Saturday, July 11, 2009

Book Review: Travelling Heroes(in the epic age of Homer) by Robin Lane Fox



Travelling Heroes (in the epic age of Homer)
by Robin Lane Fox
Knopf
p.  2008  (1st ed. US 2009)

Robin Lane Fox is a current professor of Ancient History at Oxford University, which is basically the most prestigious post of Ancient History in the entire world (English speaking or not) so he is a brilliant scholar just as a matter of course.  I would personally compare him to David Hackett Fisher in the United States, though I devoured this book in less then a day, and I gave Fisher's most recent book (biography of French explorer Champlaign) to my mother in law without bothering to read past page 50.

In Travelling Heroes Fox tackles would can loosely be described as "assorted scholarly debates over the greek epic era and sources of homeric myths."  Fox is conversant with many discplines outside of history, and in particular he uses recent archaleogical discoveries in the Middle East to buttress his argument that Homer wrote in the 8th century and the "Epic Era" was roughly 780- 720 BC as experienced by the Euboeans.

Through out the book Fox emphasizes linking mythic events to history by describing the myths in terms of physical geography that the Euboean travellers would have encountered in the 8th century B.C.

His chapter on the mountain that is presently known as Mount Aqraa is perhaps the single most illuminating chapter on any subject that I'll read about this year.  Mount Aqraa is a rather imposing looking mountain that happens to be set right next to the Sea on the Turkish/Syrian border.

It is equidistant between Greece and biblical Israel.  During the 8th century, and way, way earlier then that, the resident ethnic group was the neo-Hittite's and they worshipped a storm god named "Baal."  The Hittite's are a indo-european speaking people, and this storm god figure is consonant with Zeus, Jupiter, Odin, etc.  Anyways, the Hittite's worshipped this storm god at this mountain, and they were way, way older in terms of a civilization then either the greeks or the israelites.  So old, in fact, that the residents during the eighth century were neo-Hittites and not even the original Hittites.  Fox convincingly argues that this mountain and it's diety, similar to Zeus, made a deep impression on "dark age" greeks.  Similarly, this locus had a similar inspirational, shall we say, impact on the man writing the old testament.  In fact, Fox argues that Homer and the hypothetical author of the Bible ("J") lived within a single generation of one another.

Lane also gives other good examples of "Eastern" intrusion into Greek culture- particularly via the ancient, ancient cult of adonis (who might be the inspiration for Jesus, too.) but discredits just as many of these types of arguments, particularly those that seek to take away credit from Homer.  Overall he paints an ancient world where Greeks were eager to learn, but lacked the ability to really listen to other cultures.  

In the fine tradition of all ancient history, you can't help compare the Greek's cultural tone-deafness to our present American situation.  This book is literally filled with example of mythic names that came from Greeks not properly understanding what the "Natives"(who were more advanced in the east, and less in the west) were telling them.  It's similar to what happens here with Native American place names, although there the mistakes are always literal, i.e. monkey island because a Greek misheard an Etruscan and the Etruscan word sounded like the greek word for "monkey."

Fox undoubtably takes some positions on specific dates and arguments that will arouse opposition but I didn't take all of what he wrote as true, it's quite easy to identify places where he is simply arguing a position and doesn't have enough evidence.  Specifically- the top of Mount Aqraa is a restricted Turkish military zone and no archaeological work has been done there in close to a century.

Maino ft T-pain - All The Above [official video]



Why People Who Criticize Music for "Lack of Originality" Are Idiots

I often read criticisms of musical artists which focus on a perceived "lack of orginality." I think those people are morons. Here's why:


Before the advent of the printing press, the very transmittal of knowledge required skillful copying. In fact, before world wide adoption of the printing press, many cultures would criticize anything that wasn't a direct copy of something already in existence.

Copying is more integral to the very idea of knowledge and art then is originality. What is the point of originality? 99% of "originality" driven by the ego of an individual who simply doesn't realize that their vision has no relationship to anyone other then themselves. On the other hand, if something "new" is disseminated, it's very dissemination REQUIRES copying- whether that be mechanical production of compact discs or other artists duplicating their sound. The fact is that the later "copying" validates the original, and thus serves as a positive force for the original artist.

