Native Nation (2024) by Kathleen DuVal

 Audiobook Review

Native Nation (2024)

by Kathleen DuVal

  I like my history books like I like my coffee... magisterial.  Native Nations won a Pulitzer Prize last year, which is why I looked up the Audiobook on the library app and checked it out.  The Audiobook version clocks in at over 20 hours, and it look me a couple of check-outs and months of waiting in between to finish up, but it really is a great gloss on the history of the Native People in North America.  DuVal's major scholarly achievement is blending part of the argument made David Graeber in The Dawn of Everything, where Graeber, drawing on other scholars, argued for the historical choices made by allegedly non historical peoples (pre contact Native Americans) and essentially postulated that the "contemporary" Native American political scene when the Europeans showed up was the result of a centuries old rebellion against the Cahokia regime in the area of modern day St. Louis, and a similar rebellion in a similar time frame against a different group.   The idea is that the Native American who made contact with Europeans were not ignorant savages, but a collection of peoples who had rejected the kind of hierarchy and consolidation that won the day in the "old world" lands of Europe and Asia. 

    Graeber offers this analysis mostly as a theory, but DuVal fills in that gap with actual chapters from actual Native American history- she goes all over the map, with particular highlights coming from the Southeast and Southwest.   If you read Graeber, and are looking to follow up his Native American supported arguments, this Pulitzer Prize winning history book is worth reading.

Vanishing World (2025) by Sayaka Murata

 Audiobook Review

Vanishing World (2025)

by Sayaka Murata

Translated from the Japanese by Sayaka Murata

  I'm not an anime watching fetishist, but it is hard to deny the emergence of East Asia on the global cultural stage since World War II.  Compare the popularity of cultural products emerging out of markets like South Korea, Japan and Taiwan to places like France and Germany.  When was the last time a German act played Coachella?   Generally speaking, if the New York Times does a full length or capsule length review of a work of fiction translated from Japanese, Korean or Chinese, I'm going to take a look and if I see anything like "speculative fiction" or the like I'm going to check out the Audiobook and maybe even read an E-copy on my Kindle.   It's one of the most interesting areas in global fiction- East Asia and South Asia I'd say, but South Asia gets a boost because of the large number of English language speakers. 

   Vanishing World has it all: It's a work of disturbing speculative fiction, and it takes place in an alternate present where Japan turned to IVF after World War II, and where traditional sex between a married couple has become akin to incest.   It is a fascinating world, drawn out with the kind of wavy realism that I associate with Japanese literature read in translation.  Getting the Audiobook was a real stroke of luck. I spend so much time waiting for Audiobooks in the library queue. 

  But this was one of my top books of the year for sure. 

The Power Broker (1974) by Robert A. Caro

 Audiobook Review

The Power Broker (1974)

by Robert A. Caro

   Clocking in at over 60 hours, the three volume Audiobook edition of Robert A. Caro's seminal masterpiece, The Power Broker, a comprehensive biography of New York park-and-freeway man Robert Moses, is certainly one of the most epic Audiobooks I've ever heard.   The Audiobook is broken into three volumes; each volume is a little over 20 hours long.   I wrote a review for the first volume back in September of last year.  Volume two didn't get the break-out treatment because, like many Volume 2's in a three-volume set, it didn't seem like it warranted a stand-alone post.   Roughly speaking, volume 1 is his rise, volume 2 is his hey-day and volume 3 is his decline and fall.  Reader, what does it tell you that I couldn't wait for the fall, and the last ten hours of the third volume was my favorite piece of the entire endeavor. 

  I was reflecting on The Power Broker, and Caro's achievement, during a recent trip to the Lyndon B. Johnson Library in Austin Texas (thanks Dad!) Caro has famously been trying to finish the fifth volume of his LBJ biography for years- the last update was in 2023 after his longtime publisher Robert Gottlieb died.   Both Moses and LBJ symbolize a very specific type of 20th century man, the non-ideological Government guy who saw the rise of big government as an opportunity to obtain the specific type of success both craved.   One of the ironies that plays out again and again over the cours of all three volumes of The Power Broker is that Moses, the ultimate public servant, held the actual voting public in the kind of contempt one associates with modern day plutocrats like Peter Thiel.    He did not brook criticism or compromise, which is astonishing for a man who spent his professional career rooting up large parts of New York City, displacing thousands, and rebuilding it in his image (parks and freeways to get to those parks). 

  His path to power was unique to the rise of big government in the 20th century, he was able to master the internal bureaucracy of New York state and city- serving as the head of the Tri Borough Bridge Commission in addition to a dozen over entities in his prime AND he served as the link between New York and Federal freeway fund.  If he was outmaneuvered at the state level, he could shut off the funding at the federal level, and his opponents knew it.

