp of the modern period, where a decline in the cost of genetic sequencing of individuals has made "curing cancer" a realistic prospect for a small but growing cohort of sufferers.   The major issue, as it turns out, is that each cancer is genetically different, and a cure requires sequencing the genetics of the cancer cells for a particular person.  

   Mukehjee does have lots to say about the causes of cancer, which can either be incredibly reassuring or the equivalent of a death sentence with no execution date.  Genetics plays a huge role in who does or doesn't get cancer, as do environmental factors and personal choices, but it really isn't only one thing or the other.  One fact I did take away is that family history is super important- if cancer runs in your family you are susceptible to it no matter how hard you try to stay away from risk factors, conversely, if no one in your immediate family has had cancer, you are more likely to get away with risky personal choices and environmental exposure. 

The Director (2025) by Daniel Kehlmann

 Audiobook Review

The Director (2025)

by Daniel Kehlmann

  I think Daniel Kehlmann is my favorite German-language author.  I enjoyed both Measuring the World- which is a 1001 Books to Read Before You Die pick, and Tyll, his medieval jester novel.  I like his take on historical fiction, dark, but also funny.  The problem with historical fiction is that it typically treats the past like we view the present i.e. a perfectible world with characters who possess a positive attitude about the capabilities of humanity to solve its own problems.  Of course, no one thought like this until well into the mid/late 20th century, and yet in work after work of historical fiction the protagonists evince an eagerness to investigate and solve problems that, IMO simply didn't exist in the past.  People just accepted shit, back in the day.

  The Director is about German auteur G.W. Pabst who inauspiciously left Hollywood right before the beginning of World War II to return to the embrace of the Reich, which chose to overlook his past indiscretions (he was own as "Red Pabst" because of his Communist sympathies) and co-opt his talents. After a slow start, The Director really picks up in the second act, when Pabst begins working for the regime.  After that point, it's a wild ride.

Eviction (2016) by Matthew Desmond

 100 Best Books of the 21st Century (New York Times)

Eviction (2016)

by Matthew Desmond

#16

  The overriding theme of the non-fiction portion of the 100 Best Books of the 21s Century by the New York Times is "getting to know the underclass."  It is poverty, more than race or gender, which interests the voters for this project.  Like Nickle and Dimed by Barbara Eisenreich,  Eviction is a laser-focused sociology-inspired work of reportage from the front lines of the housing crisis as represented by Milwaukee, Wisconsin.  Desmond moved into a particular trailer-park for some of his time researching this book, and the trailer park really takes center stage.

  My abiding conclusion after listening to Eviction is the same thing James Baldwin said, "Poverty is expensive."  In other words, if you can't exist on a day-to-day basis you end up paying MORE for things like food and shelter.  The best example from these pages is the practice of landlords having tenants' possessions removed to a storage unit facility, where they are then charged for keeping their possessions even after they are rendered homeless.  

Purple Cane Road (2000) by James Lee Burke

 1,001 Novels: A Library of America

Purple Cane Road (2000)

by James Lee Burke

New Iberia Parish, Louisiana

Louisiana: 4/30

    Purple Cane Road is one of 24 volumes in James Lee Burke's Dave Robicheaux series- about a Louisiana sheriff's deputy who isn't afraid to use investigatory techniques that should probably get him fired.  This being Louisiana, he does, not, apparently get fired in this or any other book.  He is also obsessed with the solving the mystery of who murdered his Mom (aren't we all?)  This book weaves what can only be described as a familiar mix of police procedural and criminal deviousness, with a well-mannered hit man and a loose-cannon sidekick filling in the cast.  I listened to the Audiobook- which- like some other parts of the country, I like because the narrators do accents that I could not do in my head.

Orleans (2013) by Sherri L. Smith

 1,001 Novels: A Library of America

Orleans (2013)

by Sherri L. Smith

New Orleans, Louisiana 

Louisiana: 3/30

   This is a YA post-apocalyptic title, set in a New Orleans which has been disenfranchised from the rest of the country after a series of horrific hurricanes and the consequent emergence of a fever which infected all the remaining residents.  I could not believe that this book- which is almost entirely about tribes divided by blood types and the raids that go back and forth as people try to steal blood from one another.  The narration is split between a local teen and an outsider, Daniel a scientist with the military who is researching a cure for the fever.

   Again, I was startled that a book marketed to teens would contain so many scenes of cringe-inducing blood theft and minors being raped as a matter of course, but what do I know.