This criticism has nothing to do with marketing music or record sales or anything like that, it's more about the way individuals regard the world around them. The trend in modernity is to focus on the new, the novel, like crows pecking at shiny objects. This is a recent and arguably harmful trend. For most of history, humans who actually thought about things like religion, law or art valued repetition and copying. In my opinion, that old approach is more "human" and closer to who we are as beings, then is the new.

The very rate at which those reading this blog adopt and discard new ideas is a problem that is exacerbated in every way by technology- and such has been the case since the printing press. For every positive new idea there are a dozen harmful ideas and a million irrelevant ideas. Same for music, same for books. We need less, of everything.

Those critics are nothing more then a sad echo of Herman Melville's morose clerk Bartleby the Scrivener, responding to each succesive artistic endeavor with a pouty sniff and a muttered "I would prefer not to."

So to those who criticize music for "not being original" or "sounding too much like x." I say- maybe it is your written opinion that the world does not need.


Tonight @ Soda Bar: BEATERS

Single Screen Records Showcase: Beaters, Charles Musket, Illuminauts at Soda Bar.


Soda Bar shows don't start before 10 PM in my experience.

Friday, July 10, 2009

Trash Talk Hard Core

Well you listen to Fucked Up, don't you? Hard Core never died.  And they're from Sacramento.

Trash Talk (myspace)

Why Commenters Are the Worst Part Of Amateur Music Enthusiast Culture on the Web

This isn't just about music- it's about all internet sites everywhere. Commenting may be an integral part of the internet/media world, but it's a shitty part of that world. Commenters are, by and large, total idiots. The trolls who make up 95% of the comments made on the internet, are dwarfed by the 95% of internet readers who never make a single comment.


When you think about the context of a music blog, you have to ask what commenters add to the mix. They're going to read the post anyway- who cares what they think about the post? The writer of the blog KNOWS what his/her readership will think before they post, so there is no "feedback" potential. It does demonstrate interest level among amateur enthusiasts, but that function is vastly outweighed by the inferiority of the discourse. In the context of music blogs, comment culture is the media equivalent of feeding Christians to the Lions: It keeps the plebeians distracted from their own misery.

It's kind of like the jury that sentenced Socrates to death: Nice that Athens had a jury system way back when- democratic even- but those jurors were obviously idiots, because they voted to kill one of the greatest philsophers in the history of the world.

So I saw, you're better off without people who "like to comment."

No More Comments Ever

God I fucking hate internet commenting culture. Regular commenters on this blog- there are maybe 2- you are excepted.

All Leather July August Tour Dates



The relationship between Justin Pearson and all the recent bands coming out of San Diego has yet to be discussed (certainly he is a source of inspiration) but his own work in the Locust and All Leather has contained a heavy amount of spectacle.

All Leather is doing some heavy east coast dates w/ Chinese Stars and touring along the way. They play the Che Cafe w/ Rapid Youth, Kevin Greenspon and Made in Mexico on July 25th. Tickets for that show are $5-8 (sliding scale.)

07 19 Monterrey (MX? CA?)- Garage
07 24 Irvine CA- UC Irvine @
07 25 San Diego CA- Che Cafe @
07 31 Los Angeles CA- The Center for the Arts, Eagle Rock #
08 06 Los Angeles CA- The Echo $
08 10 Chicago Ill- Ronny's Bar
08 11 Detroit MI- The Garden Bowl
08 14 New York, NY- Webster Hall !
08 16 Providence, RI- Dark Lady !
08 17 Allston, MA- Harpers Ferry !
08 18 Philladelphia PA.- The Barber !
! w/ Chinese Stars

Michael Zimmerman Designed Show Posters Are Cool

made in mexico all leather rapid youth kevin greenspon che cafeMichael Zimmerman Flyer Art Gallery




Shark Attack is Back and they Are Ready to Perform LIVE!!!




