Dedicated to classics and hits.

Saturday, July 11, 2009

Book Review: Travelling Heroes(in the epic age of Homer) by Robin Lane Fox



Travelling Heroes (in the epic age of Homer)
by Robin Lane Fox
Knopf
p.  2008  (1st ed. US 2009)

Robin Lane Fox is a current professor of Ancient History at Oxford University, which is basically the most prestigious post of Ancient History in the entire world (English speaking or not) so he is a brilliant scholar just as a matter of course.  I would personally compare him to David Hackett Fisher in the United States, though I devoured this book in less then a day, and I gave Fisher's most recent book (biography of French explorer Champlaign) to my mother in law without bothering to read past page 50.

In Travelling Heroes Fox tackles would can loosely be described as "assorted scholarly debates over the greek epic era and sources of homeric myths."  Fox is conversant with many discplines outside of history, and in particular he uses recent archaleogical discoveries in the Middle East to buttress his argument that Homer wrote in the 8th century and the "Epic Era" was roughly 780- 720 BC as experienced by the Euboeans.

Through out the book Fox emphasizes linking mythic events to history by describing the myths in terms of physical geography that the Euboean travellers would have encountered in the 8th century B.C.

His chapter on the mountain that is presently known as Mount Aqraa is perhaps the single most illuminating chapter on any subject that I'll read about this year.  Mount Aqraa is a rather imposing looking mountain that happens to be set right next to the Sea on the Turkish/Syrian border.

It is equidistant between Greece and biblical Israel.  During the 8th century, and way, way earlier then that, the resident ethnic group was the neo-Hittite's and they worshipped a storm god named "Baal."  The Hittite's are a indo-european speaking people, and this storm god figure is consonant with Zeus, Jupiter, Odin, etc.  Anyways, the Hittite's worshipped this storm god at this mountain, and they were way, way older in terms of a civilization then either the greeks or the israelites.  So old, in fact, that the residents during the eighth century were neo-Hittites and not even the original Hittites.  Fox convincingly argues that this mountain and it's diety, similar to Zeus, made a deep impression on "dark age" greeks.  Similarly, this locus had a similar inspirational, shall we say, impact on the man writing the old testament.  In fact, Fox argues that Homer and the hypothetical author of the Bible ("J") lived within a single generation of one another.

Lane also gives other good examples of "Eastern" intrusion into Greek culture- particularly via the ancient, ancient cult of adonis (who might be the inspiration for Jesus, too.) but discredits just as many of these types of arguments, particularly those that seek to take away credit from Homer.  Overall he paints an ancient world where Greeks were eager to learn, but lacked the ability to really listen to other cultures.  

In the fine tradition of all ancient history, you can't help compare the Greek's cultural tone-deafness to our present American situation.  This book is literally filled with example of mythic names that came from Greeks not properly understanding what the "Natives"(who were more advanced in the east, and less in the west) were telling them.  It's similar to what happens here with Native American place names, although there the mistakes are always literal, i.e. monkey island because a Greek misheard an Etruscan and the Etruscan word sounded like the greek word for "monkey."

Fox undoubtably takes some positions on specific dates and arguments that will arouse opposition but I didn't take all of what he wrote as true, it's quite easy to identify places where he is simply arguing a position and doesn't have enough evidence.  Specifically- the top of Mount Aqraa is a restricted Turkish military zone and no archaeological work has been done there in close to a century.

Thursday, July 09, 2009

Beaters Post

       Check out the Beaters @ Soda Bar Saturday night. If they can get more then 2 7"s out before the end of the year it could be something. They are also playing that killer Best Coast/Pearl Harbor show on July 17th at the Whistle Stop. I'm not even going to write about the July 17th show because I want to be able to see the bands and the Whistle Stop sucks when it's crowded. Why isn't that show at a bigger venue? I just wanted to convey a message from the very top: "Go slow- take it easy- see what happens, no rush."

Wednesday, July 08, 2009

2007 Was A Year: A History of San Diego Popular Music

I did 2006 last month. This is 2007:



I. 2007

II. The Press

5. Left Unanswered "What the Fuck is a Skull Kontrol?" (Mario Orduno Interview) !
7. Cat Dirt Sez Quoted by Le Monde Twice (San Diego Fire) October 25th, 2007.


