Dedicated to classics and hits.

Thursday, June 21, 2012

The House of The Seven Gables by Nathaniel Hawthorne























Book Review
The House of the Seven Gables
by Nathaniel Hawthorne
p. 1851
Read on Kindle

  American Authors are slow to make their initial appearance in the 2006 edition of the 1001 Books To Read Before You Die book.  The first American-authored book is The Last of the Mohicans (Feb. 1826) by James Fenimore Cooper.  A cool 16 years later, Edgar Allan Poe published The Pit and the Pendulum (1842), which is a short story.  After that it's another decade before Nathaniel Hawthorne and Herman Melville join James Fenimore Cooper and Edgar Allan Poe in the canon.

 If you look at a Google Ngram of the four Authors: James Fenimore Cooper, Edgar Allan Poe, Nathaniel Hawthorne and Herman Melville, you can learn about their respective popularity/frequency of mention among different time periods.   Nathaniel Hawthorne and Herman Melville emerge together, as is demonstrates in the Ngram comparing the four authors between 1800 and 1855.  Initially, Nathaniel Hawthorne and Herman Melville dwarf James Fenimore Cooper and Edgar Allan Poe.  This is likely because Cooper was old and unfashionable, and Poe was unrecognized.

  As of 1855, Nathaniel Hawthorne is the most frequently mentioned Author among the four, but barely more popular then Herman Melville.  If you extend the time line to the present day and look at the respective frequency of mention for the same four authors, it's a much different graph.  During the longer time frame, from 1800 to 2010, Nathaniel Hawthorne dominates until 1910, he is eclipsed at that point by Edgar Allan Poe who has a strong lead until the end of World War II, when he is eclipsed by Herman Melville, who benefits from a sharp increase during the 1950s.

  This graph reflects the belated recognition of Edgar Allan Poe as a literary genius worth canonizing, and the subsequent canonization.  The spike in Herman Melville's frequency of mention is probably caused by the popularity of Moby Dick as a modern/pre-modernist "classic" among the literature departments of American Universities.

   The longer period also reflects the decline in popularity of James Fenimore Cooper relative to the other three Authors.  The period after 1960 reflects a sharp decline for all four Authors in relative frequency- which probably reflects the addition of more Authors to the literary canon, making these four Authors relatively less important and a smaller portion of the works included.

  I agree with everyone else that James Fenimore Cooper is boring.  The Sir Walter Scott "historical romance" is a matter for genre fiction now, and doesn't retain a lot of relevance to modern literary style.  Of the remaining three Authors, Nathaniel Hawthorne is the most intriguing because of his relative low-profile and number of high quality hits- all written between 1850-1860.  I was curt with Hawthorne's, The Blithedale Romance- written in 1852- but I think I was being unfair during that review, and I intend to revise it.

  The Wikipedia entry for The House of The Seven Gables calls it a "gothic novel."  That is an accurate description.  Hawthorne's inclusion of super natural and "cutting edge" social concerns bears some relationship to the blend of interests that feature prominently on say, American Network Television.  Kind of a creepy vibe.  The House of The Seven Gables is another exhibit in the brief supporting the enduring power of Gothic themed Art.   By the publication date of 1851, "Gothic" had been an established literary genre for a century, and Nathaniel Hawthorne was clearly aware of the conventions of literary Gothic-ism.

  Importantly though it's an American Gothic set in New England and featuring American characters. Nathaniel Hawthorne was attached to his New England settings, and like The Blithedale Romance, The House of The Seven Gables has references to Mesmerism and Fourierism. (early Communism)  Of course, Witchcraft is a central part of the machinery in The House of The Seven Gables.  You've never really thought about witches until you've explored Nathaniel Hawthorne's other works.

  Nathaniel Hawthorne published three hit novels between 1850 and 1852: The Scarlet Letter, The Blithedale Romance and The House of The Seven Gables.  Before that he had been writing short stories for close to two decades.   His talent had been recognized by Edgar Allan Poe as early as the 1840s, as Poe wrote in a lengthy review of one of Hawthorne's "Tales" in Godey's Lady Book of 1847.