Seth Combs "profiles" Shark Attack. (San Diego City Beat)

Exhibit "A" in "scenesters hate shark attack" (this is circa 2007.) (Cat Dirt Sez)

Unlike all those haters who call Patrick Heaney a "fag"- which is homophobic- by the way! I think what he has accomplished in establishing his gay identity as an artist and a performer is admirable. And this blog WILL NOT be a forum for bashing Patrick's homesexuality or his art. It takes courage for him to identify publically as a homosexual- even in this day and age, and he deserves support for that stand.

They are playing live at Voyeur tonight and doing a dj set tomorrow night at Voyeur. Voyeur is the new gaslamp venue/club run by Erica Jessup, formerly of the Beauty Bar when it didn't totally suck, and it occupies the space vacated by Ole Madrid.

Please don't leave any comments on this post- I won't publish them. Thx.

Thursday, July 09, 2009

New Band (to me) Aunt Dracula

From Philadelphia PA (myspace)

Beaters Post

Check out the Beaters @ Soda Bar Saturday night. If they can get more then 2 7"s out before the end of the year it could be something. They are also playing that killer Best Coast/Pearl Harbor show on July 17th at the Whistle Stop. I'm not even going to write about the July 17th show because I want to be able to see the bands and the Whistle Stop sucks when it's crowded. Why isn't that show at a bigger venue? I just wanted to convey a message from the very top: "Go slow- take it easy- see what happens, no rush."

Wait, Did Michael Jackson Die or Something?

...

Dirty Projectors w/ Rafter @ The Casbah


I like this band because appreciating them requires as much mental energy as I take to read 400 page books about ancient religions. @ the Casbah tonight w/ Rafter.

Wednesday, July 08, 2009

2007 Was A Year: A History of San Diego Popular Music

I did 2006 last month. This is 2007:



I. 2007

II. The Press

5. Left Unanswered "What the Fuck is a Skull Kontrol?" (Mario Orduno Interview) !
7. Cat Dirt Sez Quoted by Le Monde Twice (San Diego Fire) October 25th, 2007.


III. The Scene

1. Show Review: Muslims and Vultures @ the Beauty Bar (muslims/soft pack first show) January 7th, 2007.
2. Show Preview: First Anti Monday League @ the Casbah January 8th, 2007.
3. Show Review: The Muslims and No Age @ The Beauty Bar January 21st, 2007.
4. Show Review: Delta Spirit are the Next Cold War Kids February 4th, 2007.
5. Show Review: The Muslims @ the Che Cafe March 11th, 2007.
6. Show Review: Grand Ole Pary & The Muslims @ SD House Parties spo May 27th, 2007.
7. Show Review:949 Ind ependence Jam June 11th, 2007.
8. Thank You! (Sessions Fest 2007) September 16th, 2007.
9. Show Review: "The" Fest @ The Casbah October 6th, 2007.
10. A Very Hipster Halloween @ The Casbah October 31st, 2007.


IV. Outside San Diego

1. Los Angeles, CA Little Radio New Year's Eve January 1st, 2007; Show Review: Daft Punk in LA July 22nd, 2007.
3. Mexicali Mexico. Show Review: Fifty on Their Heels in Mexicali May 13th, 2007.
4. Las Vegas, NV Expeditionary Force Summary Las Vegas August 12th, 2007.

! 120 comments on that post.

San Diego is Blowin' Up


BLOWIN UP Y'ALL!!1

Crocodiles European Tour Dates


CROCODILES (US, Fat Possum)
Support: TBA

Už už jsme si mysleli že mejdanem s Tar...Feathers končí z naší strany tahle sezóna a budem se moct nadechnout k Velký legraci na začátku srpna v Kutný Hoře, ale z čistýho nebe se nachomýtla příležitost udělat v Praze last minute koncert kapele, kterou by bylo hřích odmítnout. CROCODILES je duo Charles Rowell a Brandon Welchez, jsou ze San Diega a nejde o žádný začátečníky – oba hráli v rozpuštěných The Plot To Blow Up The Eiffel Tower, navíc Rowell taky v Some Girls. To co ale hrajou Crocodiles je pevně zakořeněný v kytarový hudbě 80tých letech – nakonec podle jedný desky Bunnymen se tihle chlapíci pojmenovali. Klidně můžete ohrnout nos nad očividnou kopírkou Jesus And Mary Chain (nebo Raveonettes, jestli neradi listujete v historii bigbítu tak daleko), nám je tahle slabůstka Krokodýlů pro jen-tak-tak-k-vydržení vybuzený skřípění kytar, postvelvetovský riffy a páskovskej zpěv zpoza slunečních brejlí hodně sympatická. Retro tohohle modelu, ve kterým Crocodiles rozhodně nejedou sami (třeba s Crystal Stilts nebo A Place To Bury Strangers by asi našli společný téma hovoru) je milý, když se dělá dobře. Navíc Crocodiles to dokážo na pódiu pěkně rozjet, a to jen ve dvou.