  Ultimately, he was only bested by two men, one he survived and the other who ended him.  The first was Franklin Roosevelt, who first encountered Robert Moses when he was the Governor of New York and Moses was in his early, progressive phase associated with his parks era.  Roosevelt owed nothing of his rise to Moses, and was secure enough in his power not to be cowed by the others backroom machinations.  A final showdown wasn't required because Roosevelt went to Washington DC, and spending on public works became a preferred path out of the recession, and Moses was a position to spend more of that money than anyone else in the country, so they needed each other and that was enugh.

   The other, Nelson Rockefeller, spelled the end for Moses, who was in his late 70's and early 80's when Rockefeller appeared on the scene.  As spelled out by Caro, the enduring key to Moses' unassailability within the New York state and city bureaucracy was as the counterparty for all the bond that the state had issued via his various positions.  Basically, you couldn't do anything to Moses because the bond holders viewed it as tampering with their bonds.  Fortunately, the largest holder of those bonds was the brother of Nelson Rockefeller, so he could do whatever he wanted to Moses and the bondholders wouldn't do shit to stop him.

Published 9/11/24

Audiobook Review

The Power Broker: Volume 1 (1974)

Robert Moses and the Fall of New York

by Robert Caro

Read by Robertson Dean

(2011)

   Lists like the 1,001 Novels: A Library of America and 1,001 Books to Read Before You Die commonly keep fiction and non-fiction books separate.  For example, in the two lists I just cited, there are zero works of non fiction.  At least with the 1,001 Novels project the bias is in the title, but the 1,001 Books list has no excuse.   One recent list to buck this separation is the recently published New York Times Top Books of the 21st Century, which combines fiction and non-fiction.   Such an approach might have benefited the 1,001 Novels project.   You can see why if you listen to the Audiobook of The Power Broker: Volume 1, which is just about as New York a book as one could possibly imagine.  Indeed, there is an argument that its inclusion is required if a reader wants to really know New York, city and state.  No single person has had a greater impact on how the entire state LOOKS than Moses.   

  Volume 1, which lasts 22 hours in Audiobook format, handles his rise, and takes us to the cusp of his monumental bridge, tunnel and freeway building projects that remade Manhattan in his image.  We learn that Moses came from a patrician upbringing- a key element of his success is that he never needed to make money from his work and that his vision was inspired by the idea of a non-partial bureaucratic technocrat, who overcame all obstacles to benefit "the people."  Caro presents it as an idea he came up with while he was doing post-graduate studies in Oxford University, and his school-child dreams of a core of highly disciplined, uncorruptible state employees was about as far from the facts on the ground in New York City as could be possible.

   After some early career missteps, he was rescued from obscurity by a friendship with Belle Moskowitz, a reformer and early supporter of future Governor of New York Al Smith.  Moskowitz recommended Robert Moses to Smith as a man who could get things done, as someone who could help Smith implement the progressive ideas he wanted to advance to distance himself from the Tammany Hall political machine from which he sprang and get him in the running for a run at President.  Smith and Moses were an odd couple to be sure, and the depiction of their friendship is the unquestionable highlight of the book.   

   In Volume 1, most of the action is stage setting, as Moses begins to develop his vision of parks and freeways to drive to those parks.  Most of the action takes place on the tip of Long Island, where Moses spent the 20's and 30's in endless litigation with the land barons who owned all the property out there.  Parks were really popular with the general public and the press, particularly when those standing in the way are wealthy captain of industry.  It's clear both from the action of the book and Caro's relentless foreshadowing that the combination of power and lack of public accountability would turn Moses into a monster, but by the end of Volume 1 that moment is still on the far-ish horizon.

Perspective (2025) by Laurent Binet

 Book Review

Perspective (2025)

by Laurent Binet

   This is pretty clearly a Laurent Binet riff on Umberto Eco or, more recently, Alvaro Enrique- i.e. a medieval who-dun-it with real life characters.  The plot involves a risque portrait of a duchess (or somebody like that) and the efforts her scheming father will go through to retrieve the portrait and her honor.   I was disappointed and barely paid attention, a sad miss for Binet, from my perspective, or at least not the kind of inventiveness I'd expected from his other books. 