  But it's fair to say that The House of The Seven Gables represents an effort by Hawthorne to "raise his game" and it was largely successful if posterity's long-term recognition is any guide.


New Crocodiles US Dates / Tour w/ Eternal Summers


  I swear I saw a listing on Last fm for a September show in Munich that was Japandroids, Crocodiles and Dirty Beaches- Japandroids and Dirty Beaches have same US booker.  That would be a pretty big deal..

Crocodiles w/ Eternal Summers  2012 Summer US Tour Dates

06-22 Minneapolis, MN - 7th Street Entry
06-23 Chicago, IL - Reggie's Music Joint
06-24 Frendale, MI - Magic Bag
06-25 Toledo, OH - Mickey Finns
06-26 Pittsburgh, PA - Brillobox
06-27 Hoboken, NJ - Maxwell's
07-13 Philadelphia, PA - Johnny Brenda's
07-15 Baltimore, MD - Ottobar *
07-16 Carrboro, NC - Cat's Cradle *
07-18 Orlando, FL - The Social *
07-19 West Palm Beach, FL - Respectable Street *
07-20 Miami FL - The Vagabond *
07-22 Atlanta, GA - The Masquerade *
07-24 Morgantown, WV - 123 Pleasant Street *
07-25 Philadlephia, PA - Johnny Brenda's
10-04 Ferndale, MI - Magic Bag

* with Eternal Summers

Wednesday, June 20, 2012

Tiny Mix Tapes Post on Heavy Hawaii

Show Review: The Temper Trap & Crocodiles @ House of Blues San Diego

The Temper Trap lead singer,  Dougy Mandagi


















Show Review

The Temper Trap
Crocodiles
@ House of Blues San Diego
June 13th, 2012

     I sat on this review for a week because Crocodiles were still on tour with The Temper Trap, and while the intent of this review is neither to insult The Temper Trap NOR to claim that people associated directly with the band (publicists, label execs, super fans) would read this insignificant blog, I am cognizant that merely putting "The Temper Trap" and "live review" or "show review" might summon the modern music industry equivalent of a Genie, "Google Reader Alert, I summon thee."

    First there was, of couse, the venue, House of Blues San Diego.  Since the show last week I've wracked my brain in an attempt to be "fair" to what is basically a corporate constructed personality masquerading as a live music venue.   While I was there, the comparison that most sprang to mind was the decor in the Haunted Mansion ride in Disneyland, but with blues singers instead of ghosts.

 In defense of the House of Blues San Diego, the following observations are appropriate:  The sold-out all ages crowd was managed effectively- the environment felt perfectly save for the pre-teens(!) who were in attendance with their Dads or whomever.  Next, the bartender working the side bar was just incredibly good at her job.  I can honestly say she was the most efficient bartender I had seen in my entire life.  It was objectively impressive considering she was by herself in the side-room handling the between sets rush.  So she was amazing and whomever hired her deserves credit.   Finally, the "crowd"- a very specific to the House of Blues environment- was super excited to be out and "partying" at 830 PM on a Wednesday night.


   Look, I'm all in favor of early set times, but this is still live rock and roll we're talking about, not a show at Marie Hitchcock Puppet Theater in Balboa Park.   The Audience was about as close to the "general audience" as you are likely to see outside of a show at an Arena or Fairgrounds.   Just people- people who like hits- and dulcet alt rock tones.   Judging from the fact that the show was old out before the doors open, The Temper Trap could immediately step up to a larger venue.  In fact, I would be interested to know just how many people they could draw in a city like Los Angeles or New York. 5000?  Certainly 1000-1500.

     Now, I fully expected this Audience to be a 'bad' audience, but I was totally wrong.  I watched a sea of sorority girls and Gaslamp bros doing their best to rock out to Crocodiles.  They weren't wildly enthusiastic, but seriously, the fuck do you expect?  The Casbah crowd isn't wildly enthusiastic about anything and it they don't show up 800 strong on a Wednesday evening at 8 PM.  Honestly, during this set I finally understood why a band like Crocodiles would benefit from opening up for a band The Temper Trap- it's because the Audience is excited about something- now- granted that they are excited about The Temper Trap, but they are in what you would call a  receptive state for the transmission of new ideas.

