The Book Woman of Troublesome Creek(2019) by Kim Michele Richardson

 1,001 Novels: A Library of America

The Book Woman of Troublesome Creek (2019) 

by Kim Michele Richardson

Sigman Road, Troublesome Creek, Kentucky

Kentucky: 8/16

   During the Work Projects Administration, the Federal Government paid women to schlep library books into the hollows of Kentucky.  Also, in Kentucky there was a family of "Blue People"- the Fugates, who due the chance marriage of a French immigrant to a local girl, inherited a recessive genetic trait that caused their skin to turn blue from a lack of oxygen in the blood.  The Book Woman of Troublesome Creek combines these two true stories into a single novel about a woman- called Bluet, who is the last, blue-skinned woman of her kind, and works for the WPA as a book woman.   Truly, author Kim Michele Richardson stuck some kind of thematic alchemy with her combination of the two subjects, making The Book Woman uncommonly affecting for a book of this type. 

  Most notably was her classification as a "colored' person alongside the only African American woman in the valley.  This part of the book seemed a little far-fetched, since I've made through the entire deep south with many not black but not white characters and it seems like a blue skinned woman of EUROPEAN ancestry would not be classified as "colored."  To me, that sounds more like a definition you would have come across in the urban north, where groups like the Irish and Italians were commonly discriminated against and referred to as non-white, in spite of their European ancestry.

The Dollmaker (1954) by Harriette Arnow

 1,001 Novels: A Library of America

The Dollmaker (1954)

by Harriette Arnow

Pulaski County, Kentucky

Kentucky: 7/16

  Calling The Dollmaker a Kentucky novel is a little misleading, in that the vast majority of this 500 page plus book takes place squarely within Detroit, Michigan.  It's about Kentucky as much as a novel about a New York City immigrant family from Italy is about Italy.  It's also a melodrama, a genre so down on its luck that it has become a pejorative adjective.  Arnow's heroine is a plucky housewife from the holler with a talent for whittling.   During World War II, her husband, a coal miner with a talent for "tinkering" finds work as a skilled machinist in a War factory.   The wife puts up a small amount of resistance before she whisks herself and her children off to city live circa World War II era Detroit.  Spoiler alert: It sucks and she hates it.

  The Dollmaker is squarely in the "protagonist never leaves the house" quarter of the 1,001 Novels: A Library of America.  This lady gets herself and her family to the apartment/townhouse in Detroit, and thereafter she leaves the immediate of the vicinity once for a visit to the school of her children, once to the hospital to accompany an injured child and that is it. End of list. Twice in over five hundred pages of text.  The Dollmaker reminds me of Malone Dies by Samuel Beckett.  Basically, all this lady does is worry and eventually she makes some dolls.  Her children adjust to urban life with varying degrees of success, and not for the first time in this chapter I am reminded that the "upward mobility through education" style American dream doesn't work for children who are taught to feel "less than" at school.

 Another theme from the Kentucky Appalachian area is that holler culture is not the product of degenerate's inbreeding, rather it represents a migration of a specific sort of people: white immigrants who mostly came from the borderlands of England and Scotland without much organization or forethought, settling where no one else wanted the land.  The whole point of mountain Kentucky was to escape elites telling them what to do and how to live, and that persists to today.  It wasn't like there was some well-organized period and then things fell out- Kentucky hill people were the same from the 18th century to the present in their cultural characteristics.

True Grit (1968) by Charles Portis

 1,001 Novels: A Library of America

True Grit (1968)

by Charles Portis

Yell County, Arkansas

Arkansas: 1/8

   Arkansas has to be one of the least literary of the United States of America. True Grit is the only title out of the eight from this state I'd ever heard of before the 1,001 Novels project.  I listened to an Audiobook edition narrated by Donna Tartt, of all people.  As she explains in the afterword, True Grit is one of her favorite books, so she leapt at the chance to be the voice of Mattie Ross, the diminutive narrator and protagonist of the revenge tale best known for the movie version with John Wayne as US Marshall Rooster Cogburn.   Tartt wrote an interesting afterword where she speculates on why such a classic novel (I agree) is hardly read anymore- she places the blame at the feet of the John Wayne starring movie (there was a more recent version with Jeff Bridges and Hailee Steinfeld as Mattie Ross) for being a successful dumbing-down of the plot of the book. 

  True Grit was a real discovery for me- I raced through the Audiobook.  I thought Mattie Ross was a delightful character, and Donna Tartt fairly amazed me with her voicing of the text.  Surely the best novel from Arkansas in the 1,001 Novels project.

Weeds (1923) by Edith Summers Kelley

 1,001 Novels: A Library of America

Weeds (1923) 

by Edith Summers Kelley

Scott County, Kentucky

Kentucky: 6/16

    Author Edith Summers Kelley is the attraction here.  She was a Greenwich village hipster and was engaged to Upton Sinclair for a couple years.  Ended up marrying his roommate, that marriage fell apart, then she married another artist, they moved to Kentucky and cosplayed/larped as tobacco farmers for a few years.  They then relocated to the Imperial Valley desert outside of San Diego- one of my favorite places, where she wrote a second novel about pioneering out in the Imperial Valley.  The second novel was never published, the first fell out of print and was later rediscovered and republished, which also led to her other novel being republished.  Kelley ended up in San Diego- the postscript of the edition I read had an interview with her.

  In that sense, Weeds is just about as inauthentic as a book could be, but the fact that it was published in 1923 excuses the inauthencity, as does the proto feminist POV.   A theme I've noticed from the older novels in Kentucky is an attention to dialect that seems almost Joycean.  I'm almost distracted by the linguistic questions that "Hillbilly" raises.  These days, people recognize that the way people speak in the western Appalachians is not a degraded version of the King's English but its own dialect that is closer to the English of the colonial era than any other remaining.  Thus, a novel set in 1920's Kentucky can put us closer to the 18th century then a 19th century novel set in New England or New York.