The Next Step in the Dance (1998) by Tim Gautreaux

1,001 Novels: A Library of America

The Next Step in the Dance (1998)

by Tim Gautreaux

Morgan City, Louisiana

Louisiana: 7/28

    It is rare that I actually really enjoy reading a book in the 1,001 Novels: A Library of America.  Part of that derives from the fact that I've read, essentially, all of the "classics" that Susan Straight has included in the project- we are talking about canon level titles from 19th, 20th and 21st century American literature here, and let's face it, the list isn't that long.  Part of it comes from the fact that Straight needs to rely heavily on chick-lit and genre fiction to actually populate large swathes of the American literary map.  And I guess the last part of it is the lack of thematic variety within each particular state- I really should be going through and doing one book at a time from each state instead of staying within a single region/chapter of the project to avoid that particular phenomenon. 

  Which is all a preamble for saying that I actually enjoyed reading The Next Step in the Dance on its own merit, and Tim Gautreaux is an author who I would be interested in reading outside of a project-based title.  I know for sure the reason I liked this book is that the main character was blue collar (a Cajun machinist) and part of the book actually deals with his work life and the things he has to do as part of that life.  It's an issue that extends well beyond the 1,001 Novels: A Library of America to all precincts of American literature and most of American fiction- which is that books are written by authors, and most authors- particularly writers of literary fiction- haven't done shit in their lives except write fiction.  This means they can't believably write about work, let alone make a whole novel about it, which means that all fiction is inevitably domestic fiction, family fiction, and that world gets boring as hell year after year.

  I would love to read a work of fiction about a farmer where the author actually knew something about the business and practice of farming, and writes about that,  instead of one of fifty novels in the 1,001 Novels: A Library of America where the events take PLACE on a farm but are ABOUT the abuse a young girl suffers at the hands of her father or family trauma generally. 

  

The Houseguest (2018)by Amparo Dávila

Mexican author Amparo Davila

 Book Review

The Houseguest (2018)

by Amparo Dávila

  I'm not sure how I came about reading this 2018 New Directions edition of English translations of Mexican author Amparo Dávila's work.  She was writing between the mid 1950's and the 80's, dying in 2000, and I think this two sentence "Work" description from Wikipedia captures her vibe nicely:

  Davila is known for her use of themes of insanity, danger, and death, typically dealing with a female protagonist. Many of her protagonists appear to have mental disorders and lash out, often violently, against others. Many times the women are still unable to escape from their mental issues and live with the actions they have taken. She also plays with ideas of time by using time as a symbol of that which we cannot change.

  In other words, she is a forerunner of the recent wave of mostly woman authored weird lit coming out of Latin America and Mexico in particular. Reading this collection had some of the same energy as reading I, Who Have Never Known Men by Jaqueline Harpman which is basically, "How have I made it this far with no one ever mentioning her or ever hearing about her independently despite being directly interested in her work and the writers she has directly influenced?"

  It further points to the importance of publishing entities like New Directions and The New York Review of Books, where the goal is often "resurfacing" "lost classics" or raising a lost work to canonical status in part by republishing it.  This is by no means an insignificant phenomenon, and I can confidently say that both Jane Austen and William Faulkner were direct beneficiaries of this same process, going back centuries. 

The Far Edges of the Known World (2025) by Owen Rees

 Book Review

The Far Edges of the Known World:

 Life Beyond the Borders of Ancient Civilization (2025)

by Owen Rees

   If there were more books in this category: general reader level history books about ancient history, I would for sure read them, but the fact is that the underlying research doesn't require more than one new book a decade in most subfields.   Reading everything there is available to a non-specialist about events on the fringes of so-called western "civilization" in English, in the United States, is not hard.  Rees summarizes recent research in areas on the margins of the ancient greco-roman world.   He also includes a section on Europe, and some of the most interesting material is written about modern day Ethiopia. Like all books published in American on this area of interest, the lack of foreign language knowledge condemns the author to reinforce the very historical near-sightedness he seeks to correct.  To take the example of ancient Ethiopia, he doesn't appear to have read anything in Ge'ez.

  Anyway, it is interesting to be sure but nothing mind blowing here, like, I kinda knew what was coming.

The Gone Dead (2019) by Chanelle Benz

 1,001 Novels: A Library of America

The Gone Dead (2019)

by Chanelle Benz

Money Road, Greenwood Mississippi 

Mississippi: 5/18

  It isn't often that the titles on the 1,001 Novels: A Library of America raise questions about the role of authenticity in fiction, but such was the case for The Gone Dead, by British American author Chanelle Benz. The plot concerns the interracial daughter of a dead-before-his-time African American poet (her father) and what can only be described as her severely misguided attempt to "get to the bottom" of the "mysterious" circumstances surrounding the death of her father.

  Clearly, the protagonist has not read the same books I have about this part of the country because it is just about 100 percent clear that any "mysterious" death of an African American man in the deep South is caused by white racists who are then protected by the local law enforcement and political establishment. I could have told this lady that in a five-minute conversation over a cup of coffee. Fair to say that I didn't linger on The Gone Dead, because reader I knew where this was headed. It was either the cops, friends of the cops or the cops when they were off duty that killed your daddy and you don't need 283 pages to tell the story.