Waveland (2009) by Frederick Barthelme

 1,001 Novels: A Library of America

Waveland (2009)

by Frederick Barthelme

Waveland, Mississippi

Mississippi: 9/18

  Frederick Barthelme is the younger brother of noted American postmodernist author Donald Barthelme- who showed up in the 1,001 Books to Read Before You Die list a couple times- enough for me to get the drift that he is a difficult writer to actually enjoy, and to be confused by his prose, which is kinda the point with his brand of postmodernism.  Frederick is a different kind of author, call him a minimalist or maybe a pointillist, in that he specializes in the minutiae of everyday life, often written from the perspective who are going through it.

   His protagonist here is a semi-retired, semi-divorced architect doing a whole lot of nothing in coastal Louisiana. Waveland's characters stood out to me because the protagonist, at least, seemed more like a familiar "coastal elite" of literary fiction than a southerner, let alone a Cajun. His ex-wife and the other characters are more southern specific.  Barthelme does a good job evoking the landscape, a combination of the acuity of his protagonist, the fact that he has plenty of time to sit around and look at stuff and the distinctiveness of the landscape itself.  For example, you know when there is a house on stilts that plays into the plot, you know you can only be in a certain region of the country.

 Unlike most of the books from this part of the country there are no horrific, traumatizing incidents involving race, gender, sexuality or some combination of the three.  Low stakes fiction, but a pleasure to read. Maybe I identified a bit too closely with his protagonist. 

Capitalism (2025) by Sven Beckert

 Book Review

Capitalism: A Global History (2025)

by Sven Beckert

  I don't care about money all that much, but I'm obsessed with Capitalism, particularly the history of capitalism.  I'm also a fan of historian Sven Beckert- I really liked his Empire of Cotton, which I read back in 2019.  I also enjoyed his anthology Slavery's Capitalism, which I read in anticipation of the release of this book.   As much as I'm interested in any single subject in world history it is the history of capitalism.  Beckert's effort is laudable and about as good as any book for a general readership which takes in this entire subject in one volume is going to get.

 Much of what Beckert seeks to establish is the global part- recognizing that capitalism is NOT just something that happened during the industrial revolution in northwest Europe.  Beckert identifies an idea of the pre-modern capitalism of "nodes" or islands, of merchant driven capitalism that extend back to the dawn of civilization, in places like Oman, India and Venice.  These were physically small places where capitalism was defined by long-distance trade, and its exponents were merchants. 

 He then moves to what is probably the most important, and least well understood chapter, the era of "War Capitalism" which lay-people know as the colonial period, where western polities (and later, Japan) expanded into the New World and Africa and established a commodity-production model of capitalism that relied heavily on clearing land of indigenous peoples and replacing them with huge, single product plantations powered by slave labor.  Historically, defenders of capitalism sought to distance it from this epoch, but Becker relies on a half-century of scholarship which places War Capitalism and slavery at the center of the world-capitalist experience. 

 The War Capitalist chapter is really the high-point, with Beckert synthesizing a lot of scholarship that may be unfamiliar to a casual reader.  After that, everything gets pretty predictable:  The initial industrial revolution, the second aka "Fordist" industrial revolution, the rise of consumer capitalism, etc.  There wasn't much after the war capitalism chapters that really held my attention but it is hard not to appreciate Beckert's ability to make a dry subject (economic history) come to life for something resembling a general audience.

Can't Quit You, Baby (1988) by Ellen Douglas

 1,001 Novels: A Library of America

Can't Quit You, Baby (1988)

by Ellen Douglas

Jackson, Mississippi

Mississippi: 8/18

  Ellen Douglas was a writer of southern domestic fiction (and the pen name for Josephine Haxton).  According to her 2012 New York Time obituary, her wheelhouse was domestic fiction with post-modern influences (she cited Milan Kundera as a primary influence).  In books like Can't Quit You, Baby, much of the action took place inside the home, with the characters telling each other tales from their past.   In this book, domestic servant Tweet and lady-of-the-house Cornelia, spend the entire time prepping a meal in the kitchen.  Within this framework, they both reminisce, with much of the spoke banter between the two revolving around the fact that Cornelia is both literally and figuratively deaf to Tweet's experience. 

  As the book goes on, the reader learns that Cornelia, too, has had her struggles, including escaping her mother's home to marry her Irish American beau during World War II and a son who marries a somewhat questionable mother-of-two against her wishes.  Tweet's struggles are center stage, particularly her experience with her dying guardian-Grandfather and her dissolute father, who returns only to steal her inheritance. 

The Past is Never (2018) by Tiffany Quay Tyson

 1,001 Novels: A Library of America

The Past is Never (2018)

by Tiffany Quay Tyson

Forest, Mississippi

Mississippi: 7/18

   I know when the book jacket copy references Flannery O'Connor and "Southern Gothic" that the book in question will be interesting.  The Past is Never is set in the Delta, but the story stretches to the Florida everglades, making this title a bit of a 1,001 Novels: A Library of America Mississippi/Florida cross-over. Like many of the books from this part of the United States, The Past is Never features three young siblings who are being raised in benevolent neglect in a rural part of the country.  Here, the relevant landscape feature is a forbidden abandoned quarry where the children like to swim during the hot summer.  This being a novel, tragedy strikes when the two older siblings who are the protagonists, misplace their younger sister.  Somewhat suspiciously, their money counterfeiting father disappears around the same time.

   The first half of the book features the brother/sister duo struggling with the repercussions of their sister's abrupt and final disappearance, and then the second half has them off the Florida everglades in search of their father, who "dies" under extremely suspicious circumstances in a Florida motel room after a decade of non-contact.  Everything is fecund and you can practically hear the mosquitos buzzing throughout.  Personally, I didn't find much that was Faulknerian other than the locale, let alone any themes or stylistic writing motifs that reminded me of Flannery O'Connor- it just seems like those are the two reference points for any white southern author with any literary ambition.