      Considering how hard I've been on the House of Blues San Diego over the entire life of this blog, it pains me to say this, but I could see why a band would want to play a House of Blues show- especially in some of their Southern Markets: Atlanta, Houston and Dallas to name three.  I know there are alternatives in all three places, but you could go from Atlanta to San Diego in a week and play five House of Blues show, sell them all out at 25-35 a pop and make a boat load.  House of Blues San Diego capacity for a show is maybe 800 or 1000?  That is a lot of scratch for a show that runs 8-10 PM.  Sure it only works that way for the headlining band, but I can at least see why you would want to be the headlining band.

     In between sets Crocodiles worked the floor like the proper gentlemen that they are.  It looks like most of the people were in the friends and family category, but while I waited my turn to talk with them, I swear I saw two sorority girls- general audience members- giggle and then they went over and got a picture taken with one of the Crocodiles band members.   I mean, I assume a moment like that is like witnessing the birth of a "fan."  Does she go home and buy the album on vinyl?  Probably not.

  The Temper Trap took the stage to what I would call an "appreciative murmur."  The band they most resemble is  Snow Patrol.  Calling them "the Australian Snow Patrol" is entirely fair and I would fully cop to having said that.  Australian-ness is manifested through the Indonesian  surname of lead singer Dougy Mandagi(as suppose to the "British-ness" of Snow Patrol.  While I would describe the rest of The Temper Trap as, "coolly professional," Mandagi has clear star quality.  Now again, we are talking star quality equivalent to a Chris Martin, but man, Chris Martin has sold a shit-ton of records, so that comparison means something.

  For me, the key moment in the rise of The Temper Trap to Snow Patrol level success was the ability of their US Label, Columbia Records, to get their single, Sweet Disposition on multiple radio formats last year: Both adult contemporary, top 40 and rock/alt rock stations.   Whether you are a hip-hop Artist or an Australian rock band treading in the well-worn path of Coldplay or Snow Patrol, you just can't do it better then getting your single on more then one type of radio format at one time.

  And really, that's the biggest difference between The Temper Trap and Crocodiles: The Temper Trap wrote a song three years ago that was good enough to not only draw the attention of Columbia Records, but convinced Columbia Records to put enough weight behind Sweet Disposition to convince multiple radio formats to play it at the same time.  That is both expensive and simply hard to accomplish from an aesthetic stand point.

    After you get the song to that level, the Audience really starts paying attention to the underlying Artist, creating the Audience demand for a sold-out Wednesday night show at the House of Blues San Diego. Tickets were 35 USD!  We're talking 30 g's a night.

   I certainly don't have anything to say about the three songs I saw from The Temper Trap other then to note that they are not opening with their hit, that the crowd fucking loved them, and that they sound like Snow Patrol.   It felt like going to the first local edition of a popular chain eatery opening in your area. All the fixtures are fresh, and people are excited to be trying something new.  And I'm not saying that's a bad thing to be.  Especially if you are going to be flying in from Australia, you want to be the musical equivalent of IKEA or you are bloody well wasting your time.

  Anyways, I'm sure that if The Temper Trap can write another multiple-format radio hit they will do great in America, but they need another one because the first song is so old. And I wish them the best of luck in their endeavor.  My interest in this show was spurred almost entirely by the presence of the opening band, and they were such a small, small part of the larger The Temper Trap phenomenon, I was like a West Virginian snake handler walking into a Synagogue in West Los Angeles.

