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Thursday, January 15, 2026

The Next Step in the Dance (1998) by Tim Gautreaux

1,001 Novels: A Library of America
The Next Step in the Dance (1998)
by Tim Gautreaux
Morgan City, Louisiana
Louisiana: 7/28

    It is rare that I actually really enjoy reading a book in the 1,001 Novels: A Library of America.  Part of that derives from the fact that I've read, essentially, all of the "classics" that Susan Straight has included in the project- we are talking about canon level titles from 19th, 20th and 21st century American literature here, and let's face it, the list isn't that long.  Part of it comes from the fact that Straight needs to rely heavily on chick-lit and genre fiction to actually populate large swathes of the American literary map.  And I guess the last part of it is the lack of thematic variety within each particular state- I really should be going through and doing one book at a time from each state instead of staying within a single region/chapter of the project to avoid that particular phenomenon. 

  Which is all a preamble for saying that I actually enjoyed reading The Next Step in the Dance on its own merit, and Tim Gautreaux is an author who I would be interested in reading outside of a project-based title.  I know for sure the reason I liked this book is that the main character was blue collar (a Cajun machinist) and part of the book actually deals with his work life and the things he has to do as part of that life.  It's an issue that extends well beyond the 1,001 Novels: A Library of America to all precincts of American literature and most of American fiction- which is that books are written by authors, and most authors- particularly writers of literary fiction- haven't done shit in their lives except write fiction.  This means they can't believably write about work, let alone make a whole novel about it, which means that all fiction is inevitably domestic fiction, family fiction, and that world gets boring as hell year after year.

  I would love to read a work of fiction about a farmer where the author actually knew something about the business and practice of farming, and writes about that,  instead of one of fifty novels in the 1,001 Novels: A Library of America where the events take PLACE on a farm but are ABOUT the abuse a young girl suffers at the hands of her father or family trauma generally. 
  

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