11 07 PARADISO Amsterdam
12 07 OLD BLUE LAST London !
14 07 K4 Nurnburg
15 07 BANG BANG CLUB Berlin
17 07 CLUB 007 STRAHOV Prague
21 07 HANA BI Ravenna
22 07 PARKLIFE FESTIVAL Milan
23 07 MAKEUP CLUB Ghent
24 07 FREE BUTT Brighton
25 07 TRAMLINES FESTIVAL Sheffield
26 07 CHAMELEON Nottingham
26 07 ROYAL Derby
28 07 STEREO Glasgow
30 07 WHELANS Dublin
31 07 CHORLTON IRISH CLUB Manchester
01 08 CLWB IFOR BACH Cardiff
04 08 BARDENS BOUDOIR London

Question: How many of these venues have air conditioning? And: What, no Poupee de Son in Paris? Shame.

Tuesday, July 07, 2009

Crime Watch: Cruise Ships Becoming Preferred Escape Method for Fugitives?

Accused Molester Arrested on Cruise Ship (Channel 10 News)

July Music Events in San Diego CA.



07 09 Casbah Dirty Projectors, Rafter
07 11 Soda Bar Single Screen Records Showcase: Beaters, Charles Musket, Illuminatus
07 14 Casbah Mika Miko, Audacity, Beaters, Shannon and the Clams
07 20 Soda Bar Meth Teeth, Christmas Island, Fag Cop
07 24 Soda Bar Spirit Photography, BRAAAINS!!!, XYX, Blue Jungle
07 25 Che Cafe Made in Mexico, All Leather, Kevin Greenspon, Rapid Youth
07 30 Soda Bar Japandroids, Happy Hollows, Roxy Jones
07 31 Che Cafe Blank Tapes, Ancient Crux, Sunday Times, Aristides


Book Reviews from 2007


03 14 Imperial Berlin by Gerhard Masur
04 19 Dynamite! by Louis Adamic
05 28 The Yiddish Policeman's Union by Michael Chabon
06 16 Teen Age by John Savage
06 20 Revolution in Time by David Landes
06 28 North American Deserts by Edmund C. Jaeger
07 17 People v. Clarence Darrow by Geofrey Cowan
07 30 Divided Highways by Tom Lewis
11 05 Against the Day by Thomas Pynchon *

* = requires above average effort level.


gorrillavsbear mid year top ten

(GORILLAVSBEAR)

Show Review: Strange Boys, Coathangers, Heavy Hawaii, Anasazis @ Casbah 7/6/9



This band has a US tour starting next week: it looks like a real death march. This was my second viewing after receiving extremely positive word-of-mouth. This time I thought I noticed improvement in the drumming style. It was more Crystal Stilts and less Beat Happening. If you're going to do the lo fi thing I think you need to get the drum sounds right- I see similar questions that need to be addressed by Christmas Island. I think it needs to be put out there that the lead singer of the Ansazis, who I believe is Chris Rosi (as supposed to Chris Eck, who also plays guitar and sings) looks like Buddy Holly. That's just a fact and I'm sure photographs will confirm it. But I'm here to report that they had a crowd that showed up (relatively) early to see them perform. The audience enjoyed their music.

Here are some Anasazis dates for my out-of-town readers: playing the Smell in Los Angeles, CA on July 13th; New York City on July 24th at Don Pedros.


