Cane River by Lalita Tademy

 1,001 Novels: A Library of America

Cane River (2001)

by Lalita Tademy

Cane River, Louisiana

Louisiana: 6/28

  Cane River is, geographically speaking, the westernmost title in this entire Chapter of the 1,001 Novels: A Library of America.  Louisiana is culturally distinct from Georgia, Alabama and Mississippi because of greater diversity among the population, notably an enfranchised, property owning and even slave holding elite that co-existed with whites throughout the 18th and 19th century.  "Elite" of course, is a relative term.  At one end of the spectrum there were the cosmopolitans of New Orleans. At the other end there are the families of Cane River, mixed race families with some limited advantages over the local white settlers, but without the protections of big city life.  Tademy lovingly depicts this precarious existence over several generations.

 I checked out this Audiobook because this book actually sounded interesting and it was, but it was still hard to take at times because of the wanton sexual violence that every African American seemingly experience in antebellum America and finds its way into any serious literary account of the time and place.

How the Word is Passed (2022) by Clint Smith

 Audiobook Review

How the Word is Passed (2022)

by Clint Smith

  I highly recommend the Monuments exhibit at MOCA-Geffen in Los Angeles- one of the best museums exhibits I've seen in the past decade.   This exhibit features several "decommissioned" Confederate War memorials (mostly from Baltimore) with companion pieces by contemporary artists.  While we were there, my partner mentioned this book, which I strangely was only barely aware of, despite immersing myself in the literature of the deep south for the past six months.  Smith's method is that of an essayist, each chapter takes him to a different location in the South where he takes a tour, talks to the people who work there and other tourists, and contrasts the opinions of those people with his own and gives it the perspective of his own research as a scholar of the period.

   Every chapter is interesting for different reasons.  Smith is an excellent writer and the entire experience reminded me of a Southern-US focused Teju Cole.  After seeing the exhibit and listening to the book, it's impossible to not see the connection between the two.  In fact, I wouldn't be surprised if  How the Word is Passed didn't directly inspire Monuments.  The basic thesis of both works is that southern whites have systematically perpetuated ideas that seek obscure and diminish the truths of the experience of slavery.  I love Monuments, and I loved this book, but at the same time it is hard to ignore (as Smith does) the fact that he himself embraces and embodies an academic tradition synonymous with "cultural relativism." 

  Throughout How the Word is Passed Smith performs an interesting double move that saturates the entire book and indeed many of the novels I've read as part of the 1,001 Novels Project which can be best described this way:

1.  Until the Civil Rights movement there was only a limited critique of the Antebellum South AND contemporary conditions in the south.

2.  The Civil Rights movement forced the abandonment/revision of overt, legally sanctioned racisms by the Governments of the South.

3.  The emergence of cultural relativism in American universities allowed scholar to go back and properly diagnose the earlier period and create a comprehensive critique of the Antebellum South and its universe of horrors.

  However, this third point can hardly be said to have penetrated into the hearts and minds of everyday people living in the south, and the idea that Smith can waltz into these places, and act surprised that educated and non-educated Southerners have different ideas is frequently risible.  It's preaching to the converted, is what I'm saying.  But as one of the converted, I found it this book very illuminating.