Brother Brontë (2025) by Fernando Flores

 Audiobook Review

Brother Brontë (2025) 

by Fernando Flores

 I checked out the Audiobook of Brother Brontë from the library based on the capsule review in the New York Times book review promising Latin American themed/dystopian/literary fiction, and it was that, though perhaps it suffers from the narrow viewpoint common to many protagonists in post-apocalyptic fiction.  If you don't know anything different, what is there even to say about the situation.  Here, Flores hedges his bets by making one of the young-ish characters a "last bookworm" sort of heroine.   Various elements flash into view and then disappear, rendering the proceedings closer to literary fiction, but less exciting than genre.  Only the setting, which I imagined to be something like Brownsville, on the Mexican/Texas border, really stirred by imagination.    My issue with Brother Brontë is similar to my issue with the YA and child narrators from the 1,001 Novels: A Library of America list:  They don't go anywhere, they don't do anything, and they aren't particularly interesting people, being under 13 and poorly educated.   The sameness of the inner experience of the lower echelons of the socio-economic ladder across genre and geography is something that is never commented upon by literary critics, but I think it is worth noting. 

Random Family (2003) by Adrian LeBlanc

 100 Best Books of the 21st Century (New York Times)

Random Family (2003)

by Adrian LeBlanc

#25

       This might be THE most representative book from the New York Times 100 Best Books of the 21st Century list, a 432 page in depth exploration of the life and times of a loosely related group of New Yorkers who are knee deep in the crack epidemic.  You've got Coco Rodriguez, the main character, a woman who manages to have four children by three different men in between the ages of 17 and 24.  You've got Jessica Martinez, the consort of a notorious crack kingpin who is sentenced to life in Federal Prison during the book, and who herself serves a ten year federal prison sentence over the course of Random Family.  You've got Coco and Jessica's respective families, who are equally filled with child sexual abuse, drug usage, child neglect and early/frequent exposure to domestic violence.

   As someone who deals with individuals who are enmeshed with the Federal Criminal Justice system because of their participation in drug trafficking, I am well familiar with the social milieus that produce the characters in this book, and everything that they say or do was familiar to me- listening to the Audiobook of Random Family was like listening to a 20 hour federal probation report, where probation officers try to get to the heart of the same questions that LeBlanc frames in 15 pages instead of 400.

   A common theme, both in Random Family and my own professional experience, is disordered living.  A one parent household headed by Mom, or a serial household with Mom and a succession of partner's, is common.  It's been my own observation, borne out at length in Random Family, is that people who get into organized criminal activity do it because a) they never think it will end up with them serving decade long prison sentences b) they literally do not have a single other idea about what do besides crime. The men in this book, most of whom spend the entirety of the book in Federal or State Prison make these decisions when they are very young and even as they spend their ten, twenty year or life in prison sentences, the level of self-reflection is minimal because there were never any other choices to be made.

  The women on the other hand, again, based both on the experiences depicted in Random Family and my own professional experiences, is that women often believe that the only thing they have to offer is their body and that a child is their best chance of forging a lasting relationship with a providing male. When this inevitably fails to happen, the man disappears, and the woman is left with the child.  Coco, at the center of this book, is incapable of making a reasoned decision or really even looking after her own interesting, rather she is buffeted by the day-to-day chaos of the consequences of her decision to have four children with three different men.

  Coco is, in a sense, amazing in that she manages to keep her tattered family together through the entire book.  Jessica, on the other hand, manages to get impregnated by a guard while in prison and foists the children off on her long-suffering mother, also caring for some of her other children which she left behind to serve her decade long prison sentence.   The men are equally despicable and pathetic, the tattered flotsam of late-stage capitalism, going nowhere and doing nothing.  What, one wonders, is the end game for anyone in Random Family, except as a burden to the state and incubator of intergenerational trauma.   Those looking for answers will find none here and the author doesn't bother to try- it's not that type of book.

  

     

The Buffalo Hunter Hunter (2025) by Stephen Graham Jones

 Audiobook Review

The Buffalo Hunter Hunter (2025)

by Stephen Graham Jones

  Stephen Graham Jones is an enrolled member of the Blackfeet nation in Montana.  He is also a prolific author of genre fiction, with a bibliography that dates back to 2000, and usually with one publication a year, or two publications in one year and none in the next.  I'd never heard of him until he published The Only Good Indians, which was picked up by Simon & Schuster and represented a step up in authorial profile and out of the limitations of genre fiction (his previous publisher was Tor- a science fiction/fantasy/horror genre specialist.)

  I actually didn't like The Only Good Indian and didn't finish the Audiobook I checked out from the library, but that could have had something to do with the pandemic era publication date.  I also didn't know about the author's tribal affiliation, which makes a big difference in distinguishing genre horror from speculative but literary fiction.  The Buffalo Hunter Hunter, to me, is like, a riff on Interview with a Vampire but with the intent to actually say something about its historical era, instead of using the historical elements as scenery for the soap-opera plot.  It is also very much a horror novel with a very...um. visceral and uniquely Mountain West take on the familiar tropes of vampire lit.