Has zero friends on myspace, which is just awesome. How fin is that? This is the best scene band ever- it's a three piece that features a cat on harmonium. The sound is v. Animal Collective, Deerhunter w/ wierd modulation on the vox that will appeal to some and irritate the haters. I liked it, crowd liked it. This is a band that should, ideally, put out three seven inches: first one in Chicago on Hozac Records, then one in New York on Captured Tracks, then one locally. That is the scene triangle right there. I promised my wife I wouldn't blog about the 'scene' but again, I just wanted to throw that idea out there: release all three seven inches in succession #1 in fall, #2 right before end of the year (for top 10 lists), #3 in the spring, tour w/ all three to sxsw and enjoy your Stereogum band to watch feature next May.

Joking aside, I really enjoyed Heavy Hawaii, recommend them to all and dig on the whole mystery angle. I support mysticism and wierdness by music acts.



Olympia/DC style girl punk from the ATL, this band had me in mind of Slant 6 and Bratmobile. They feature a keyboardist that ads a certain panache. Although I think I actually wanted to see Coathangers more then any other single band, their set left me with questions. Questions that didn't prevent me from buying all their merch and generally considering them adorable, but questions. Questions about the songwriting, mostly. I didn't hear any hits. I doubt they give a fuck about hits, and certainly they had a bigger crowd then 95% of like acts touring through the area, so it's hard to dish out any criticsm. I mean, I listen to the full length all the time.


I haven't been tracking on this band, and their set got pushed past midnight so I stayed for maybe a song or two. I want to point out that I saw many people carrying around the vinyl they brought, that the crowd was bigger then for any like event I've been to the Casbah at over the last several years, and that this was on the Monday after the fourth of july.

How to explain the high attendance? I have no answers. I suppose it's a "peak" on the sine wave that is amateur music enthusiasm. I would say that shows of this type are drawing more amateur music enthusiasts who have historically been unfamiliar with the Art Fag sound. I think that interest has been 'sparked' by the commerical success of similar artists.

I think the local bands who are involved here need to reach out to indie labels in other key markets- specifically nyc and chicago and use that relationship to generate interest there, and then use the cross current to spark national interest through the blogs.

Monday, July 06, 2009

Fuck! I missed the Switchfoot Bro Am AGAIN!

2009 Bro Am Review (SD DIALED IN)

Strange Boys & Coathangers @ Casbah Tonight

Check out the Casbah tonight:


Anti Monday League/Artfag present Strange Boys, Coathangers, Heavy Hawaii, The Anasazis, DJ Mario Orduno.

It's going to be a "scene." As they say on Brooklyn Vegan.

Book/Book/Movie Review: Major Trends in Jewish Mysticism, Consolations of Philosophy, Public Enemies

Reviewed in this post:


by Gershem Scholem
originally published 1946

The Consolations of Philosophy
by Alain De Botton
2001

Public Enemies
d. Michael Mann
s. Johnny Depp, Jude Law, Marion Cotrillard

I. Book Review: Major Trends in Jewish Mysticism by Gershem Scholem

You know a book is authoritative when the cover has a quote from Harold Bloom which says, "The book's influence has been enormous, and that is likely to continue all but indefinetly." That's a solid recommendation. I decided to read it because I asked my Rabbi friend "Can you recommend me a single book on the subject of Jewish Mysticism?" and this book is what he selected.

My recent reading about Hindu/Vedic, Greek, Roman culture has led me to be interested in the currents of mysticism in the ancient (and therefore modern) world. Most particularly, the idea of transmigration of souls or "reincarnation" as the hindu's call it, is something that is quite central to Hindu and Buddhist doctrine, is a central belief of Pythagoreous and is also present within Jewish mystical circles as well. I think it is interesting to see how this idea of reincarnation spread. It seems like something that is simeltaneously both native to the human race and yet foreign to many "advanced" or "modern" religions.

Jewish mysticism is basically a) Hasidim midevial/modern and b) Kabbalah Spanish/Palestine. I suppose it's an interesting topic if you have a cultural interest in Judaism, but from an "ancient mystical beliefs" perspective it's only so-so; mainly because mystical Judaism has been heavily influenced by Christian and Islamic mysticism (and Hindu mysticism) and the records have not been preserved very well. So you can't go that far back, and the subject isn't as well developed as you see in Christianity or Islam, let alone Hindusim and Buddhism. Hence, I can't really recommend that anyone check out this book unless you are super into heavy german style academic prose and lots and lots of references to "gnosticism."