Nathan Williams of Wavves Birthday Celebration, Shot For Spin

Tuesday, June 19, 2012

FRI IN SD: Dream Night: Divers///Chasms @ Whistle Stop

CHASMS when it comes DREAM 001 Mastered by Pete Lyman



















Event Preview

Dream Nite featuring
Divers
Chasms
w/ 2 Time Nominated "Best Club DJ" Mario Orduno
Friday June 22nd, 2012
@ The Whistlestop in North Park, San Diego

     A couple of weeks ago there was this concert with Vatican Shadow and Demdike Stare in Los Angeles, CA and it looked cool and I was like "aww" because I am totally not on top of it. Kind of the same way I totally missed on Wavves and was like, unaware of the phenomenon until I saw them play in LOS ANGELES. At the ECHO.

    On the other hand I did make it to the Art Fag Recordings sponsored Puro Instinct/Pearl Harbor and Best Coast show that happened in 2009.  That was fucking magical. And to think that rubes are going to pay a MILLION DOLLARS to see Best Coast this summer @ The so-called 94/9 Independence Jam.  Independent of what exactly- the whims of an insurance company from Ohio?  No. Certainly not independent of the whims of an insurance company from Ohio.   The gall of them replacing Garrett Michaels like they did!  It fires the blood and illustrates how corporations do business.

    Here's the difference between seeing Best Coast perform in front of 50 people in 2009 and being one of 10,000 people to see them in 2012.  It's the difference between an "independent" and "corporate" audience for popular music.

    Part of doing this blog is making myself "catch up" on trends like the one encompassed by whatever Dream Nite represents. I don't know what that is, other then being 'independent'  I'm certainly not involved with it, so I don't have any special insights. I suppose I'll leave that task for the Peter Hoslins of the world- God bless him. 

Shiva Trash 7" on Bandcamp Now

San Diego House of Blues Has Some Good Shows Booked

  You know what, it's fair to say that House of Blues is a chain of mid-size music venues that allow a band to get from Atlanta to San Diego in a week playing nothing BUT House of Blues venues.  That is a fact.  Also, House of Blues is now booking Casbah presents shows, which seems like something a Court would order as part of an anti-trust decree but I guess it's voluntary.  Upcoming San Diego House of Blues Shows include:

07/01 Beach House w/ Wild Nothing
07/06 Mates of State
07/29 Casbah Presents Dirty Projectors
08/16 KPRI Presents Alabama Shakes
09/14 Casbah Presents The Walkmen

That is five very legitimate shows, right there.

San Diego Music Awards Artist of The Year Category, Past Winners

San Diego Music Awards Past Winners of Artist of the Year Category

1992 Eddie Vedder
1993 A.J. Croce
1994 Charlie Ware
1995 Jewel
1996 Jewel
1997 Steve Poltz
1998 Candye Kane
1999 Steve Poltz
2000 Steve Poltz
2001 Ron Fountenberry
2002 Jason Mraz
2003 Jason Mraz
2004 Jason Mraz
2005 As I Lay Dying
2006 Switchfoot
2007 As I Lay Dying
2008 As I Lay Dying
2009 Slightly Stoopid
2010 Slightly Stoopid
2011 Switchfoot

from the San Diego Music Awards website.

2012 Nominees for San Diego Music Awards Artist of the Year Category:

The Silent Comedy
Little Hurricane
Crocodiles
Sara Watkins
Gilbert Castellanos
Switchfoot
Unwritten Law
Slightly Stoopid

    It seems like Unwritten Law would be the obvious choice this year since "they've never won."  Gilbert Castellanos is also another "first time" type winner.  Switchfoot put out "Vice Verses" this year, Slightly Stoopid did not put out an LP.  Surprise that Wavves didn't make this category.  Seems like a simple pick for the category.  Also in support of the possibility of Switchfoot over an Unwritten Law or Gilbert Castellanos, is that the San Diego Music Awards have plenty of back-to-back and three time winners, and Switchfoot won last year.

Monday, June 18, 2012

The Last of The Mohicans

James Fenimore Cooper (1789-1851)James Fenimore Cooper


BOOK REVIEW
The Last of the Mohicans
by James Fenimore Cooper
published 1826
This edition Fiction Wise Classics 2005


  You simply can't discuss James Fenimore Cooper's The Last of the Mohicans without discussing Sir Walter Scott's The Waverley Novels.

