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Thursday, January 25, 2024

Marya (1986) by Joyce Carol Oates

Image result for young joyce carol oates
A photo of a young Joyce Carol Oates



1,001 Novels: A Library of America
Marya (1986)
by Joyce Carol Oates
Innisfail, New York
New York: 9/105
Upstate New York:   8/23

    This is the first 1,001 Books to Read Before You Die/1,001 Novels a Library of America I've encountered in the New York/New Jersey chapter.   Marya was included on the original 1,001 Novels list but was dropped in the 2008 version and replaced by Francophone author from Africa (Marima Ba). 

   I didn't re-read Marya for the 1,001 Novels Project.  Below is my review from 2017:

Published 4/18/17
Marya (1986)
 by Joyce Carol Oates


   You might consider Marya a Joyce Carol Oates origin story.  Marya, the title character, physically resembles Oates, shares a similar background and has the same experiences as Oates the writer.  Within the 1001 Books project, Oates is a huge loser.  She starts with four titles in the original edition, and that number is cut to a single title in the first revision.  This reduces Oates from a repeat player of some note to a one hit wonder, for the purposes of the list.  It also points to the way that many, if not all, authors with multiple titles- certainly all those from the 20th century and beyond- were subject to having their contribution halved.

  I'd be inclined to think that Oates was ill served- she is almost certainly an author who deserves more than a single title.  It's likely that she is a victim of both being prolific, still writing and not a major literary prize winner.  Oates is not going to win the Nobel Prize for Literature, she hasn't won the Pulitzer Prize.  She's also written non fiction and short stories throughout her career, and flirted with the career of a public intellectual in the television era.

  Like Anagrams by Lorrie Moore, Marya hasn't aged well, except as it relates to a general up-swell of appreciation for Oates as she ages out of productivity.  Most of Mayra exists within the confines of the academic literature of the 1980's.  Her plight as a white woman, making her way in academia, has only muted relevance to the polyphonic explosion of viewpoints related to class and gender.   At least Oates, unlike Moore, avoids writing from a place of vested privilege.  

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