III. The Scene

1. Show Review: Muslims and Vultures @ the Beauty Bar (muslims/soft pack first show) January 7th, 2007.
2. Show Preview: First Anti Monday League @ the Casbah January 8th, 2007.
3. Show Review: The Muslims and No Age @ The Beauty Bar January 21st, 2007.
4. Show Review: Delta Spirit are the Next Cold War Kids February 4th, 2007.
5. Show Review: The Muslims @ the Che Cafe March 11th, 2007.
6. Show Review: Grand Ole Pary & The Muslims @ SD House Parties spo May 27th, 2007.
7. Show Review:949 Ind ependence Jam June 11th, 2007.
8. Thank You! (Sessions Fest 2007) September 16th, 2007.
9. Show Review: "The" Fest @ The Casbah October 6th, 2007.
10. A Very Hipster Halloween @ The Casbah October 31st, 2007.


IV. Outside San Diego

1. Los Angeles, CA Little Radio New Year's Eve January 1st, 2007; Show Review: Daft Punk in LA July 22nd, 2007.
3. Mexicali Mexico. Show Review: Fifty on Their Heels in Mexicali May 13th, 2007.
4. Las Vegas, NV Expeditionary Force Summary Las Vegas August 12th, 2007.

! 120 comments on that post.

San Diego is Blowin' Up



BLOWIN UP Y'ALL!!1

Tuesday, July 07, 2009

Show Review: Strange Boys, Coathangers, Heavy Hawaii, Anasazis @ Casbah 7/6/9




This band has a US tour starting next week: it looks like a real death march. This was my second viewing after receiving extremely positive word-of-mouth. This time I thought I noticed improvement in the drumming style. It was more Crystal Stilts and less Beat Happening. If you're going to do the lo fi thing I think you need to get the drum sounds right- I see similar questions that need to be addressed by Christmas Island. I think it needs to be put out there that the lead singer of the Ansazis, who I believe is Chris Rosi (as supposed to Chris Eck, who also plays guitar and sings) looks like Buddy Holly. That's just a fact and I'm sure photographs will confirm it. But I'm here to report that they had a crowd that showed up (relatively) early to see them perform. The audience enjoyed their music.

Here are some Anasazis dates for my out-of-town readers: playing the Smell in Los Angeles, CA on July 13th; New York City on July 24th at Don Pedros.


Has zero friends on myspace, which is just awesome. How fin is that? This is the best scene band ever- it's a three piece that features a cat on harmonium. The sound is v. Animal Collective, Deerhunter w/ wierd modulation on the vox that will appeal to some and irritate the haters. I liked it, crowd liked it. This is a band that should, ideally, put out three seven inches: first one in Chicago on Hozac Records, then one in New York on Captured Tracks, then one locally. That is the scene triangle right there. I promised my wife I wouldn't blog about the 'scene' but again, I just wanted to throw that idea out there: release all three seven inches in succession #1 in fall, #2 right before end of the year (for top 10 lists), #3 in the spring, tour w/ all three to sxsw and enjoy your Stereogum band to watch feature next May.

Joking aside, I really enjoyed Heavy Hawaii, recommend them to all and dig on the whole mystery angle. I support mysticism and wierdness by music acts.



Olympia/DC style girl punk from the ATL, this band had me in mind of Slant 6 and Bratmobile. They feature a keyboardist that ads a certain panache. Although I think I actually wanted to see Coathangers more then any other single band, their set left me with questions. Questions that didn't prevent me from buying all their merch and generally considering them adorable, but questions. Questions about the songwriting, mostly. I didn't hear any hits. I doubt they give a fuck about hits, and certainly they had a bigger crowd then 95% of like acts touring through the area, so it's hard to dish out any criticsm. I mean, I listen to the full length all the time.


I haven't been tracking on this band, and their set got pushed past midnight so I stayed for maybe a song or two. I want to point out that I saw many people carrying around the vinyl they brought, that the crowd was bigger then for any like event I've been to the Casbah at over the last several years, and that this was on the Monday after the fourth of july.

How to explain the high attendance? I have no answers. I suppose it's a "peak" on the sine wave that is amateur music enthusiasm. I would say that shows of this type are drawing more amateur music enthusiasts who have historically been unfamiliar with the Art Fag sound. I think that interest has been 'sparked' by the commerical success of similar artists.

I think the local bands who are involved here need to reach out to indie labels in other key markets- specifically nyc and chicago and use that relationship to generate interest there, and then use the cross current to spark national interest through the blogs.

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