II. Book Review: The Consolations of Philosophy by Alain De Botton

I wanted to throw this in here as a "shout-out" to Alain de Botton. He's a writer I've been meaning to check out for months since I read about him in Monocle magazine. His published work is kind of in the area of your Malcolm Gladwell's and Stephen Hawkings. Botton is a philosophy (tenured?) professor at University of London, which is not as prestigious as Cambridge and Oxford but is located in London proper.

This book is basically "Philosophy for Dummies" or rather "Philosophy for not-Dummies." Using about three photographs per page (not kidding) Botton breaks down how we can apply various Western philospohies to our everyday life. Like "Socrates tells you how to accept what life metes out to you" and "Seneca tells you to act when you get really screwed over." It's so casually written it requires roughly the same level of brain capacity you muster for an US weekly, and in that way I'd recommend that almost anyone check it out since it functions as a kind of high level "self help" book, and everyone eats up that shit with a spoon.

III. Moview Review: Public Enemies d. Michael Mann

I respect the films of Michael Mann from a criminal defense lawyer pespective. He does a reasonably good job of conveying the work of criminals. Here he creates a film which is likely to be considered his masterpiece. I thought it was Oscar worthy. Johnny Depp turns in a nuanced performance as John Dillinger. Christian Bale is convincing as FBI agent in charge Melvin Purvis. Mann has clearly been watching the films of Terence Malick, specifically The Thin Red Line.

I think Mann's departure from typical narrative/film grammar traditions will make some viewers "confused" by this film to the point where they come out and say they don't like it, but any criticisms of the film itself from a technical/artistic stand point are misguided, I think.

I'll admit I looked at the Metacritc score (70) before I wrote this review. I def. agree with the lovers- not the haters here. Maybe it's because I spend every single day of my life immersed in the world of criminal law, but Public Enemies is an epic success in my mind. Looking at his IMDB profile, it's obvious this is by far the best movie of his entire career.

Recent Federal Indictment Describes Gulf Cartel Management Structure

Border, BrownsvilleBrownsville Texas Border Area


I have not blogged about the gulf cartel in a while. The Mexican drug war was national news for about a minute, and now it's not, but the beat goes on. The most recent salvo was fired by DC based feds in a new indictment which describes the management structure of the Gulf Cartel:

The Gulf Cartel recruited the Zetas in the 1990s to help muscle its way into a highly competitive Mexican drug market.
But over the past three years, the paramilitary organization - made up of former special operations soldiers and rural street thugs - has grown in stature, engaged in independent criminal endeavors and has become an equal partner in the business once dominated by its creator.

An indictment in a federal case against the leadership of both groups describes for the first time the hierarchy between the two, who refer to themselves collectively as "The Company."
The document paints a picture of two organizations that have grown more independent of each other in their smuggling activities while continuing to work together to maintain control over Southeast Texas' valuable trafficking routes.

The extradition of alleged former Gulf Cartel chief Osiel Cárdenas Guillén from Mexico in 2006 set off a leadership crisis within the organization. Cárdenas was arrested in Matamoros in 2003 but was believed to have run the criminal organization from his Mexican prison cell. He is now awaiting trial in Houston on multiple counts of conspiracy, drug trafficking and threatening a U.S. federal agent.

In Cárdenas' absence, three leaders have emerged to helm the drug trafficking organization, the June 9 indictment states.

His brother - Antonio Ezequiel "Tony Tormenta" Cárdenas Guillén , 47 - took the reins after his sibling's arrest along with fellow cartel leader 37-year-old Jorge Eduardo "El Coss" Costilla Sánchez, federal investigators say.
Zeta commander Heriberto "Lazca" Lazcano Lazcano, 34 - a founding member of the paramilitary group believed to be one of its most violent members - also took on a prominent role.

These indictments have a loooonnnggggg pendency- check out news stories about indictments related to the Arellano Felix Drug Trafficking Organization from the 90s onward. Clearly the story here is the 'Rise of the Zetas.' National Geographic Channel, take note.

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