  The Last of the Mohicans is the second of a five-volume series called The Leatherstocking Tales.  The Leatherstocking Tales stand in relation to The Waverley Novels as the Rolling Stones and the Beatles stand in relation to Elvis:  One inspired and survived to maintain a presence during the ascendancy of the other.  Here, Sir Walter Scott's The Waverley Novels were Elvis, and The Leatherstocking Tales are the Beatles.

  The Waverley Novels are known as such because Sir Walter Scott wrote under a psuedonym- but Waverley was the first Novel in his series, and for the second book in the series it said that the Author was "The Author of Waverley;" referring to the TITLE of the first book.  Unlike The Waverley novels, which were just a series of Novels by the same Author set in the past (i.e. "historical, epic fiction."), James Fenimore Cooper's The Leatherstocking Tales refer to a specific character, birth name, Natty Brumppo, although in the books he goes by a variety of names:  the Pathfinder, the Trapper, Deer Slayer, Le Longue Carabine and, most hilariously,  Hawkeye.

 Similar to The Waverley Novels, The Last of the Mohicans is set in the past.  Written in 1826, the events of The Last of the Mohicans re-enact well known "current events" from a half century ago.   Like The Waverley Novels, The Last of the Mohicans and the other Leatherstocking Tales were not written in a political vacuum.  To talk about Sir Walter Scott and his line of descent, as some kind of autonomous "Art for Art's Sake" type work is to entirely miss the main point of these books, which is to entertain, and convince the reader of a set of viewpoints that corresponds to the strongly held beliefs of the Author.

 It may be a fascinating area of inquiry- parsing that out- but not really the concern of someone who is going to read The Last of the Mohicans because they saw the movie starring Daniel Day-Lewis or because, say, it's on the 1001 Books to Read Before You Die list.  For those readers, The Last of the Mohicans is an inevitable disaster because of the clunk methods Cooper uses to go "back in time."  All the dialogue is stilted, and the lavish depictions of scenery are hardly a revelation to anyone who has seen a photograph.

   It's easy to understand WHY James Fenimore Cooper has been canonized, because he's the first internationally famous American Author, and because America INVENTED canonization in the mid 20th century, a time that was more concerned with American roots then we are today.  However, the action doesn't hold the attention, and the politics are, to be kind, "politically incorrect."  Another way to put it might be "well-meaning racism."

94/9 Books Fiona Apple & Best Coast For Independence Jam 9/16/12

Fiona Apple 2012 Official Photo















 Announcing a line-up that is surely a testament to the influence of something, 94/9 landed Fiona Apple as the headliner for their September 16th, 2012 94/9 Independence Jam.  Even though I'm not personally aware of 94/9 every playing either of those Artists in my listening to 94/9, it certainly represents an improvement over past line-ups.  Casbah stage has Pinback, Mrs. Magician and Father John Misty.

  You can read the "party line" over at Comrade Rosey's SD Dialed in Blog.

The Process of Literary Canonization

2012 San Diego Music Awards Nominees Announced

   Full list over at SD DIALED IN.  Congratulations to ALL THE NOMINEES!  Still waiting for an invitation to join the Academy who decides these things, BUT IM NOT HOLDING MY BREATH.

Song of the Year
Delta Spirit - California
Jason Mraz - I Won't Give Up
Low Volts – Blame it on the Break Up
Crocodiles - Sunday (Psychic Conversation #9)
Switchfoot - Afterlife
Blink 182 - After Midnight
Angels & Airwaves - Surrender
P.O.D. - Lost In Forever



Album of the Year
Steve Poltz - Noineen Noiny Noin
Rob Crow – He Thinks He’s People
Delta Spirit - S/T
Crocodiles - Endless Flowers
Jason Mraz - Love is a Four Letter Word
Gregory Page - Shine Shine Shine
Blink 182 - Neighborhoods
Cattle Decapitation - Monolith of Inhumanity


Artist of the Year
The Silent Comedy
Little Hurricane
Crocodiles
Sara Watkins
Gilbert Castellanos
Switchfoot
Unwritten Law
Slightly Stoopid

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