  The format. a mysterious, black-clad Native American with an acute sensitivity to sunlight shows up one day in a late 19th century Montana frontier church whose minister has his own connections to the events that have touched the life of the stranger.  He insists on unburdening himself to the preacher over a series of evenings, and then the preacher recounts the events to his journal.

  Jones uses a somewhat awkward but historically accurate/appropriate framing device for this sort of 19th century yard, a present-day graduate student in western history who is the last descendant of the frontier preacher and who comes into possession of his narrative.  Considering his lengthy publication history, it's hard not to suspect that Jones is writing with editorial guidance about maximizing the potential for what I would imagine would be an FX miniseries adaptation.   More power to him- I think it would be a great tv show/movie, but you'd have to get the violence right, which would be tough. 

  The Audiobook is also good for this book because you get the Native American narrator voice, which I wouldn't have wanted to do in my head, reading a paper/e copy at home.

Plum Bun (1925) by Jesi Redmon Fauset

 1,001 Novels: A Library of America

Plum Bun: A Novel Without A Moral (1925)

by Jesi Redmon Fauset

Philadelphia, Pennsylvania

Pennsylvania: 6/27

   I've dramatically slowed down on the pace of 1,001 Novels: A Library of American because of less job-related driving (Audiobooks) and more job-related work (reading and writing and generally running around more).   Still, I was excited to listen to Plum Bun: A Novel Without A Moral which is a forgotten classic from a key (but largely forgotten) member of the Harlem Renaissance, Jesi Redmon Fauset.  Plum Bun is a novel about the experience of "passing" where (in this context) an African-American, usually a woman, abandons her racial identity in favor of living among white people.   It's a phenomenon that is best demonstrated in Nella Larsen's 1929 novel, Passing and the introduction makes a point of asking why the canon only includes one such tale.  From my perspective, it's understandable.  Larsen's book is centered around a woman who marries a white man who believes her to be white, and the resulting action is memorable and tragic.  

  In Plum Bun, on the on the hand, protagonist Angela Murray carefully avoids such a situation and generally speaking lives more like an existentialist hero- avoiding close attachments while yearning for them at the same time- than a heroine in a novel published in the 1920's in the US.  Plum Bun is also a book that seems somewhat randomly assigned to Philadelphia because Angela Murray grew up there.  Almost the entire book is set in New York City, and New York City is really the only place that the Author puts across to the reader- I didn't get much of a sense of Philadelphia at all beyond her childhood memories of "passing" with her mother, who was also light-skinned. 

Porgy (1925) by Dubose Heyward

 1,001 Novels: A Library of America

Porgy (1925)

by Dubose Heyward

Charleston, South Carolina

South Carolina: 15/16

    Here is another novel written about African-Americans by a white dude- using the "Gullah" dialect. (which to contemporary ears sounds like the way racists think black people talk in the South but which is actually a distinct dialect with deep African roots). Heyward turned this book into Porgy and Bess, an opera which had worldwide success but I'm assuming was racist as shit which is why no one talks about it anymore.  It was hard to get over the racist tropes in Porgy and I would def ask editor Susan Straight about this pick for sure.

Dry Bones in the Valley (2014) by Tim Bouman

 1,001 Novels: A Library of America

Dry Bones in the Valley (2014)

by Tim Bouman

Susquehanna Municipality, Franklin Forks, Pennsylvania

Pennsylvania: 5/27

  Dry Bones in the Valley is another regional police procedural set in the Pennstucky, i.e. the Pennsylvania Appalachians.   Unlike the Amish-country set snoozer from yesterday,  Dry Bones in the Valley is more interesting, if only because of the frequent and animated presence of guns, gun fire and gun play on nearly every page.  It turns out the people in this part of the country really like their guns.  All kind of guns- pistols, rifles and even muzzle loaded muskets, which play an important part in unravelling one of the two murders that must be solved.

   Bouman does an excellent job of evoking this unfamiliar (to me, anyway) part of the country, with plenty of well described walks in different landscapes. There isn't a great deal of tension that the murder victim remains a john doe up until the case is actually solved, which guts many of the emotions a reader might invest in a book of this genre.  There is very little building of the case and then the solving at the end reads like something out of an Encyclopedia Brown book, but still, I did enjoy this relative to other examples of detective fiction in the 1,001 Novels project.